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Author: Konrad Buhagiar
Publisher: Artifice Incorporated
ISBN: 9781907317170
Category : Architecture
Languages : en
Pages : 192
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Book Description
The Founding Myths of Architecture brings together and discusses the work of some of the most influential and intriguing figures in the history of architecture. By returning to the authentic roots from which modern architectural thought has sprung, it explores the significance of the discipline in relation to the evolution of mankind. The contributors, international leading theorists from a variety of disciplines, provide fascinating texts that contribute to the broad discussion on architecture and its relationship with science, nature, art and society. Kari Jormakka, Fabio Barry, Pedro Azara, Caspar Pearson and Henry Dietrich Fern�ndez are just some of the respected scholars whose writings comprise this authoritative look at the origins of architectural practice and its importance to the development of modern society. By exploring architecture as a basic human instinct, linking contemporary architecture to ideas surrounding mythology and cosmos and assessing the importance of architecture from an anthropological viewpoint, The Founding Myths of Architecture is a refreshing take on architectural theory. The oeuvre of Frank Lloyd Wright, Le Corbusier, Louis Kahn, Francesco Borromini, Andr� Le Notre, Giorgio Grognet and Marcus Vitruvius Pollio amongst others is visually referenced in the context of these topics. Published in both French and English editions, this collection of essays pushes the boundaries of architectural criticism by encompassing history and anthropology in its analysis of design theory and by moving away from a purely rational and functional understanding of architecture.
Author: Konrad Buhagiar
Publisher: Artifice Incorporated
ISBN: 9781907317170
Category : Architecture
Languages : en
Pages : 192
Get Book Here
Book Description
The Founding Myths of Architecture brings together and discusses the work of some of the most influential and intriguing figures in the history of architecture. By returning to the authentic roots from which modern architectural thought has sprung, it explores the significance of the discipline in relation to the evolution of mankind. The contributors, international leading theorists from a variety of disciplines, provide fascinating texts that contribute to the broad discussion on architecture and its relationship with science, nature, art and society. Kari Jormakka, Fabio Barry, Pedro Azara, Caspar Pearson and Henry Dietrich Fern�ndez are just some of the respected scholars whose writings comprise this authoritative look at the origins of architectural practice and its importance to the development of modern society. By exploring architecture as a basic human instinct, linking contemporary architecture to ideas surrounding mythology and cosmos and assessing the importance of architecture from an anthropological viewpoint, The Founding Myths of Architecture is a refreshing take on architectural theory. The oeuvre of Frank Lloyd Wright, Le Corbusier, Louis Kahn, Francesco Borromini, Andr� Le Notre, Giorgio Grognet and Marcus Vitruvius Pollio amongst others is visually referenced in the context of these topics. Published in both French and English editions, this collection of essays pushes the boundaries of architectural criticism by encompassing history and anthropology in its analysis of design theory and by moving away from a purely rational and functional understanding of architecture.
Author: Heike Paul
Publisher: transcript Verlag
ISBN: 3839414857
Category : Social Science
Languages : en
Pages : 451
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Book Description
This essential introduction to American studies examines the core foundational myths upon which the nation is based and which still determine discussions of US-American identities today. These myths include the myth of »discovery,« the Pocahontas myth, the myth of the Promised Land, the myth of the Founding Fathers, the melting pot myth, the myth of the West, and the myth of the self-made man. The chapters provide extended analyses of each of these myths, using examples from popular culture, literature, memorial culture, school books, and every-day life. Including visual material as well as study questions, this book will be of interest to any student of American studies and will foster an understanding of the United States of America as an imagined community by analyzing the foundational role of myths in the process of nation building.
Author: Zeev Sternhell
Publisher: Princeton University Press
ISBN: 140082236X
Category : History
Languages : en
Pages : 436
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Book Description
The well-known historian and political scientist Zeev Sternhell here advances a radically new interpretation of the founding of modern Israel. The founders claimed that they intended to create both a landed state for the Jewish people and a socialist society. However, according to Sternhell, socialism served the leaders of the influential labor movement more as a rhetorical resource for the legitimation of the national project of establishing a Jewish state than as a blueprint for a just society. In this thought-provoking book, Sternhell demonstrates how socialist principles were consistently subverted in practice by the nationalist goals to which socialist Zionism was committed. Sternhell explains how the avowedly socialist leaders of the dominant labor party, Mapai, especially David Ben Gurion and Berl Katznelson, never really believed in the prospects of realizing the "dream" of a new society, even though many of their working-class supporters were self-identified socialists. The founders of the state understood, from the very beginning, that not only socialism but also other universalistic ideologies like liberalism, were incompatible with cultural, historical, and territorial nationalism. Because nationalism took precedence over universal values, argues Sternhell, Israel has not evolved a constitution or a Bill of Rights, has not moved to separate state and religion, has failed to develop a liberal concept of citizenship, and, until the Oslo accords of 1993, did not recognize the rights of the Palestinians to independence. This is a controversial and timely book, which not only provides useful historical background to Israel's ongoing struggle to mobilize its citizenry to support a shared vision of nationhood, but also raises a question of general significance: is a national movement whose aim is a political and cultural revolution capable of coexisting with the universal values of secularism, individualism, and social justice? This bold critical reevaluation will unsettle long-standing myths as it contributes to a fresh new historiography of Zionism and Israel. At the same time, while it examines the past, The Founding Myths of Israel reflects profoundly on the future of the Jewish State.
Author: Andrew L. Seidel
Publisher: Sterling
ISBN: 9781454943914
Category : History
Languages : en
Pages : 368
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Book Description
Was America founded on Judeo-Christian principles? Are the Ten Commandments the basis for American law? In the paperback edition of this critically acclaimed book, a constitutional attorney settles the debate about religion's role in America's founding. In today's contentious political climate, understanding religion's role in American government is more important than ever. Christian nationalists assert that our nation was founded on Judeo-Christian principles, and advocate an agenda based on this popular historical claim. But is this belief true? The Founding Myth answers the question once and for all. Andrew L. Seidel builds his case by comparing the Ten Commandments to the Constitution and contrasting biblical doctrine with America's founding philosophy, showing that the Declaration of Independence contradicts the Bible. Thoroughly researched, this persuasively argued and fascinating book proves that America was not built on the Bible and that Christian nationalism is un-American. Includes a new epilogue reflecting on the role Christian nationalism played in fomenting the January 6, 2021, insurrection in DC and the warnings the nation missed.
Author: Joseph Altshuler
Publisher: Applied Research & Design
ISBN: 9781951541613
Category : Animals in art
Languages : en
Pages : 0
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Book Description
Creatures Are Stirring is an optimistic manifesto that rescripts the anthropocentric narratives of Western architecture with new myths for a playfully compassionate and co-habitable future. The book reconceptualizes buildings as our friends by amplifying architecture's creaturely qualities--formal embellishments, fictional enhancements, and organizational strategies that suggest animal-like agency. In an unsettled world, these qualities initiate more companionable relationships between humans and the built environment, and ultimately foster greater solidarity with other human and nonhuman lifeforms. Addressing a broad audience, Creatures Are Stirring uses the apparent subjecthood of familiar objects like plush toys and sports mascots to guide readers towards a novel way of seeing, reading, and making creaturely architecture. The book combines the authors' essays and memoirs (narrated from buildings' points of view) with contributions from contemporary architects whose work collectively defines an architectural territory that is at once grounded in disciplinary rigor and urgent realities, and liberated to elicit fantastical futures.
Author: Sarah Williams Goldhagen
Publisher: Yale University Press
ISBN: 9780300077865
Category : Architecture
Languages : en
Pages : 316
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Book Description
She demonstrates instead that Kahn's architecture is grounded in his deeply held modernist political, social, and artistic ideals, which guided him as he sought to rework modernism into a socially transformative architecture appropriate for the postwar world.".
Author: Noah Charney
Publisher: Thames & Hudson
ISBN: 0500778647
Category : Social Science
Languages : en
Pages : 289
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Book Description
Slavic cultures are far-ranging, comprising of East Slavs (Russia, Ukraine, Belarus), West Slavs (Czech Republic, Slovakia, Poland) and South Slavs (the countries of former Yugoslavia plus Bulgaria), yet they are connected by tales of adventure and magic with deep roots in a common lore. In this first collection of Slavic myths for an international readership, Noah Charney and Svetlana Slapak expertly weave together a retelling of the ancient stories with nuanced analysis that illuminates their place at the heart of Slavic tradition. Though less familiar to us than the legends of ancient Egypt, Greece and Scandinavia, in the world of Slavic mythology we find much that we can recognize: petulant deities, demons and faeries; witches, the sinister vestica, whose magic may harm or heal; a supreme god who can summon storms and hurl thunderbolts. Gods gather under the World Tree, reminiscent of Norse mythologys Yggdrasill; or, after the coming of Christianity, congregate among the clouds. The vampire usually the only Serbo-Croatian word in any foreign-language dictionary and the werewolf emerge from the shallow graves of Slavic belief. In their careful analysis and sensitive reconstructions of the origin stories, Charney and Slapsak unearth the Slavic beliefs before their distortion first by Christian chroniclers and then by 19th-century scholars seeking origin stories for their new-born nation states. They reveal links not only to the neighbouring pantheons of Greece, Rome, Egypt and Scandinavia but also the belief systems of indigenous peoples of Australia, the Americas, Africa and Asia. In so doing, they draw out the universalities that cut across cultures in the stories we tell ourselves.
Author: William F. McCants
Publisher: Princeton University Press
ISBN: 0691151482
Category : History
Languages : en
Pages : 193
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Book Description
From the dawn of writing in Sumer to the sunset of the Islamic empire, Founding Gods, Inventing Nations traces four thousand years of speculation on the origins of civilization. Investigating a vast range of primary sources, some of which are translated here for the first time, and focusing on the dynamic influence of the Greek, Roman, and Arab conquests of the Near East, William McCants looks at the ways the conquerors and those they conquered reshaped their myths of civilization's origins in response to the social and political consequences of empire. The Greek and Roman conquests brought with them a learned culture that competed with that of native elites. The conquering Arabs, in contrast, had no learned culture, which led to three hundred years of Muslim competition over the cultural orientation of Islam, a contest reflected in the culture myths of that time. What we know today as Islamic culture is the product of this contest, whose protagonists drew heavily on the lore of non-Arab and pagan antiquity. McCants argues that authors in all three periods did not write about civilization's origins solely out of pure antiquarian interest--they also sought to address the social and political tensions of the day. The strategies they employed and the postcolonial dilemmas they confronted provide invaluable context for understanding how authors today use myth and history to locate themselves in the confusing aftermath of empire.
Author: William Richard Lethaby
Publisher: Courier Corporation
ISBN: 0486435199
Category : Architecture
Languages : en
Pages : 290
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Book Description
First published in 1892, this classic explores the symbolism of classical architecture. A milestone in relating mysticism to design, it shows the correlation between mythology and the design of St. Paul's Cathedral, the Taj Mahal, the Palace of Versailles, and other architectural masterpieces. 30 black-and-white illustrations.
Author: Paolo Nicoloso
Publisher: University of Toronto Press
ISBN: 1442631007
Category : Architecture
Languages : en
Pages : 470
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Book Description
During the fascist years in Italy, architecture and politics enjoyed a close alliance. Benito Mussolini used architecture to educate the masses, exploiting its symbolic prowess as a powerful tool for achieving political consensus. Mussolini, Architect examines Mussolini in Italy from 1922 to 1943 and expands the traditional interpretations of fascism, advancing the claim that Mussolini devised and implemented architecture as a tool capable of determining public behaviour and influencing opinion. Paolo Nicoloso challenges the assertion that Mussolini was of minimal influence on Italian architecture and argues that in fact the fascist leader played a strong role in encouraging civic architectural development in order to reflect the totalitarian values of the period. Drawing on archival documents, Nicoloso lists the architects who gave Mussolini ideas and describes the times when the dictator himself sometimes picked up a pencil and suggested changes. Examining the political, social, and architectural history of the fascist period, Mussolini, Architect gives careful attention to the final years of fascist rule in order to demonstrate the extent to which Mussolini was intent on shaping Italy and its citizens through architectural projects.
