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Author: Lori Branch
Publisher: Baylor University Press
ISBN: 1932792112
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Winner of the Book of the Year Award for the Conference on Christianity and Literature.--Thomas H. Luxon, Dartmouth College "CHOICE"
Author: Walpole Society (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 536
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Book Description
Author: Lori Branch
Publisher: Baylor University Press
ISBN: 1932792112
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Winner of the Book of the Year Award for the Conference on Christianity and Literature.--Thomas H. Luxon, Dartmouth College "CHOICE"
Author: Hendrik J. Horn
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 420
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Book Description
Author: Walpole Society (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 316
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Book Description
Author: Rebecca Messbarger
Publisher: University of Toronto Press
ISBN: 1442624752
Category : History
Languages : en
Pages : 568
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Book Description
Benedict XIV and the Enlightenment offers a comprehensive assessment of Benedict's engagement with Enlightenment art, science, spirituality, and culture.
Author: Carolyn Yerkes
Publisher: Princeton University Press
ISBN: 0691206104
Category : Art
Languages : en
Pages : 240
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Book Description
Layers / by Heather Hyde Minor -- Lost and found / by Carolyn Yerkes -- Pages / by Carolyn Yerkes -- Dedicated and sent / by Heather Hyde Minor -- Bound / by Heather Hyde Minor -- Sold / by Carolyn Yerkes.
Author: Lesley Stevenson
Publisher: Getty Publications
ISBN: 1606069020
Category : Art
Languages : en
Pages : 112
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Book Description
The life and career of Louise Moillon (1609/10–1696) offers a fascinating case study of a supremely talented artist whose posthumous reputation has been mired in invisibility. Born and raised in Paris, Moillon was the sole woman in a circle of Calvinist Protestant émigrés who brought their tradition of still-life painting with them from Flanders. During her lifetime, she was able to enjoy a degree of professional independence and attract enough recognition to be regarded as on a level with her male counterparts, yet her exquisite work and enigmatic story are little known today. This illustrated biography examines some of the ways in which Moillon’s story has been represented since the revival of interest in her work and draws on recent scholarship to situate the painter in her rightful place. Offering a sweeping exploration of the genre of still life, this book also chronicles how a woman in early modern France was able to capture the attention of the artistic world while dissecting why her prominence waned in the centuries following her death.
Author: Richard H. Saunders
Publisher: National Portrait Gallery
ISBN:
Category : Architecture
Languages : en
Pages : 364
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Book Description
Author: Sarah Betzer
Publisher: Penn State Press
ISBN: 0271096691
Category : Art
Languages : en
Pages : 272
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Book Description
Framed by tensions between figural sculpture experienced in the round and its translation into two-dimensional representations, Animating the Antique explores enthralling episodes in a history of artistic and aesthetic encounters. Moving across varied locations—among them Rome, Florence, Naples, London, Dresden, and Paris—Sarah Betzer explores a history that has yet to be written: that of the Janus-faced nature of interactions with the antique by which sculptures and beholders alike were caught between the promise of animation and the threat of mortification. Examining the traces of affective and transformative sculptural encounters, the book takes off from the decades marked by the archaeological, art-historical, and art-philosophical developments of the mid-eighteenth century and culminantes in fin de siècle anthropological, psychological, and empathic frameworks. It turns on two fundamental and interconnected arguments: that an eighteenth-century ontology of ancient sculpture continued to inform encounters with the antique well into the nineteenth century, and that by attending to the enduring power of this model, we can newly appreciate the distinctively modern terms of antique sculpture’s allure. As Betzer shows, these eighteenth-century developments had far-reaching ramifications for the making and beholding of modern art, the articulations of art theory, the writing of art history, and a significantly queer Nachleben of the antique. Bold and wide-ranging, Animating the Antique sheds light upon the work of myriad artists, in addition to that of writers ranging from Goethe and Winckelmann to Hegel, Walter Pater, and Vernon Lee. It will be especially welcomed by scholars and students working in eighteenth- and nineteenth-century art history, art writing, and art historiography.
Author: Dror Wahrman
Publisher: Oxford University Press
ISBN: 0199876371
Category : History
Languages : en
Pages : 284
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Book Description
Three hundred years ago, an unprecedented explosion in inexpensive, disposable print--newspapers, pamphlets, informational publications, artistic prints--ushered in a media revolution that forever changed our relationship to information. One unusually perceptive man, an obscure Dutch/British still life painter named Edward Collier, understood the full significance of these momentous changes and embedded in his work secret warnings about the inescapable slippages between author and print, meaning and text, viewer and canvas, perception and reality. Working around 1700, Collier has been neglected, even forgotten, precisely because his secret messages have never been noticed, let alone understood. Until now. In Mr. Collier's Letter Racks, Dror Wahrman recovers the tale of an extraordinary illusionist artist who engaged in a wholly original way with a major transformation of his generation. Wahrman shows how Collier developed a hidden language within his illusionist paintings--replete with minutely coded messages, witty games, intricate allusions, and private jokes--to draw attention to the potential and the pitfalls of this new information age. A remarkably shrewd and prescient commentator on the changes unfolding around him, not least the advent of a new kind of politics following the Glorious Revolution, Collier performed a post-modernist critique of modernity long before the modern age. His trompe l'oeil paintings are filled with seemingly disconnected, enigmatic objects--letters, seals, texts of speeches, magnifying glasses, title pages--and with teasingly significant details that require the viewer to lean in and peer closely. Wahrman does just that, taking on the role of detective/cultural historian to unravel the layers of deceptions contained within Collier's extraordinary paintings. Written with passionate enthusiasm and including more than 70 color illustrations, Mr. Collier's Letter Racks is a spell-binding feat of cultural history, illuminating not only the work of an eccentric genius but the media revolution of his period, the birth of modern politics, and the nature of art itself.
