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Author: LeeAnne M. Richardson
Publisher: Springer Nature
ISBN: 3030861260
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field’s cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field’s continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority.
Author: LeeAnne M. Richardson
Publisher: Springer Nature
ISBN: 3030861260
Category : Literary Criticism
Languages : en
Pages : 288
Get Book Here
Book Description
Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field’s cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field’s continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority.
Author: Sarah Parker
Publisher: Ohio University Press
ISBN: 0821446924
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
In the last twenty years, Michael Field has emerged as one of the most fascinating poets of the Victorian era. Through their collaborative partnership as “Michael Field,” Katharine Bradley and Edith Cooper engaged in the aesthetic and decadent movements of the fin de siècle, while their poetry and verse drama articulate ideas associated with the New Woman and boldly express queer and lesbian desire. Michael Field: Decadent Moderns extends the focus on these key literary and cultural contexts by emphasizing their continuing significance within twentieth-century literary modernism. Through a series of interdisciplinary essays, this book addresses Michael Field’s energetic engagements with a range of topics including ecology, perfume, tourism, art history, sculpture, formalism, classics, and book history. In doing so, Michael Field: Decadent Moderns highlights the modernity, radicalism, and relevance of their work, both within the nineteenth and twentieth centuries as well as in our own cultural moment. Contributors: Leire Barrera-Medrano, Joseph Bristow, Jill R. Ehnenn, Sarah E. Kersh, Kristin Mahoney, Catherine Maxwell, Alex Murray, Sarah Parker, Margaret D. Stetz, Kate Thomas, and Ana Parejo Vadillo.
Author: Michael Conforti
Publisher: Fisher King Press
ISBN: 177169050X
Category : Psychology
Languages : en
Pages : 202
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Book Description
C.G. Jung emphasized the deep link to the physical world that exists for the collective unconscious and its archetypes. Our dreams and symbols, as well as the patterns of our behavior, are shaped by the fact that we are creatures of a material universe. Michael Conforti's research has been directed to understanding the nature of these links and patterns in the light of the new sciences-quantum theory, chaos theory, self-organization, and the new biology. Conforti's book successfully integrates this material to offer a new, exciting challenge to psychotherapy. It demonstrates that the study of consciousness cannot neglect the insights of the sciences and in doing so promises a unified view of mind and matter.
Author: Michael Field
Publisher:
ISBN:
Category : Fine books
Languages : en
Pages : 134
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Book Description
Author: Michael Field
Publisher: MHRA
ISBN: 1781889732
Category : Fiction
Languages : en
Pages : 205
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Book Description
Over the past thirty years the work of Michael Field - the penname of the couple Katharine Bradley and Edith Cooper - has become established as one of the most important, and unique, literary voices of the fin de siècle. Although they are today remembered for their lyric poetry and verse drama, by sheer weight of volume alone, Bradley and Cooper wrote far more prose than poetry. Their diaries contain over a million words, and their letters and notebooks are extensive. Yet little of that prose has been made available to readers without access to the collections at the British Library, London, and the Bodleian Library, Oxford. For a significant period in the 1890s Bradley and Cooper concentrated their energies on prose. A number of the prose works completed between 1889 and 1894 were collected by them in two 'series' under the title For That Moment Only. Inspired by Walter Pater and the latest developments in French literature, these croquis - prose sketches or prose poems - are their most concerted attempt to be 'contemporaneous', to capture fleeting experiences in exquisite prose. Clearly intended at one point for publication, the sketches were abandoned following their decisive break with their mentor Bernard Berenson and his partner Mary Costelloe in 1895. Along with the entire text of For That Moment Only, this volume also brings together Michael Field's published stories and essays, other miscellaneous short prose located within their manuscripts, and their experiments with prose form found in 'Works and Days', their compendious diary. With an extensive scholarly introduction and authoritative notes, the volume places experimental short prose at the heart of Michael Field's creative project, opening Bradley and Cooper's work up to a readership which has hitherto associated them only with lyric poetry and verse drama.
Author: Michael Field
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
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Book Description
A manuscript revision of The tragic Mary / by Michael Field. London: George Bell and Sons, 1890. A printed copy of the 1st ed., with extensive ms. revisions, annotations, excisions, inserted leaves, and whole sections cut out. Words, sentences, and whole pages are crossed out.
Author: Mary C. Sturgeon
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 258
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Book Description
Author: Sarah Parker
Publisher: Taylor & Francis
ISBN: 1003853641
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
While W. B. Yeats’s influential account of the ‘Tragic Generation’ claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry’s adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used these established forms to address contemporary concerns, including suffrage, sexuality, motherhood, and the First World War. The chapters focus on Meynell’s manipulations of metre to contemplate temporality and literary tradition; Michael Field’s use of blank verse to portray the conflicted modern woman; Radford’s adaptation of the aesthetic song-like lyric to tackle the experience of the city, urban crime, and suffrage; and Tynan’s employment of the ballad to soothe bereaved mothers during the First World War. This book ultimately shows that traditional forms played a vital role in shaping mature women poets’ responses to modernity, illuminating debates about form, tradition, and gender in twentieth-century poetry.
Author: Katherine Bradley
Publisher: Broadview Press
ISBN: 1551116758
Category : Poetry
Languages : en
Pages : 386
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Book Description
“Michael Field” was the literary pseudonym of two women, Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913). The women were poets, playwrights, diarist, and lovers who lived and wrote together during the final decades of the nineteenth century up to World War I. Their arresting poetry has recently gained them a place in the canon, and their extensive engagement with other writers puts them at the centre of fin de siècle literary culture. This Broadview Edition offers selections from all published books of poetry by Michael Field, and a substantial section of transcriptions from largely unpublished manuscript letters and diaries that gives insight into the extraordinary life and work of the authors. A critical introduction, bibliography, and selection of contemporary reviews are also included.
Author: Frederick D. King
Publisher: Edinburgh University Press
ISBN: 1399525964
Category :
Languages : en
Pages : 274
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Book Description
Queer books, like LGBTQ+ people, adapt heteronormative structures and institutions to introduce space for discourses of queer desire. Queer Books of Late-Victorian Print Culture explores print culture adaptations of the material book, examining the works of Aubrey Beardsley, Michael Field, John Gray, Charles Ricketts, Charles Shannon and Oscar Wilde. It closely analyses the material book, including the elements of binding, typography, paper, ink and illustration, and brings textual studies and queer theory into conversation with literary experiments in free verse, fairy tales and symbolist drama. King argues that queer authors and artists revised the Revival of Printing's ideals for their own diverse and unique desires, adapting new technological innovations in print culture. Their books created a community of like-minded aesthetes who challenged legal and representational discourses of same-sex desire with one of aesthetic sensuality.
