The French stage and the French people, as illustrated in the memoirs of m. Fleury, ed. by T. Hook

The French stage and the French people, as illustrated in the memoirs of m. Fleury, ed. by T. Hook PDF Author: Joseph Abraham Bénard
Publisher:
ISBN:
Category : Actors, French
Languages : en
Pages : 822

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The French stage and the French people, as illustrated in the memoirs of m. Fleury, ed. by T. Hook

The French stage and the French people, as illustrated in the memoirs of m. Fleury, ed. by T. Hook PDF Author: Joseph Abraham Bénard
Publisher:
ISBN:
Category : Actors, French
Languages : en
Pages : 822

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The French Stage and the French People, as Illustrated in the Memoirs of M. Fleury. Edited by Theodore Hook

The French Stage and the French People, as Illustrated in the Memoirs of M. Fleury. Edited by Theodore Hook PDF Author: Joseph Abraham BÉNARD (called Fleury.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 396

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The French Stage and the French People

The French Stage and the French People PDF Author: Jean-Baptiste-Pierre Lafitte
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 394

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Molière, the French Revolution, and the Theatrical Afterlife

Molière, the French Revolution, and the Theatrical Afterlife PDF Author: Mechele Leon
Publisher: University of Iowa Press
ISBN: 1587298910
Category : Drama
Languages : en
Pages : 198

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Book Description
From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière’s works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of honor in the nation’s new cultural memory. Leon begins by analyzing the performance of Molière’s plays during the Revolution, showing how his privileged position as royal servant was disrupted by the practical conditions of the revolutionary theatre. Next she explores Molière’s relationship to Louis XIV, Tartuffe, and the social function of his comedy, using Rousseau’s famous critique of Molière as well as appropriations of George Dandin in revolutionary iconography to discuss how Moliérean laughter was retooled to serve republican interests. After examining the profusion of plays dealing with his life in the latter years of the Revolution, she looks at the exhumation of his remains and their reentombment as the tangible manifestation of his passage from Ancien Régime favorite to new national icon. The great Molière is appreciated by theatre artists and audiences worldwide, but for the French people it is no exaggeration to say that the Father of French Comedy is part of their national soul. By showing how he was represented, reborn, and reburied in the new France—how the revolutionaries asserted his relevance for their tumultuous time in ways that were audacious, irreverent, imaginative, and extreme—Leon clarifies the important role of theatrical figures in preserving and portraying a nation’s history.

The French Stage and the French People

The French Stage and the French People PDF Author: Jean-Baptiste-Pierre Lafitte
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 440

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The French Stage and the French People, as Illustrated in the Memoirs of M. Fleury. Edited by Theodore Hook

The French Stage and the French People, as Illustrated in the Memoirs of M. Fleury. Edited by Theodore Hook PDF Author: Joseph Abraham BÉNARD (called Fleury.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 438

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The French Stage and the French People

The French Stage and the French People PDF Author: Henry Colburn
Publisher: Wentworth Press
ISBN: 9781010140207
Category : History
Languages : en
Pages : 428

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The French Stage and the French People as Illustrated in the Memoirs of M. Fleury

The French Stage and the French People as Illustrated in the Memoirs of M. Fleury PDF Author: Abraham Joseph Bénard Fleury (known as)
Publisher:
ISBN:
Category : Actors
Languages : en
Pages :

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The French Stage and the French People, as Illustrated in the Memoirs of M. Fleury. Edited by Theodore Hook

The French Stage and the French People, as Illustrated in the Memoirs of M. Fleury. Edited by Theodore Hook PDF Author: Joseph Abraham BÉNARD (called Fleury.)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The Sentimental Theater of the French Revolution

The Sentimental Theater of the French Revolution PDF Author: Cecilia Feilla
Publisher: Routledge
ISBN: 1317016300
Category : Performing Arts
Languages : en
Pages : 274

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Book Description
Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.