The French Theater Since 1930

The French Theater Since 1930 PDF Author: Pucciani
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 400

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Book Description

The French Theater Since 1930

The French Theater Since 1930 PDF Author: Pucciani
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 400

Get Book

Book Description


“The” French Theater Since 1930

“The” French Theater Since 1930 PDF Author: Oreste F. Pucciani
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 400

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Book Description


The French Theater Since 1930

The French Theater Since 1930 PDF Author: Oreste F Pucciani
Publisher: Hassell Street Press
ISBN: 9781013361012
Category :
Languages : en
Pages : 424

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

French Theatre in the Neo-classical Era, 1550-1789

French Theatre in the Neo-classical Era, 1550-1789 PDF Author: William Driver Howarth
Publisher: Cambridge University Press
ISBN: 9780521230131
Category : Drama
Languages : en
Pages : 764

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Book Description
This 1997 book covers the period which saw the establishment in France of a centralized official theatre - not only the Comédie-Française (the first 'national' theatre), but an Italian theatre and a state opera; the often subversive independent theatres are also discussed. Nearly 1,000 documents deal with censorship and other aspects of external control, company management, the acting profession, dramatic theory and criticism, theatre architecture, settings and costumes, audience composition and behaviour. Over 120 pictorial documents - architectural drawings, technical engravings, frontispieces, portraits, etc. - provide a visual dimension where relevant. A full linking narrative and a copious bibliography help to make this an important reference work and a valuable research tool.

French Theater Since 1968

French Theater Since 1968 PDF Author: Bettina Liebowitz Knapp
Publisher: Macmillan Reference USA
ISBN:
Category : Drama
Languages : en
Pages : 222

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Book Description
One of the Twayne's World Authors Series, this volume features: an interpretive study of French theatre since 1968, a brief biography; a chronology and relevant historical background; and aids to further study including notes, references and annotated bibliography.

Molière, the French Revolution, and the Theatrical Afterlife

Molière, the French Revolution, and the Theatrical Afterlife PDF Author: Mechele Leon
Publisher: University of Iowa Press
ISBN: 1587298910
Category : Drama
Languages : en
Pages : 198

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Book Description
From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière’s works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of honor in the nation’s new cultural memory. Leon begins by analyzing the performance of Molière’s plays during the Revolution, showing how his privileged position as royal servant was disrupted by the practical conditions of the revolutionary theatre. Next she explores Molière’s relationship to Louis XIV, Tartuffe, and the social function of his comedy, using Rousseau’s famous critique of Molière as well as appropriations of George Dandin in revolutionary iconography to discuss how Moliérean laughter was retooled to serve republican interests. After examining the profusion of plays dealing with his life in the latter years of the Revolution, she looks at the exhumation of his remains and their reentombment as the tangible manifestation of his passage from Ancien Régime favorite to new national icon. The great Molière is appreciated by theatre artists and audiences worldwide, but for the French people it is no exaggeration to say that the Father of French Comedy is part of their national soul. By showing how he was represented, reborn, and reburied in the new France—how the revolutionaries asserted his relevance for their tumultuous time in ways that were audacious, irreverent, imaginative, and extreme—Leon clarifies the important role of theatrical figures in preserving and portraying a nation’s history.

French Theater Since 1968

French Theater Since 1968 PDF Author: Bettin Knapp
Publisher:
ISBN: 9780614025804
Category :
Languages : en
Pages :

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British Theatre Since the War

British Theatre Since the War PDF Author: Dominic Shellard
Publisher: Yale University Press
ISBN: 0300147910
Category : Performing Arts
Languages : en
Pages : 243

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Book Description
British theatre of the past fifty years has been brilliant, varied, and controversial, encompassing invigorating indigenous drama, politically didactic writing, the formation of such institutions as the National Theatre, the exporting of musicals worldwide from the West End, and much more. This entertaining and authoritative book is the first comprehensive account of British theatre in this period. Dominic Shellard moves chronologically through the half-century, discussing important plays, performers, directors, playwrights, critics, censors, and agents as well as the social, political, and financial developments that influenced the theatre world. Drawing on previously unseen material (such as the Kenneth Tynan archives), first-hand testimony, and detailed research, Shellard tackles several long-held assumptions about drama of the period. He questions the dominance of Look Back in Anger in the 1950s, arguing that much of the theatre of the ten years prior to its premiere in 1956 was vibrant and worthwhile. He suggests that theatre criticism, theatre producers, and such institutions as the National Theatre and the Royal Shakespeare Company have played key roles in the evolution of recent drama. And he takes a fresh look at the work of Terence Rattigan, Harold Pinter, Joe Orton, Alan Ayckbourn, Timberlake Wertenbaker, and other significant playwrights of the modern era. The book will be a valuable resource not only for students of theatre history but also for any theatre enthusiast.

Mise en Scène

Mise en Scène PDF Author: David Bradby
Publisher: Methuen Publishing
ISBN:
Category : Drama
Languages : en
Pages : 344

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Book Description
Part one provides an historical and critical survey of drama and theatre in France since 1968. Part two features a listings guide to major theatre companies, intstitutions, festivals, schools and an A-Z of contemporary playwrights and directors.

Historical Dictionary of French Theater

Historical Dictionary of French Theater PDF Author: Edward Forman
Publisher: Scarecrow Press
ISBN: 9780810874510
Category : Performing Arts
Languages : en
Pages : 336

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Book Description
The Historical Dictionary of French Theater relates the history of the French theater through a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, trends, genres, concepts, and literary and historical developments that played a central role in the evolution of French theater.