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Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 704
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Book Description
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 704
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Book Description
Author: National Collection of Fine Arts (U.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 302
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 690
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Book Description
Author: National Gallery of Canada. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 782
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Book Description
Author: Jane Livingston
Publisher: Univ of California Press
ISBN: 0520235703
Category : Abstract expressionism
Languages : en
Pages : 248
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Book Description
This exquisitely illustrated volume and the exhibition that it accompanies restore Joan Mitchell to her rightful place in the history of American artists--one of the few women among the first-rank Abstract Expressionist painters. 145 illustrations, 85 in color.
Author: Dennis P. Weller
Publisher: Hudson Hills
ISBN: 9780882599878
Category : Architecture
Languages : en
Pages : 224
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Book Description
This volume looks at the work of Jan Miense Molenaer, an artist of the age of Rembrandt and Vermeer. He was probably a student of Hals and a spiritual heir of Pieter Bruegel the Elder. Essays and plates focus on Molenaer's comic scenes of Dutch peasant life. His versatile work, painted in Haarlem and Amsterdam, also includes: portraits; gene scenes including peasant weddings, theatrical performances, religious narratives and children at school and play; and allegories. 92 colour & 128 b/w illustrations
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1786
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Book Description
Author: Nancy Boas
Publisher: Univ of California Press
ISBN: 0520919777
Category : Art
Languages : en
Pages : 234
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Book Description
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Author: San Francisco (Calif.). Panama-Pacific International Exposition, 1915. Dept. of Fine Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Author: National Endowment for the Arts
Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 220
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Book Description
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
