Author: William Noble
Publisher: Silverstowe Book
ISBN: 9781618090270
Category : Language Arts & Disciplines
Languages : en
Pages : 206
Book Description
Dialogue must contribute to the telling of the story said Victorian-era novelist Anthony Trollope more than one hundred years ago and his words have been a yardstick for writers ever since. A more recent novelist, Stephen King, wrote, "When dialogue is right, we know. When it's wrong we also know-it jags on the ear like a badly tuned musical instrument." In "Shut Up!" He Explained (the title comes from a Ring Lardner poke at the way some people overwrite), William Noble shows you how to write dialogue that sounds right and contributes. Fiction or Nonfiction With liberal use of anecdotes and examples, Noble develops six "Master Keys to Dialogue," each of which is crucial for the fiction or nonfiction writer to understand and use. You'll learn how to use dialogue to: - create tension - develop your characters - establish setting - move the plot - create flashbacks and transitions You'll also learn when to use narrative instead of dialogue; how to write in dialect; and how to deal with interior monologue (your character's thoughts). And more! An important section of "Shut Up!" He Explained covers the misuse of dialogue from the legal viewpoint, exploring libel and right-to-privacy. Get a copy of "Shut Up! He Explained" an make your writing scintillate with captivating dialogue. "This is the best book that I could find on the use of dialog when writing fiction." -Amazon.com review
Shut Up! He Explained
Author: William Noble
Publisher: Silverstowe Book
ISBN: 9781618090270
Category : Language Arts & Disciplines
Languages : en
Pages : 206
Book Description
Dialogue must contribute to the telling of the story said Victorian-era novelist Anthony Trollope more than one hundred years ago and his words have been a yardstick for writers ever since. A more recent novelist, Stephen King, wrote, "When dialogue is right, we know. When it's wrong we also know-it jags on the ear like a badly tuned musical instrument." In "Shut Up!" He Explained (the title comes from a Ring Lardner poke at the way some people overwrite), William Noble shows you how to write dialogue that sounds right and contributes. Fiction or Nonfiction With liberal use of anecdotes and examples, Noble develops six "Master Keys to Dialogue," each of which is crucial for the fiction or nonfiction writer to understand and use. You'll learn how to use dialogue to: - create tension - develop your characters - establish setting - move the plot - create flashbacks and transitions You'll also learn when to use narrative instead of dialogue; how to write in dialect; and how to deal with interior monologue (your character's thoughts). And more! An important section of "Shut Up!" He Explained covers the misuse of dialogue from the legal viewpoint, exploring libel and right-to-privacy. Get a copy of "Shut Up! He Explained" an make your writing scintillate with captivating dialogue. "This is the best book that I could find on the use of dialog when writing fiction." -Amazon.com review
Publisher: Silverstowe Book
ISBN: 9781618090270
Category : Language Arts & Disciplines
Languages : en
Pages : 206
Book Description
Dialogue must contribute to the telling of the story said Victorian-era novelist Anthony Trollope more than one hundred years ago and his words have been a yardstick for writers ever since. A more recent novelist, Stephen King, wrote, "When dialogue is right, we know. When it's wrong we also know-it jags on the ear like a badly tuned musical instrument." In "Shut Up!" He Explained (the title comes from a Ring Lardner poke at the way some people overwrite), William Noble shows you how to write dialogue that sounds right and contributes. Fiction or Nonfiction With liberal use of anecdotes and examples, Noble develops six "Master Keys to Dialogue," each of which is crucial for the fiction or nonfiction writer to understand and use. You'll learn how to use dialogue to: - create tension - develop your characters - establish setting - move the plot - create flashbacks and transitions You'll also learn when to use narrative instead of dialogue; how to write in dialect; and how to deal with interior monologue (your character's thoughts). And more! An important section of "Shut Up!" He Explained covers the misuse of dialogue from the legal viewpoint, exploring libel and right-to-privacy. Get a copy of "Shut Up! He Explained" an make your writing scintillate with captivating dialogue. "This is the best book that I could find on the use of dialog when writing fiction." -Amazon.com review
The Fiction Writer's Guide to Dialogue
Author: John Hough,
Publisher: Simon and Schuster
ISBN: 1621534499
Category : Language Arts & Disciplines
Languages : en
Pages : 165
Book Description
Dialogue is often overlooked as a necessary and potent instrument in the novelist’s repertoire. A novel can rise or fall on the strength of its dialogue. Superb dialogue can make a superb novel. F. Scott Fitzgerald wrote, “Action is character.” George V. Higgins said, “Dialogue is character.” They were both right, because dialogue is action. It comprises much, if not all, of the clarifying drama of any novel. How much physical action can there be in 300 pages, even in a crime novel or a thriller? And all conflict, even physical, begins as dialogue. Hough explains how dialogue can reveal a character’s nature as well as his or her defining impulses and emotions. He says there must be tension in every colloquy in fiction, and shows the reader ways to achieve it. Hough illustrates his precepts with examples from his own work and from that of the best modern writers of dialogue, including Cormac McCarthy, Kent Haruf, Joan Didion, Annie Proulx, Lee Smith, Elmore Leonard, George V. Higgins, William Kennedy and Howard Frank Mosher. He cites early 20th century writers who refined and advanced dialogue as an art form: Ernest Hemingway, Ring Lardner, Dorothy Parker, and William Saroyan. Hough’s novel Seen the Glory: A Novel of the Battle of Gettysburg was praised by Lee Smith as containing “the best dialogue of the period I have ever read.” Hough on Dialogue will give writers and aspiring writers a fresh look at one of the essential ingredients of their craft. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Publisher: Simon and Schuster
ISBN: 1621534499
Category : Language Arts & Disciplines
Languages : en
Pages : 165
Book Description
Dialogue is often overlooked as a necessary and potent instrument in the novelist’s repertoire. A novel can rise or fall on the strength of its dialogue. Superb dialogue can make a superb novel. F. Scott Fitzgerald wrote, “Action is character.” George V. Higgins said, “Dialogue is character.” They were both right, because dialogue is action. It comprises much, if not all, of the clarifying drama of any novel. How much physical action can there be in 300 pages, even in a crime novel or a thriller? And all conflict, even physical, begins as dialogue. Hough explains how dialogue can reveal a character’s nature as well as his or her defining impulses and emotions. He says there must be tension in every colloquy in fiction, and shows the reader ways to achieve it. Hough illustrates his precepts with examples from his own work and from that of the best modern writers of dialogue, including Cormac McCarthy, Kent Haruf, Joan Didion, Annie Proulx, Lee Smith, Elmore Leonard, George V. Higgins, William Kennedy and Howard Frank Mosher. He cites early 20th century writers who refined and advanced dialogue as an art form: Ernest Hemingway, Ring Lardner, Dorothy Parker, and William Saroyan. Hough’s novel Seen the Glory: A Novel of the Battle of Gettysburg was praised by Lee Smith as containing “the best dialogue of the period I have ever read.” Hough on Dialogue will give writers and aspiring writers a fresh look at one of the essential ingredients of their craft. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
A Writer's Guide to Fiction
Author: Elizabeth Lyon
Publisher: Penguin
ISBN: 1101143886
Category : Language Arts & Disciplines
Languages : en
Pages : 278
Book Description
The second book in the Writer's Compass series from professional writing instructor Elizabeth Lyon offers both aspiring and established authors the fundamentals of writing and selling a great novel or short story. In addition to the basics of characterization, plot, pacing, and theme, A Writer's Guide to Fiction also features a plan for revising fiction, a guide to marketing, samples of cover and query letters, and methods of honing the writing craft.
Publisher: Penguin
ISBN: 1101143886
Category : Language Arts & Disciplines
Languages : en
Pages : 278
Book Description
The second book in the Writer's Compass series from professional writing instructor Elizabeth Lyon offers both aspiring and established authors the fundamentals of writing and selling a great novel or short story. In addition to the basics of characterization, plot, pacing, and theme, A Writer's Guide to Fiction also features a plan for revising fiction, a guide to marketing, samples of cover and query letters, and methods of honing the writing craft.
Writing Dialogue
Author: Tom Chiarella
Publisher: Story Press
ISBN: 9781884910326
Category : Reference
Languages : en
Pages : 180
Book Description
Whether you're writing an argument, a love scene, a powwow among sixth graders or scientists in a lab, this book demonstrates how to write dialogue that sounds authentic and original. &break;&break;You'll learn ways to find ideas for literary discussions by tuning in to what you hear every day. You'll learn to use gestures instead of speech, to insert silences that are as effective as outbursts, to add shifts in tone, and other strategies for making conversations more compelling. Nuts and bolts are covered, too - formatting, punctuation, dialogue tags - everything you need to get your characters talking.
Publisher: Story Press
ISBN: 9781884910326
Category : Reference
Languages : en
Pages : 180
Book Description
Whether you're writing an argument, a love scene, a powwow among sixth graders or scientists in a lab, this book demonstrates how to write dialogue that sounds authentic and original. &break;&break;You'll learn ways to find ideas for literary discussions by tuning in to what you hear every day. You'll learn to use gestures instead of speech, to insert silences that are as effective as outbursts, to add shifts in tone, and other strategies for making conversations more compelling. Nuts and bolts are covered, too - formatting, punctuation, dialogue tags - everything you need to get your characters talking.
Show Don’t Tell
Author: William Noble
Publisher: The Write Thought, Inc
ISBN: 0981890857
Category : Language Arts & Disciplines
Languages : en
Pages : 209
Book Description
If one hears one thing from every single writing instructor it’s, “Show, don’t tell.” “Don’t tell us he’s afraid of losing her, show us!” “Don’t tell us it’s a richly decorated room, show us!” “Don’t tell us the Russian tundra is cold, show us!” Easier said than done, and no one ever wrote a book on how to do it, that is until William Noble wrote this classic work a decade ago. From the use of dialogue to employing melodrama to developing incidents and anecdotes, Show Don’t Tell explains how to entertain your readers instead of lecturing to them. Written in Noble’s absorbing voice, Show Don’t Tell illustrates how to develop a dramatic framework using similes and metaphors, a focused point of view, steady pacing, increasing tension, and an appeal to the senses to create solid dramatic impact. In other words, how to show, not tell! Perfect for novelists, short story writers, and those interested in writing creative nonfiction.
Publisher: The Write Thought, Inc
ISBN: 0981890857
Category : Language Arts & Disciplines
Languages : en
Pages : 209
Book Description
If one hears one thing from every single writing instructor it’s, “Show, don’t tell.” “Don’t tell us he’s afraid of losing her, show us!” “Don’t tell us it’s a richly decorated room, show us!” “Don’t tell us the Russian tundra is cold, show us!” Easier said than done, and no one ever wrote a book on how to do it, that is until William Noble wrote this classic work a decade ago. From the use of dialogue to employing melodrama to developing incidents and anecdotes, Show Don’t Tell explains how to entertain your readers instead of lecturing to them. Written in Noble’s absorbing voice, Show Don’t Tell illustrates how to develop a dramatic framework using similes and metaphors, a focused point of view, steady pacing, increasing tension, and an appeal to the senses to create solid dramatic impact. In other words, how to show, not tell! Perfect for novelists, short story writers, and those interested in writing creative nonfiction.
Grammar for Fiction Writers
Author: Marcy Kennedy
Publisher:
ISBN: 9780992037185
Category :
Languages : en
Pages : 162
Book Description
Not your same old boring grammar guide! This book is fun, fast, and focused on writing amazing fiction. The world of grammar is huge, but fiction writers don't need to know all the nuances to write well. In fact, some of the rules you were taught in English class will actually hurt your fiction writing, not help it. "Grammar for Fiction Writers" won't teach you things you don't need to know. It's all about the grammar that's relevant to you as you write your novels and short stories. Here's what you'll find inside: Punctuation Basics including the special uses of dashes and ellipses in fiction, common comma problems, how to format your dialogue, and untangling possessives and contractions. Knowing What Your Words Mean and What They Don't including commonly confused words, imaginary words and phrases, how to catch and strengthen weak words, and using connotation and denotation to add powerful subtext to your writing. Grammar Rules Every Writer Needs to Know and Follow such as maintaining an active voice and making the best use of all the tenses for fast-paced writing that feels immediate and draws the reader in. Special Challenges for Fiction Writers like reversing cause and effect, characters who are unintentionally doing the impossible, and orphaned dialogue and pronouns. Grammar "Rules" You Can Safely Ignore When Writing Fiction Each book in the "Busy Writer's Guides" series is intended to give you enough theory so that you can understand why things work and why they don't, but also enough examples to see how that theory looks in practice. In addition, they provide tips and exercises to help you take it to the pages of your own story with an editor's-eye view. Most importantly, they cut the fluff so you have more time to write and to live your life."
Publisher:
ISBN: 9780992037185
Category :
Languages : en
Pages : 162
Book Description
Not your same old boring grammar guide! This book is fun, fast, and focused on writing amazing fiction. The world of grammar is huge, but fiction writers don't need to know all the nuances to write well. In fact, some of the rules you were taught in English class will actually hurt your fiction writing, not help it. "Grammar for Fiction Writers" won't teach you things you don't need to know. It's all about the grammar that's relevant to you as you write your novels and short stories. Here's what you'll find inside: Punctuation Basics including the special uses of dashes and ellipses in fiction, common comma problems, how to format your dialogue, and untangling possessives and contractions. Knowing What Your Words Mean and What They Don't including commonly confused words, imaginary words and phrases, how to catch and strengthen weak words, and using connotation and denotation to add powerful subtext to your writing. Grammar Rules Every Writer Needs to Know and Follow such as maintaining an active voice and making the best use of all the tenses for fast-paced writing that feels immediate and draws the reader in. Special Challenges for Fiction Writers like reversing cause and effect, characters who are unintentionally doing the impossible, and orphaned dialogue and pronouns. Grammar "Rules" You Can Safely Ignore When Writing Fiction Each book in the "Busy Writer's Guides" series is intended to give you enough theory so that you can understand why things work and why they don't, but also enough examples to see how that theory looks in practice. In addition, they provide tips and exercises to help you take it to the pages of your own story with an editor's-eye view. Most importantly, they cut the fluff so you have more time to write and to live your life."
Crafting Dynamic Dialogue
Author: Writer's Digest Books
Publisher: Penguin
ISBN: 1440345546
Category : Language Arts & Disciplines
Languages : en
Pages : 305
Book Description
Write authentic dialogue that invigorates your story! Exceptional dialogue isn't just important when writing fiction--it's essential. In order to impress an agent or editor and keep readers turning pages, you need to deliver truly standout dialogue in every scene. Crafting Dynamic Dialogue will give you the techniques and examples you need to impress your readers. This book is a comprehensive guide to writing compelling dialogue that rings true. Each section is packed with advice and instruction from best-selling authors and instructors like Nancy Kress, Elizabeth Sims, Steven James, Deborah Halverson, James Scott Bell, Donald Maass, Cheryl St. John, and many others. They'll show you how to: • Bend the rules to create a specific effect • Understand the role of dialogue in reader engagement • Use dialect and jargon effectively • Give every character a believable, unique voice • Set the pace and tone • Reveal specific character background details • Generate tension and suspense • Utilize internal dialogue Whether you're writing flash fiction, a short story, or a novel-length manuscript, Crafting Dynamic Dialogue will help you develop, write, and refine dialogue to keep your readers hooked.
Publisher: Penguin
ISBN: 1440345546
Category : Language Arts & Disciplines
Languages : en
Pages : 305
Book Description
Write authentic dialogue that invigorates your story! Exceptional dialogue isn't just important when writing fiction--it's essential. In order to impress an agent or editor and keep readers turning pages, you need to deliver truly standout dialogue in every scene. Crafting Dynamic Dialogue will give you the techniques and examples you need to impress your readers. This book is a comprehensive guide to writing compelling dialogue that rings true. Each section is packed with advice and instruction from best-selling authors and instructors like Nancy Kress, Elizabeth Sims, Steven James, Deborah Halverson, James Scott Bell, Donald Maass, Cheryl St. John, and many others. They'll show you how to: • Bend the rules to create a specific effect • Understand the role of dialogue in reader engagement • Use dialect and jargon effectively • Give every character a believable, unique voice • Set the pace and tone • Reveal specific character background details • Generate tension and suspense • Utilize internal dialogue Whether you're writing flash fiction, a short story, or a novel-length manuscript, Crafting Dynamic Dialogue will help you develop, write, and refine dialogue to keep your readers hooked.
Dialogue
Author: Lewis Turco
Publisher:
ISBN: 9780898799477
Category : Creative writing
Languages : en
Pages : 0
Book Description
Learn how to utilize dialogue to dramatize conflict, the most effective balance between dialogue and other story elements, and the difference between effective dialogue and real speech.
Publisher:
ISBN: 9780898799477
Category : Creative writing
Languages : en
Pages : 0
Book Description
Learn how to utilize dialogue to dramatize conflict, the most effective balance between dialogue and other story elements, and the difference between effective dialogue and real speech.
How To Write Awesome Dialogue! For Fiction, Film, and Theatre
Author: Tom Leveen
Publisher: FTJ Creative LLC
ISBN:
Category : Performing Arts
Languages : en
Pages : 195
Book Description
Rejection e-mails from agents and editors clogging your inbox? Getting the same rejection slips over and over again? It could be pacing, plot, narrative engine . . . or maybe what your characters say just isn't getting the job done. Outstanding dialogue is often the difference between a good book and a great book. How does yours stack up? With nine books published with imprints of Random House, Abrams, and Simon & Schuster, and more than twenty years of experience as an actor and director, author, writing teacher, and Bram Stoker Award Finalist Tom Leveen guides you through everything you need to improve your writing, make your dialogue shine, and get your book noticed and talked about by readers, agents, and editors alike! Learn how to start with a great plot and conflict to form the foundation of awesome dialogue Discover actors’ techniques to give your characters strength and purpose Improve on setting scenes and building relationships between characters and more! What people are saying about Tom Leveen’s dialogue, voice, and character: Party “I must say that I’m absolutely in awe of Leveen’s ability to build such distinct and totally believable voice for eleven characters [protagonists] in one novel.” ~ fortheloveofya.com Zero “Well written, with a distinct and fantastically done voice, Zero is an unflinching must read.” ~ agoodaddiction.blogspot.com “[H]is voice is fresh and strong and consistent.” ~ scratchingcat.wordpress.com “Part of what makes the book, and the voice, believable is Leveen’s ability to channel a teenage girl and make her real. It’s all there—the insecurity, the bravado, the conflicting feelings about sex, the sense that your whole life is in front of you, which is both exhilarating and paralyzing.” ~ The Phoenix New Times manicpixiedreamgirl “[I]t’s the relationships between the novel’s teenage characters that are the real standouts. Tyler’s crass banter with his buddies, his snarky but supportive relationship with his sister, and his botched dealings with both Becky and Sydney are entirely realistic.” ~ Publisher’s Weekly “Tom Leveen has a unique voice and writes interesting male characters, so I was intrigued to check out his latest book manicpixiedreamgirl. Leveen’s characters are usually creative types and not the typical leading men you see in YA. . . . I thought the male voice in manicpixiedreamgirl was very strong and unique.” ~ thereadingdate.com Random “Author Tom Leveen presents a powerful story with a plot so real, readers will be gripped from the very first page.” ~ readingjunky.blogspot.com Sick “[Leveen] really nails the ‘guy’ dialogue as well—it is gross, colorful, and at times, downright funny.” ~ VOYA (Voice of Youth Advocates) “In an exciting take on the zombie novel, Leveen … shifts to horror while maintaining his trademark complex relationships and character-driven storytelling.” ~ Publisher’s Weekly “Tom Leveen’s voice is truly one of the best elements…” ~ blog.homoeoteleuton.com Shackled “The prose is tight and the dialogue lends emotion to the character’s mental state, properly complementing this plot-driven setup.” ~ School Library Journal “…impeccably written with true-to-life dialogue and characters I can relate to…” ~ literologie.com
Publisher: FTJ Creative LLC
ISBN:
Category : Performing Arts
Languages : en
Pages : 195
Book Description
Rejection e-mails from agents and editors clogging your inbox? Getting the same rejection slips over and over again? It could be pacing, plot, narrative engine . . . or maybe what your characters say just isn't getting the job done. Outstanding dialogue is often the difference between a good book and a great book. How does yours stack up? With nine books published with imprints of Random House, Abrams, and Simon & Schuster, and more than twenty years of experience as an actor and director, author, writing teacher, and Bram Stoker Award Finalist Tom Leveen guides you through everything you need to improve your writing, make your dialogue shine, and get your book noticed and talked about by readers, agents, and editors alike! Learn how to start with a great plot and conflict to form the foundation of awesome dialogue Discover actors’ techniques to give your characters strength and purpose Improve on setting scenes and building relationships between characters and more! What people are saying about Tom Leveen’s dialogue, voice, and character: Party “I must say that I’m absolutely in awe of Leveen’s ability to build such distinct and totally believable voice for eleven characters [protagonists] in one novel.” ~ fortheloveofya.com Zero “Well written, with a distinct and fantastically done voice, Zero is an unflinching must read.” ~ agoodaddiction.blogspot.com “[H]is voice is fresh and strong and consistent.” ~ scratchingcat.wordpress.com “Part of what makes the book, and the voice, believable is Leveen’s ability to channel a teenage girl and make her real. It’s all there—the insecurity, the bravado, the conflicting feelings about sex, the sense that your whole life is in front of you, which is both exhilarating and paralyzing.” ~ The Phoenix New Times manicpixiedreamgirl “[I]t’s the relationships between the novel’s teenage characters that are the real standouts. Tyler’s crass banter with his buddies, his snarky but supportive relationship with his sister, and his botched dealings with both Becky and Sydney are entirely realistic.” ~ Publisher’s Weekly “Tom Leveen has a unique voice and writes interesting male characters, so I was intrigued to check out his latest book manicpixiedreamgirl. Leveen’s characters are usually creative types and not the typical leading men you see in YA. . . . I thought the male voice in manicpixiedreamgirl was very strong and unique.” ~ thereadingdate.com Random “Author Tom Leveen presents a powerful story with a plot so real, readers will be gripped from the very first page.” ~ readingjunky.blogspot.com Sick “[Leveen] really nails the ‘guy’ dialogue as well—it is gross, colorful, and at times, downright funny.” ~ VOYA (Voice of Youth Advocates) “In an exciting take on the zombie novel, Leveen … shifts to horror while maintaining his trademark complex relationships and character-driven storytelling.” ~ Publisher’s Weekly “Tom Leveen’s voice is truly one of the best elements…” ~ blog.homoeoteleuton.com Shackled “The prose is tight and the dialogue lends emotion to the character’s mental state, properly complementing this plot-driven setup.” ~ School Library Journal “…impeccably written with true-to-life dialogue and characters I can relate to…” ~ literologie.com
The Writing Book
Author: Kate Grenville
Publisher: Allen & Unwin
ISBN: 1742691269
Category : Language Arts & Disciplines
Languages : en
Pages : 240
Book Description
A completely practical workbook that offers down-to-earth ideas and suggestions for writers or aspiring writers to get you started and to keep you going.
Publisher: Allen & Unwin
ISBN: 1742691269
Category : Language Arts & Disciplines
Languages : en
Pages : 240
Book Description
A completely practical workbook that offers down-to-earth ideas and suggestions for writers or aspiring writers to get you started and to keep you going.