The First Book of the Great Musicians PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The First Book of the Great Musicians PDF full book. Access full book title The First Book of the Great Musicians by Percy A. Scholes. Download full books in PDF and EPUB format.
Author: Percy A. Scholes
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 152
Get Book
Book Description
Author: Percy A. Scholes
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 152
Get Book
Book Description
Author: Katherine Lois Scobey
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 204
Get Book
Book Description
Author: Robert Ziegler
Publisher: Dk Pub
ISBN: 9780756637743
Category : Juvenile Nonfiction
Languages : en
Pages : 72
Get Book
Book Description
Highlights the lives and accomplishments of musicians from Palestrina to Youssou N'Dour.
Author: Annie C. Thayer
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 140
Get Book
Book Description
Author: Vincent Schilling
Publisher:
ISBN: 9781897187760
Category : Indian musicians
Languages : en
Pages : 128
Get Book
Book Description
Follow the journeys of ten talented musicians from the Native community as they make their way to the top. All of them bring their own cultural traditions to their music.
Author: Percy A. Scholes
Publisher:
ISBN:
Category : Children's literature
Languages : en
Pages : 170
Get Book
Book Description
Author: Percy A. Scholes
Publisher:
ISBN:
Category : Music appreciation
Languages : en
Pages :
Get Book
Book Description
Author: Percy A. Scholes
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 172
Get Book
Book Description
Author: Percy a Scholes
Publisher:
ISBN: 9781633341418
Category :
Languages : en
Pages : 524
Get Book
Book Description
Contains in a single volume The First Book of the Musicians, The Second Book of the Great Musicians, and The Third Book of the Great Musicians. A stimulating introduction to the major composers, the music they wrote, and the instruments they used. For each of the two dozen composers included, the author secures the reader's interest by first relating stories of his childhood, then introducing representative pieces of his music, selected for appeal on first hearing. The reader is led on step by step to develop his listening skills, often through games of the author's invention. As he is ready to learn more about various aspects of musical form and its development, a chapter appears explaining just that. With the author taking special care to show how the paths of the different musicians intertwine and how supportive they are of each other, it seems as if he is inviting the reader to join the musical community and equipping him to be an appreciative listener, if not a musician himself.
Author: Thomas Forrest Kelly
Publisher: Yale University Press
ISBN: 9780300091052
Category : Music
Languages : en
Pages : 420
Get Book
Book Description
This lively book takes us back to the first performances of five famous musical compositions: Monteverdi's Orfeo in 1607, Handel's Messiah in 1742, Beethoven's Ninth Symphony in 1824, Berlioz's Symphonie fantastique in 1830, and Stravinsky's Sacre du printemps in 1913. Thomas Forrest Kelly sets the scene for each of these premieres, describing the cities in which they took place, the concert halls, audiences, conductors, and musicians, the sound of the music when it was first performed (often with instruments now extinct), and the popular and critical responses. He explores how performance styles and conditions have changed over the centuries and what music can reveal about the societies that produce it. Kelly tells us, for example, that Handel recruited musicians he didn't know to perform Messiah in a newly built hall in Dublin; that Beethoven's Ninth Symphony was performed with a mixture of professional and amateur musicians after only three rehearsals; and that Berlioz was still buying strings for the violas and mutes for the violins on the day his symphony was first played. Kelly's narrative, which is enhanced by extracts from contemporary letters, press reports, account books, and other sources, as well as by a rich selection of illustrations, gives us a fresh appreciation of these five masterworks, encouraging us to sort out our own late twentieth-century expectations from what is inherent in the music.