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Author: Preethi De Silva
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 720
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Book Description
Fortepiano Writings of Streicher, Dieudonne, and the Schiedmayers : Two Manuals and a Notebook, Translated from the Original German, with Commentary
Author: Preethi De Silva
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 720
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Book Description
Fortepiano Writings of Streicher, Dieudonne, and the Schiedmayers : Two Manuals and a Notebook, Translated from the Original German, with Commentary
Author: Geoffrey Lancaster
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
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Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Author: Stewart Pollens
Publisher: Cambridge University Press
ISBN: 1108386482
Category : Music
Languages : en
Pages : 595
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Book Description
This book explores the history of keyboard instruments from their fourteenth-century origins to the development of the modern piano. It reveals the principles of their design and describes structural and mechanical developments through the medieval and renaissance periods and eighteenth- and nineteenth-centuries, as well as the early music revival. Stewart Pollens identifies and describes the types of keyboard instruments played by major composers and virtuosi through the ages and provides the reader with detailed instructions on their regulating, stringing, tuning and voicing drawn from historical sources.
Author: Deirdre Loughridge
Publisher: University of Chicago Press
ISBN: 022683011X
Category : Auto-tune (Computer file)
Languages : en
Pages : 251
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Book Description
An expansive analysis of the relationship between human and machine in music. From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing "human" musicality from its "merely mechanical" simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the "human or machine" logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of a "sound wave instrument" by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers' voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been--or can be--used to help explain and contest what it is to be human.
Author: David Breitman
Publisher: Boydell & Brewer
ISBN: 1648250106
Category : Music
Languages : en
Pages : 229
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Book Description
Preface -- Acknowledgements -- 1. Music making then and now -- 2. With broad strokes (an overview) -- 3. The early days of piano: Haydn and Mozart -- 4. Beethoven and the evolving piano -- 5. Schubert -- 6. Chopin -- 7. The clavichord -- Epilogue: creativity in the performance of old music -- Appendix: overtone structure of the Steinway and Waler, compared -- Glossary of terms -- Notes -- Bibliography -- Index of works -- General index.
Author: Tom Beghin
Publisher: University of Chicago Press
ISBN: 0226818365
Category : Music
Languages : en
Pages : 441
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Book Description
Using a replica of Beethoven’s Erard piano, scholar and performer Tom Beghin launches a striking reinterpretation of a key period of Beethoven’s work. In 1803 Beethoven acquired a French piano from the Erard Frères workshop in Paris. The composer was “so enchanted with it,” one visitor reported, “that he regards all the pianos made here as rubbish by comparison.” While Beethoven loved its sound, the touch of the French keyboard was much heavier than that of the Viennese pianos he had been used to. Hoping to overcome this drawback, he commissioned a local technician to undertake a series of revisions, with ultimately disappointing results. Beethoven set aside the Erard piano for good in 1810. Beethoven’s French Piano returns the reader to this period of Beethoven’s enthusiasm for all things French. What traces of the Erard’s presence can be found in piano sonatas like his “Waldstein” and “Appassionata”? To answer this question, Tom Beghin worked with a team of historians and musicians to commission the making of an accurate replica of the Erard piano. As both a scholar and a recording artist, Beghin is uniquely positioned to guide us through this key period of Beethoven’s work. Whether buried in archives, investigating the output of the French pianists who so fascinated Beethoven, or seated at the keyboard of his Erard, Beghin thinks and feels his way into the mind of the composer, bringing startling new insights into some of the best-known piano compositions of all time.
Author: Jeanice Brooks
Publisher: Routledge
ISBN: 1000473562
Category : Music
Languages : en
Pages : 384
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Book Description
Sound Heritage is the first study of music in the historic house museum, featuring contributions from both music and heritage scholars and professionals in a richly interdisciplinary approach to central issues. It examines how music materials can be used to create narratives about past inhabitants and their surroundings - including aspects of social and cultural life beyond the activity of music making itself - and explores how music as sound, material, and practice can be more consistently and engagingly integrated into the curation and interpretation of historic houses. The volume is structured around a selection of thematic chapters and a series of shorter case studies, each focusing on a specific house, object or project. Key themes include: Different types of historic house, including the case of the composer or musician house; what can be learned from museums and galleries about the use of sound and music and what may not transfer to the historic house setting Musical instruments as part of a wider collection; questions of restoration and public use; and the demands of particular collection types such as sheet music Musical objects and pieces of music as storytelling components, and the use of music to affectively colour narratives or experiences. This is a pioneering study that will appeal to all those interested in the intersection between Music and Museum and Heritage Studies. It will also be of interest to scholars and researchers of Music History, Popular Music, Performance Studies and Material Culture.
Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 2744
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Book Description
Author: Donald Howard Boalch
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 830
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Book Description
The third edition of Donald H. Boalch's Makers of the Harpsichord and Clavichord, 1440-1840 is a complete revision of the second edition published in 1974. The volume is now divided into two parts. Part I contains biographical details of all known makers, including some 500 not listed previously, and updated entries for more than 400 makers appearing in the second edition. Enlarged (and in some cases extended) descriptions of more than 2,000 surviving instruments by the makers are consigned to Part II, and the whole is complemented by a number of tables, a geographical and chronological conspectus of makers, and a new Index of Technical Terms in seven languages by Dr Andreas H. Roth.
Author: R. Larry Todd
Publisher: Routledge
ISBN: 1136731210
Category : Music
Languages : en
Pages : 485
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Book Description
First Published in 2004. 19th-Century Piano Music focuses on the core composers of the 19th-century repertoire, beginning with 2 chapters giving a general overview of the repertoire and keyboard technique of the era, and then individual chapters on Beethoven, Schubert, Weber, Mendelssohn, Chopin, Schumann, Brahms, Liszt, and the women composers of the era, particularly focusing on Fanny Hensel and Clara Schumann.
