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Author: Sand-dee Rose Waybill
Publisher: Lulu.com
ISBN: 0980302137
Category : Biography & Autobiography
Languages : en
Pages : 237
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Book Description
Author: Sand-dee Rose Waybill
Publisher: Lulu.com
ISBN: 0980302137
Category : Biography & Autobiography
Languages : en
Pages : 237
Get Book Here
Book Description
Author: San-dee Waybill
Publisher: Lulu.com
ISBN: 098030217X
Category : Self-Help
Languages : en
Pages : 322
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Book Description
Author: Sand-dee Rose Waybill
Publisher: Lulu.com
ISBN: 0980302153
Category : Poetry
Languages : en
Pages : 130
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Book Description
Author: Madeliaette Winterbear
Publisher: Lulu.com
ISBN: 0980302161
Category : Fiction
Languages : en
Pages : 132
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Book Description
Author:
Publisher: Lulu.com
ISBN: 0980302145
Category : Nature
Languages : en
Pages : 111
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Book Description
Author: Larissa Hjorth
Publisher: Rowman & Littlefield
ISBN: 1498572138
Category : Social Science
Languages : en
Pages : 201
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Book Description
Creative Practice Ethnographies focuses on the intersection of creative practice and ethnography and offers new ways to think about the methods, practice, and promise of research in contemporary interdisciplinary contexts. How does creative practice inform new ways of doing ethnography and vice versa? What new forms of expression and engagement are made possible as a result of these creative synergies? By addressing these questions, the authors highlight the important roles that ethnography and creative practice play in socially impactful research. This book is aimed at interdisciplinary researchers, scholars, and students of art, design, sociology, anthropology, games, media, education, and cultural studies.
Author: Australia. Parliament. Senate
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 1316
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Book Description
Author: World's Student Christian Federation
Publisher:
ISBN:
Category : Christianity
Languages : en
Pages : 514
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Book Description
Author: Jacqueline Millner
Publisher: Routledge
ISBN: 1000404307
Category : Social Science
Languages : en
Pages : 237
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Book Description
This important new book examines contemporary art while foregrounding the key role feminism has played in enabling current modes of artmaking, spectatorship and theoretical discourse. Contemporary Art and Feminism carefully outlines the links between feminist theory and practice of the past four decades of contemporary art and offers a radical re-reading of the contemporary movement. Rather than focus on filling in the gaps of accepted histories by ‘adding’ the ‘missing’ female, queer, First Nations and women artists of colour, the authors seek to revise broader understandings of contemporary practice by providing case studies contextualised in a robust art historical and theoretical basis. Readers are encouraged to see where art ideas come from and evaluate past and present art strategies. What strategies, materials or tropes are less relevant in today’s networked, event-driven art economies? What strategies and themes should we keep hold of, or develop in new ways? This is a significant and innovative intervention that is ideal for students in courses on contemporary art within fine arts, visual studies, history of art, gender studies and queer studies.
Author: Gillian Arrighi
Publisher: Cambridge Scholars Publishing
ISBN: 1443838047
Category : Art
Languages : en
Pages : 295
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Book Description
This groundbreaking volume of critical essays about popular entertainments brings together the work of eighteen established, emerging, and independent scholars with backgrounds in Archives, Theatre and Performance, Music, and Historical Studies, currently working across five continents. The first of its kind to examine popular entertainments from a global and multi-disciplinary perspective, this collection examines a broad cross-section of historical and contemporary popular entertainment forms from Australia, England, Japan, North America, and South Africa, and considers their social, cultural and political significance. Despite the vibrant, complex, and ubiquitous nature of popular entertainments, the field has suffered from a lack of sustained academic attention. Nevertheless, popular entertainments have a global reach and a transnational significance at odds with the fact that the meaning and definition of both ‘popular’ and ‘entertainment’ remain widely contested. Since the late-nineteenth century, class-based prejudices in Western culture have championed the superiority of art and literature over the dubious and fleeting pleasures of ‘entertainment.’ Similarly, the term ‘popular’ has carried pejorative connotations, indicating something common and outside the conventional and highbrow productions of the purpose-built theatre house or concert hall. Irrespective of whether ‘popular’ is code for a cultural product with a folk origin, or a term indicating the mass appeal of a cultural product, this volume’s re-assessment of popular entertainments from a global perspective is timely. The performance research embodied in this volume was first discussed at A World of Popular Entertainments International Conference (University of Newcastle, Australia, 2009) in response to a multi-disciplinary call for scholars to explore a variety of topics relevant to the study of popular entertainments.
