The Frank C. Brown Collection of North Carolina Folklore, Vol. 4 of 7

The Frank C. Brown Collection of North Carolina Folklore, Vol. 4 of 7 PDF Author: Jan Philip Schinhan
Publisher: Forgotten Books
ISBN: 9780331792126
Category : Music
Languages : en
Pages : 474

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Book Description
Excerpt from The Frank C. Brown Collection of North Carolina Folklore, Vol. 4 of 7: The Music of the Ballads William A. Neilson, writing in the first edition of Encyclopedia Americana (1918) says: Thus, the life of a modern poem begins when it is committed to paper; a ballad then begins to die. Having this in mind, it was reluctantly and with serious concern that this editor, after two weeks Of consideration, finally accepted the invitation extended to him by the late Dr. Newman I. White, the general editor Of this Collee tion, to join his editorial staff. This meant to take over the transcription Of the recordings of more than one thousand ballads and songs, and the editing of volumes IV and V which contain the music of the ballads and songs. It was only the hope that these transcriptions of the tunes recorded by Dr. Brown might serve someone Who loved this precious heritage to refresh his mind, recall impressions of earlier days and thus relive them in happy reminiscence, which assuaged the troubled mind of this editor. Perchance, they might also serve to introduce some persons to tunes they never heard before, or at least not in the versions given here. They might thus add to the store of treasures which have come down to us from the early settlers on this continent. And so, it was the hope such persons might sing the airs for themselves and others, and, in the course of time, the Old process of 'collective composition' would take up where it left Off, and our ballad tradition, oral as usual, would again come to life. When Dr. White approached this editor some years ago, he said there were more than a thousand songs recorded by Dr. Brown, but that all of them, not counting the ones destroyed in transit to the Library of Con gress, had been transferred by technicians of the Library using the best of recording discs and the most modern means available today. On the strength of this and this writer's familiarity with the excellence of work done by the Music Division of the Library of Congress, he accepted the task. Only later did Dr. White inform him that Dr. Brown, in his enthusiasm over his recordings, had played these records (wax cylinders) numerous times for his students, without so much as changing needles. The result was that the 'dubbing' reproduced the resultant scratch of the needle with a disconcerting degree of fidelity. Add to this the fact that too many of the cylinders, while not totally destroyed in transit, were cracked enough so that the needle used in playing them produced, in passing over the cracks, a sound pattern similar to that of a railroad car passing over the joints of the tracks. This is mentioned only to explain to some degree why it has taken so very long before even the part con taining the ballads could appear. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Frank C. Brown Collection of North Carolina Folklore, Vol. 4 of 7

The Frank C. Brown Collection of North Carolina Folklore, Vol. 4 of 7 PDF Author: Jan Philip Schinhan
Publisher: Forgotten Books
ISBN: 9780331792126
Category : Music
Languages : en
Pages : 474

Get Book Here

Book Description
Excerpt from The Frank C. Brown Collection of North Carolina Folklore, Vol. 4 of 7: The Music of the Ballads William A. Neilson, writing in the first edition of Encyclopedia Americana (1918) says: Thus, the life of a modern poem begins when it is committed to paper; a ballad then begins to die. Having this in mind, it was reluctantly and with serious concern that this editor, after two weeks Of consideration, finally accepted the invitation extended to him by the late Dr. Newman I. White, the general editor Of this Collee tion, to join his editorial staff. This meant to take over the transcription Of the recordings of more than one thousand ballads and songs, and the editing of volumes IV and V which contain the music of the ballads and songs. It was only the hope that these transcriptions of the tunes recorded by Dr. Brown might serve someone Who loved this precious heritage to refresh his mind, recall impressions of earlier days and thus relive them in happy reminiscence, which assuaged the troubled mind of this editor. Perchance, they might also serve to introduce some persons to tunes they never heard before, or at least not in the versions given here. They might thus add to the store of treasures which have come down to us from the early settlers on this continent. And so, it was the hope such persons might sing the airs for themselves and others, and, in the course of time, the Old process of 'collective composition' would take up where it left Off, and our ballad tradition, oral as usual, would again come to life. When Dr. White approached this editor some years ago, he said there were more than a thousand songs recorded by Dr. Brown, but that all of them, not counting the ones destroyed in transit to the Library of Con gress, had been transferred by technicians of the Library using the best of recording discs and the most modern means available today. On the strength of this and this writer's familiarity with the excellence of work done by the Music Division of the Library of Congress, he accepted the task. Only later did Dr. White inform him that Dr. Brown, in his enthusiasm over his recordings, had played these records (wax cylinders) numerous times for his students, without so much as changing needles. The result was that the 'dubbing' reproduced the resultant scratch of the needle with a disconcerting degree of fidelity. Add to this the fact that too many of the cylinders, while not totally destroyed in transit, were cracked enough so that the needle used in playing them produced, in passing over the cracks, a sound pattern similar to that of a railroad car passing over the joints of the tracks. This is mentioned only to explain to some degree why it has taken so very long before even the part con taining the ballads could appear. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Frank C. Brown Collection of North Carolina Folklore, Vol. 7

The Frank C. Brown Collection of North Carolina Folklore, Vol. 7 PDF Author: Frank C. Brown
Publisher: Forgotten Books
ISBN: 9781333804800
Category : Social Science
Languages : en
Pages : 724

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Book Description
Excerpt from The Frank C. Brown Collection of North Carolina Folklore, Vol. 7: Popular Beliefs and Superstitions From North Carolina; 4874-8569 That the Ballads and Songs, both text and tunes, Should OC cupy four Of our seven volumes is natural and proper, for they have been a principal interest Of collectors in the United States and Great Britain, although the music was until comparatively lately neglected. It is also right and proper that Dr. Hand's two volumes of Popular Beliefs and Superstitions should bring the Collection to its conclusion. For 'superstition' in all senses rep resents more closely and more widely than ballad singing the mind of the folk. Ballads are entertainment, superstitions are the folk mind itself. Two distinctions, moreover, are worth noting. The editing Of ballads and songs was necessarily the work Of specialists and conditioned by their special methods; whereas the superstitions and beliefs have come directly or indi rectly from the contributors and are left in their original form. The other is that these superstitions differ in degree and quality Of belief. We all have our private collection in which we believe, but not very seriously. Even the most untrained minds must qualify in some respects their adherence to this or that super stition and make Of it a kind Of game with themselves. Many Of these 'beliefs' call for a sense of humor and a measure Of credulity in both informant and collector. While in print some of them may look trivial, they are all in fact a testimony Of the immitigable vagaries, the anfractuosities, of the human mind. A real superstition is a belief you yourself do not Share. What is truth? Said esting Pilate, but the jest turned against him. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Frank C. Brown Collection of North Carolina Folklore, Vol. 5 of 7

The Frank C. Brown Collection of North Carolina Folklore, Vol. 5 of 7 PDF Author: Frank C. Brown
Publisher: Forgotten Books
ISBN: 9780656192304
Category : Music
Languages : en
Pages : 690

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Book Description
Excerpt from The Frank C. Brown Collection of North Carolina Folklore, Vol. 5 of 7: The Music of the Folk Songs About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Frank C. Brown Collection of North Carolina Folklore: and 7. Superstitions from North Carolina

The Frank C. Brown Collection of North Carolina Folklore: and 7. Superstitions from North Carolina PDF Author: Frank C. Brown Collection of North Carolina Folklore
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages :

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The Frank C. Brown Collection of North Carolina Folklore: Folk ballads from North Carolina

The Frank C. Brown Collection of North Carolina Folklore: Folk ballads from North Carolina PDF Author: Frank C. Brown Collection of North Carolina Folklore
Publisher:
ISBN:
Category : Folk-songs, American
Languages : en
Pages : 794

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The Frank C. Brown Collection of NC Folklore

The Frank C. Brown Collection of NC Folklore PDF Author: Frank C. Brown
Publisher: Duke University Press
ISBN: 9780822302575
Category : History
Languages : en
Pages : 692

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Book Description
Frank C. Brown organized the North Carolina Folklore Society in 1913. Both Dr. Brown and the Society collected stores from individuals—Brown through his classes at Duke University and through his summer expeditions in the North Carolina mountains, and the Society by interviewing its members—and also levied on the previous collections made by friends and members of the Society. The result was a large mass of texts and notes assembled over a period of nearly forty years and covering every aspect of local tradition.

The Frank C. Brown Collection of North Carolina Folklore: Folk songs from North Carolina

The Frank C. Brown Collection of North Carolina Folklore: Folk songs from North Carolina PDF Author: Frank C. Brown Collection of North Carolina Folklore
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages :

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The Frank C. Brown Collection of North Carolina Folklore

The Frank C. Brown Collection of North Carolina Folklore PDF Author: Frank C. Brown
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Popular Beliefs and Superstitions from North Carolina

Popular Beliefs and Superstitions from North Carolina PDF Author: Wayland D. Hand
Publisher: Duke University Press
ISBN: 9780822302599
Category : Folklore
Languages : en
Pages : 726

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The Frank C. Brown Collection of North Carolina Folklore; the Folklore of North Carolina, Collected by Dr. Frank C. Brown During the Years 1912 to 1943, in Collaboration With the North Carolina Folklore Society

The Frank C. Brown Collection of North Carolina Folklore; the Folklore of North Carolina, Collected by Dr. Frank C. Brown During the Years 1912 to 1943, in Collaboration With the North Carolina Folklore Society PDF Author: Frank C Brown Collection of North Ca
Publisher: Legare Street Press
ISBN: 9781015899520
Category :
Languages : en
Pages : 0

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.