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Author: Catherine L. Fisk
Publisher: Harvard University Press
ISBN: 0674973208
Category : Law
Languages : en
Pages : 398
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Book Description
Required to sign away their legal rights as authors as a condition of employment, professional writers may earn a tidy living for their work, but they seldom own their writing. Writing for Hire traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century. Catherine L. Fisk examines why strikingly different norms of attribution emerged in these overlapping industries, and she shows how unionizing enabled Hollywood writers to win many authorial rights, while Madison Avenue writers achieved no equivalent recognition. In the 1930s, the practice of employing teams of writers to create copyrighted works became widespread in film studios, radio networks, and ad agencies. Sometimes Hollywood and Madison Avenue employed the same people. Yet the two industries diverged in a crucial way in the 1930s, when screenwriters formed the Writers Guild to represent them in collective negotiations with media companies. Writers Guild members believed they shared the same status as literary authors and fought to have their names attached to their work. They gained binding legal norms relating to ownership and public recognition—norms that eventually carried over into the professional culture of TV production. In advertising, by contrast, no formal norms of public attribution developed. Although some ad writers chafed at their anonymity, their nonunion workplace provided no institutional framework to channel their demands for change. Instead, many rationalized their invisibility as creative workers by embracing a self-conception as well-compensated professionals devoted to the interests of clients.
Author: Gerald Horne
Publisher: Univ of California Press
ISBN: 052093993X
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several hits to his credit including Blockade, Sahara, and Action in the North Atlantic. After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, Final Victim of the Blacklist restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth century cinema and politics.
Author: Catherine L. Fisk
Publisher: Harvard University Press
ISBN: 0674973208
Category : Law
Languages : en
Pages : 398
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Book Description
Required to sign away their legal rights as authors as a condition of employment, professional writers may earn a tidy living for their work, but they seldom own their writing. Writing for Hire traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century. Catherine L. Fisk examines why strikingly different norms of attribution emerged in these overlapping industries, and she shows how unionizing enabled Hollywood writers to win many authorial rights, while Madison Avenue writers achieved no equivalent recognition. In the 1930s, the practice of employing teams of writers to create copyrighted works became widespread in film studios, radio networks, and ad agencies. Sometimes Hollywood and Madison Avenue employed the same people. Yet the two industries diverged in a crucial way in the 1930s, when screenwriters formed the Writers Guild to represent them in collective negotiations with media companies. Writers Guild members believed they shared the same status as literary authors and fought to have their names attached to their work. They gained binding legal norms relating to ownership and public recognition—norms that eventually carried over into the professional culture of TV production. In advertising, by contrast, no formal norms of public attribution developed. Although some ad writers chafed at their anonymity, their nonunion workplace provided no institutional framework to channel their demands for change. Instead, many rationalized their invisibility as creative workers by embracing a self-conception as well-compensated professionals devoted to the interests of clients.
Author: M.B.B. Biskupski
Publisher: University Press of Kentucky
ISBN: 0813173523
Category : History
Languages : en
Pages : 391
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Book Description
During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. They often portrayed the combatants in very simple terms: Americans and their allies were heroes, and everyone else was a villain. Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Poland, however, was represented in a negative light in numerous movies. In Hollywood's War with Poland, 1939-1945, M. B. B. Biskupski draws on a close study of prewar and wartime films such as To Be or Not to Be (1942), In Our Time (1944), and None Shall Escape (1944). He researched memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors to explore the negative portrayal of Poland during World War II. Biskupski also examines the political climate that influenced Hollywood films.
Author: Bob Herzberg
Publisher: McFarland
ISBN: 0786457694
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
In examining the careers of communist and liberal actors, screenwriters, playwrights, and directors in Hollywood from the late 1920s to the present, this book uses studio and PCA correspondence, FBI files, film and theater reviews, and other sources to reveal how all of these artists were concerned with and active in the cinema of social protest. It covers the works of those liberal stars and directors who collaborated with communist artists in New York and Hollywood, including John Garfield, Canada Lee, Frances Farmer, Paul Robeson, James Edwards, and Paul Muni; liberal filmmakers like Philip Dunne; and ex-communists (and HUAC-friendly witnesses) like Elia Kazan, Edward Dmytryk, and Robert Rossen. It also looks at the activities of the Communist Party in Hollywood and the far-reaching influence of the Soviet Union.
Author: Arnoldo De León
Publisher: Texas A&M University Press
ISBN: 1603445706
Category : History
Languages : en
Pages : 359
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Book Description
Table of Contents:Foreword, Tatcho MindiolaIntroduction, Arnoldo De LeónBeyond Borders: Causes and Consequences of the Mexican Revolution, Paul HartThe Mexican Revolution’s Impact on Tejano Communities: The Historiographic Record, Arnoldo De León La Rinchada: Revolution, Revenge, and the Rangers, 1910–1920, Richard RibbThe Mexican Revolution, Revolución de Texas, and Matanza de 1915, Trinidad Gonzales The El Paso Race Riot of 1916, Miguel A. Levario The Mexican Revolution and the Women of El México de Afuera, the Pan American Round Table, and the Cruz Azul Mexicana, Juanita Luna LawhnWomen’s Labor and Activism in the Greater Mexican Borderlands, 1910–1930, Sonia Hernández Salt of the Earth: The Immigrant Experience of Gerónimo Treviño, Roberto R. Treviño Sleuthing Immigrant Origins: Felix Tijerina and His Mexican Revolution Roots, Thomas H. Kreneck “The Population Is Overwhelmingly Mexican; Most of It Is in Sympathy with the Revolution . . . .”: Mexico’s Revolution of 1910 and the Tejano Community in the Big Bend, John Eusebio KlingemannSmuggling in Dangerous Times: Revolution and Communities in the Tejano Borderlands, George T. DíazEureka! The Mexican Revolution in African American Context, 1910–1920, Gerald Horne and Margaret StevensUnderstanding Greater Revolutionary Mexico: The Case for a Transnational Border History, Raúl A. RamosSelected BibliographyAbout the ContributorsIndex
Author: Albert Marrin
Publisher: Knopf Books for Young Readers
ISBN: 0525644326
Category : Young Adult Nonfiction
Languages : en
Pages : 320
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Book Description
From National Book Award Finalist and Sibert Honor Author Albert Marrin, a timely examination of Red Scares in the United States, including the Rosenbergs, the Hollywood Ten and the McCarthy era. In twentieth century America, no power--and no threat--loomed larger than the communist superpower of the Soviet Union. America saw in the dreams of the Soviet Union the overthrow of the US government, and the end of democracy and freedom. Meanwhile, the Communist Party of the United States attempted to use deep economic and racial disparities in American culture to win over members and sympathizers. From the miscarriage of justice in the Scotsboro Boys case, to the tragedy of the Rosenbergs to the theatrics of the Hollywood Ten to the menace of the Joseph McCarthy and his war hearings, Albert Marrin examines a unique time in American history...and explores both how some Americans were lured by the ideals of communism without understanding its reality and how fear of communist infiltration at times caused us to undermine our most deeply held values. The questions he raises ask: What is worth fighting for? And what are you willing to sacrifice to keep it? Filled with black and white photographs throughout, this timely book from an award-author brings to life an important and dramatic era in American history with lessons that are deeply relevant today.
Author: Stephen Watt
Publisher: Oxford University Press, USA
ISBN: 0190227958
Category : History
Languages : en
Pages : 273
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Book Description
This book traces the often uncanny relationships between Irish- and Jewish-America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.
Author: Virginia Wright Wexman
Publisher: Columbia University Press
ISBN: 0231551436
Category : Performing Arts
Languages : en
Pages : 191
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Book Description
Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema? In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large.
Author: Rashna Wadia Richards
Publisher: Indiana University Press
ISBN: 0253006880
Category : History
Languages : en
Pages : 279
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Book Description
Cinematic Flashes challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame. In an agile demonstration of "cinephiliac" historiography, Rashna Wadia Richards extracts intriguing film fragments from their seemingly ordinary narratives in order to explore what these unexpected moments reveal about the studio era. Inspired by Walter Benjamin's preference for studying cultural fragments rather than composing grand narratives, this unorthodox history of the films of the studio system reveals how classical Hollywood emerges as a disjointed network of accidents, excesses, and coincidences.
Author: Cyril Buffet
Publisher: Routledge
ISBN: 1317358783
Category : Social Science
Languages : en
Pages : 280
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Book Description
The film industry was an important propaganda element during the Cold War. As with other conflicts, the Cold War was fought not just with weapons, but with words and images. Throughout the conflict, cinema was a reflection of the societies, the ideologies, and the political climates in which the films were produced. On both sides, great stars, major companies, famous scriptwriters, and filmmakers were enlisted to help the propaganda effort. It was not only propaganda that was created by the cinema of the Cold War – it also articulated criticism, and the movie industries were centres of the fabrication of modern myths. The cinema was undoubtedly a place of Cold War confrontation and rivalry, and yet there were aesthetic, technical, narrative exchanges between West and East. All genres of film contributed to the Cold War: thrillers, westerns, comedies, musicals, espionage films, documentaries, cartoons, science fiction, historical dramas, war films, and many more. These films shaped popular culture and national identities, creating vivid characters like James Bond, Alec Leamas, Harry Palmer, and Rambo. While the United States and the Soviet Union were the two main protagonists in this on-screen duel, other countries, such as Britain, Germany, Poland, Italy, and Czechoslovakia, also played crucially important parts, and their prominent cinematographic contributions to the Cold War are all covered in this volume. This book was originally published as a special issue of Cold War History.
