Author: W. Palmer
Publisher: Springer
ISBN: 023061955X
Category : Performing Arts
Languages : en
Pages : 261
Book Description
By breaking down classic films from the nineteen-nineties such as Forest Gump and Titanic, this book offers a reel-to-reel cultural analysis, chronicling the concept of 'spin' as a major sociopolitical persuasion strategy.
The Films of the Nineties
Author: W. Palmer
Publisher: Springer
ISBN: 023061955X
Category : Performing Arts
Languages : en
Pages : 261
Book Description
By breaking down classic films from the nineteen-nineties such as Forest Gump and Titanic, this book offers a reel-to-reel cultural analysis, chronicling the concept of 'spin' as a major sociopolitical persuasion strategy.
Publisher: Springer
ISBN: 023061955X
Category : Performing Arts
Languages : en
Pages : 261
Book Description
By breaking down classic films from the nineteen-nineties such as Forest Gump and Titanic, this book offers a reel-to-reel cultural analysis, chronicling the concept of 'spin' as a major sociopolitical persuasion strategy.
Movies of the '90s
Author: Riley Webster
Publisher: FriesenPress
ISBN: 1039189334
Category : Performing Arts
Languages : en
Pages : 541
Book Description
The 1990s was an amazing decade for movies, witnessing the release of dozens of incredible films, including The Matrix, The Shawshank Redemption, Pulp Fiction, Goodfellas, Fargo, Jurassic Park, and so many more. Despite this embarrassment of riches, author Riley Webster believes this decade has never received as much praise or as many kudos as it deserves—until now. Whether you’re a serious cinephile, a casual viewer, or merely seeking a heavy dose of 1990s nostalgia, this is the book for you.
Publisher: FriesenPress
ISBN: 1039189334
Category : Performing Arts
Languages : en
Pages : 541
Book Description
The 1990s was an amazing decade for movies, witnessing the release of dozens of incredible films, including The Matrix, The Shawshank Redemption, Pulp Fiction, Goodfellas, Fargo, Jurassic Park, and so many more. Despite this embarrassment of riches, author Riley Webster believes this decade has never received as much praise or as many kudos as it deserves—until now. Whether you’re a serious cinephile, a casual viewer, or merely seeking a heavy dose of 1990s nostalgia, this is the book for you.
American Cinema of the 1990s
Author: Chris Holmlund
Publisher: Rutgers University Press
ISBN: 0813543665
Category : Art
Languages : en
Pages : 306
Book Description
Films discussed include Terminator 2, The matrix, Home alone, Jurassic Park, Pulp fiction, Boys don't cry, Toy story and Clueless.
Publisher: Rutgers University Press
ISBN: 0813543665
Category : Art
Languages : en
Pages : 306
Book Description
Films discussed include Terminator 2, The matrix, Home alone, Jurassic Park, Pulp fiction, Boys don't cry, Toy story and Clueless.
Richard III
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : fr
Pages : 200
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 200
Book Description
Horror Films of the 1970s
Author: John Kenneth Muir
Publisher: McFarland
ISBN: 0786491566
Category : Performing Arts
Languages : en
Pages : 682
Book Description
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
Publisher: McFarland
ISBN: 0786491566
Category : Performing Arts
Languages : en
Pages : 682
Book Description
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
The Films of the Nineties
Author: Robert A. Nowlan
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 744
Book Description
The 1990s saw numerous actors break onto the scene in the movie industry and achieve great fame, while others received only little, if any, recognition. The 1990s also had blockbuster films that were not to be forgotten as well as bombs that were. This filmography, of course, has them all, good and bad. From Abilene to Zooman, over 3,000 feature-length English language films released between January 1, 1990, and December 31, 1999, are presented. Each entry has alternate titles, running time, detailed cast and production credits, a synopsis, often including critical comments, and Academy Award nominees and winners.
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 744
Book Description
The 1990s saw numerous actors break onto the scene in the movie industry and achieve great fame, while others received only little, if any, recognition. The 1990s also had blockbuster films that were not to be forgotten as well as bombs that were. This filmography, of course, has them all, good and bad. From Abilene to Zooman, over 3,000 feature-length English language films released between January 1, 1990, and December 31, 1999, are presented. Each entry has alternate titles, running time, detailed cast and production credits, a synopsis, often including critical comments, and Academy Award nominees and winners.
The 1990s Teen Horror Cycle
Author: Alexandra West
Publisher: McFarland
ISBN: 1476670641
Category : Performing Arts
Languages : en
Pages : 196
Book Description
Many critics and fans refer to the 1990s as the decade that horror forgot, with few notable entries in the genre. Yet horror went mainstream in the '90s by speaking to the anxieties of American youth during one of the country's most prosperous eras. No longer were films made on low budgets and dependent on devotees for success. Horror found its way onto magazine covers, fashion ads and CD soundtrack covers. "Girl power" feminism and a growing distaste for consumerism defined an audience that both embraced and rejected the commercial appeal of these films. This in-depth study examines the youth subculture and politics of the era, focusing on such films as Buffy the Vampire Slayer (1992), Scream (1996), I Know What You Did Last Summer (1997), Idle Hands (1999) and Cherry Falls (2000).
Publisher: McFarland
ISBN: 1476670641
Category : Performing Arts
Languages : en
Pages : 196
Book Description
Many critics and fans refer to the 1990s as the decade that horror forgot, with few notable entries in the genre. Yet horror went mainstream in the '90s by speaking to the anxieties of American youth during one of the country's most prosperous eras. No longer were films made on low budgets and dependent on devotees for success. Horror found its way onto magazine covers, fashion ads and CD soundtrack covers. "Girl power" feminism and a growing distaste for consumerism defined an audience that both embraced and rejected the commercial appeal of these films. This in-depth study examines the youth subculture and politics of the era, focusing on such films as Buffy the Vampire Slayer (1992), Scream (1996), I Know What You Did Last Summer (1997), Idle Hands (1999) and Cherry Falls (2000).
The End of Cinema as We Know it
Author: Jon Lewis
Publisher: Pluto Press
ISBN: 9780745318790
Category : Business & Economics
Languages : en
Pages : 404
Book Description
In The End of Cinema As We Know It, contributors well known in the 'movie' field talk about the movie industry and look at the variety of new ways we are viewing films. They query whether or not we are getting different, better movies?
Publisher: Pluto Press
ISBN: 9780745318790
Category : Business & Economics
Languages : en
Pages : 404
Book Description
In The End of Cinema As We Know It, contributors well known in the 'movie' field talk about the movie industry and look at the variety of new ways we are viewing films. They query whether or not we are getting different, better movies?
Best. Movie. Year. Ever.
Author: Brian Raftery
Publisher: Simon & Schuster
ISBN: 1501175394
Category : Performing Arts
Languages : en
Pages : 416
Book Description
From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).
Publisher: Simon & Schuster
ISBN: 1501175394
Category : Performing Arts
Languages : en
Pages : 416
Book Description
From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).
British Cinema of the 90s
Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838714774
Category : Performing Arts
Languages : en
Pages : 283
Book Description
This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.
Publisher: Bloomsbury Publishing
ISBN: 1838714774
Category : Performing Arts
Languages : en
Pages : 283
Book Description
This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.