Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
Book Description
National Art Library Catalogue : Victoria and Albert Museum, London, England : Catalogue of Exhibition Catalogues
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
Book Description
American Art Directory
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 928
Book Description
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 928
Book Description
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
Clarence Holbrook Carter
Author: Frank Trapp
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 152
Book Description
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 152
Book Description
Arts Digest
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 762
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 762
Book Description
The Beal Collection of American Art
Author: Carnegie Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 126
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 126
Book Description
American Photography
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 934
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 934
Book Description
Museum News
Author: Laurence Vail Coleman
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 534
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 534
Book Description
The Ebsworth Collection
Author: Bruce Robinson
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 312
Book Description
This book, the companion volume to an exhibition at the National Gallery of Art, Washington, and the Seattle Art Museum, showcases the extraordinary collection of modern American masterworks assembled by Barney A. Ebsworth, a St. Louis businessman.The collection includes paintings, sculpture, and works on paper by artists such as Patrick Henry Bruce, Alexander Calder, Willem de Kooning, Marsden Hartley, David Hockney, Edward Hopper, Jasper Johns, Jackson Pollock, Charles Sheeler, and Wayne Thiebaud.With more than 135 illustrations and an illuminating essay by distinguished art historian Bruce Robertson, this book will be a revelation to anyone who loves 20th-century American art.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 312
Book Description
This book, the companion volume to an exhibition at the National Gallery of Art, Washington, and the Seattle Art Museum, showcases the extraordinary collection of modern American masterworks assembled by Barney A. Ebsworth, a St. Louis businessman.The collection includes paintings, sculpture, and works on paper by artists such as Patrick Henry Bruce, Alexander Calder, Willem de Kooning, Marsden Hartley, David Hockney, Edward Hopper, Jasper Johns, Jackson Pollock, Charles Sheeler, and Wayne Thiebaud.With more than 135 illustrations and an illuminating essay by distinguished art historian Bruce Robertson, this book will be a revelation to anyone who loves 20th-century American art.
The Golden Age
Author: Cincinnati Art Museum
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 228
Book Description
William Glackens
Author: William H. Gerdts
Publisher: Abbeville Publishing Group
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
The life and work of one of the most admired American Impressionists are fully detailed in the first major monograph on the artist. William Glackens was one of the most influential American painters in the first decades of the twentieth century. From his beginnings as a witty magazine artist-illustrator in Philadelphia and New York to his participation in the forward-thinking group of artists dubbed The Eight, Glackens was a perceptive interpreter of his surroundings. Glackens, one of the most versatile and popular artists of his time, assimilated the lighthearted modern French themes of spirited cafés and bustling parks and resorts in such canvases as Chez Mouquin (1905) and Sledding, Central Park (1912). An admirer of the more traditional figure painting of the Impressionist Renoir, his name also became closely linked to the modern artists who exhibited their works at the famous Armory Show of 1913, which Glackens helped organize. This important study, the first major monograph on Glackens, includes an insightful essay by Dr. William Gerdts and a complete catalog, introduced by curator Jorge Santis, describing the incomparable holdings of the Glackens Collection of the Museum of Art, Fort Lauderdale, Florida. With a chronology, bibliography, and index, this profusely illustrated volume is sure to become the standard reference on Glackens for historians and collectors of twentieth-century art.
Publisher: Abbeville Publishing Group
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
The life and work of one of the most admired American Impressionists are fully detailed in the first major monograph on the artist. William Glackens was one of the most influential American painters in the first decades of the twentieth century. From his beginnings as a witty magazine artist-illustrator in Philadelphia and New York to his participation in the forward-thinking group of artists dubbed The Eight, Glackens was a perceptive interpreter of his surroundings. Glackens, one of the most versatile and popular artists of his time, assimilated the lighthearted modern French themes of spirited cafés and bustling parks and resorts in such canvases as Chez Mouquin (1905) and Sledding, Central Park (1912). An admirer of the more traditional figure painting of the Impressionist Renoir, his name also became closely linked to the modern artists who exhibited their works at the famous Armory Show of 1913, which Glackens helped organize. This important study, the first major monograph on Glackens, includes an insightful essay by Dr. William Gerdts and a complete catalog, introduced by curator Jorge Santis, describing the incomparable holdings of the Glackens Collection of the Museum of Art, Fort Lauderdale, Florida. With a chronology, bibliography, and index, this profusely illustrated volume is sure to become the standard reference on Glackens for historians and collectors of twentieth-century art.