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Author: Gagosian Gallery
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Under the seminal direction of Irving Blum, Ferus Gallery quickly became one of the leading galleries on the West Coast, showing important and groundbreaking works--including Andy Warhol's Campbell's Soup Cans, Roy Lichtenstein's Drowning Girl, and Ed Ruscha's Los Angeles County Museum on Fire--and helping to launch the American Pop movement. The book was first published on the occasion of the 2002 exhibition of the same name at Gagosian's Chelsea gallery. A timeline documenting the Ferus gallery's history opens the fully illustrated catalogue, followed by an interview with Irving Blum by Roberta Bernstein and a critical discussion of Warhol's Campbell's soup can paintings by Kirk Varnedoe. This hardcover edition is 148 pages, with 93 color and 67 black-and-white reproductions, including evocative documentary photography by Dennis Hopper.
Author: Gagosian Gallery
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 152
Get Book Here
Book Description
Under the seminal direction of Irving Blum, Ferus Gallery quickly became one of the leading galleries on the West Coast, showing important and groundbreaking works--including Andy Warhol's Campbell's Soup Cans, Roy Lichtenstein's Drowning Girl, and Ed Ruscha's Los Angeles County Museum on Fire--and helping to launch the American Pop movement. The book was first published on the occasion of the 2002 exhibition of the same name at Gagosian's Chelsea gallery. A timeline documenting the Ferus gallery's history opens the fully illustrated catalogue, followed by an interview with Irving Blum by Roberta Bernstein and a critical discussion of Warhol's Campbell's soup can paintings by Kirk Varnedoe. This hardcover edition is 148 pages, with 93 color and 67 black-and-white reproductions, including evocative documentary photography by Dennis Hopper.
Author: Walter Hopps
Publisher: Bloomsbury Publishing USA
ISBN: 1632865297
Category : Biography & Autobiography
Languages : en
Pages : 353
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Book Description
Art Forum’s Best of the Year List A panoramic look at art in America in the second half of the twentieth century, through the eyes of the visionary curator who helped shape it. An innovative, iconoclastic curator of contemporary art, Walter Hopps founded his first gallery in L.A. at the age of twenty-one. At twenty-four, he opened the Ferus Gallery with then-unknown artist Edward Kienholz, where he turned the spotlight on a new generation of West Coast artists. Ferus was also the first gallery ever to show Andy Warhol’s Campbell’s Soup Cans and was shut down by the L.A. vice squad for a show of Wallace Berman’s edgy art. At the Pasadena Art Museum in the sixties, Hopps mounted the first museum retrospectives of Marcel Duchamp and Joseph Cornell and the first museum exhibition of Pop Art--before it was even known as Pop Art. In 1967, when Hopps became the director of Washington’s Corcoran Gallery of Art at age thirty-four, the New York Times hailed him as "the most gifted museum man on the West Coast (and, in the field of contemporary art, possibly in the nation)." He was also arguably the most unpredictable, an eccentric genius who was chronically late. (His staff at the Corcoran had a button made that said WALTER HOPPS WILL BE HERE IN TWENTY MINUTES.) Erratic in his work habits, he was never erratic in his commitment to art. Hopps died in 2005, after decades at the Menil Collection of art in Houston for which he was the founding director. A few years before that, he began work on this book. With an introduction by legendary Pop artist Ed Ruscha, The Dream Colony is a vivid, personal, surprising, irreverent, and enlightening account of his life and of some of the greatest artistic minds of the twentieth century.
Author: Kristine McKenna
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 330
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Book Description
In 1950s California, and especially in Los Angeles, there existed few venues for contemporary art. To a whole generation of California artists, this presented a freedom, since the absence of a context for their work meant that they could coin their own, and in uncommonly interesting ways. The careers of Ed Ruscha, Wallace Berman and Ed Kienholz all begin with this absence: Ruscha turned to books as a means of dissemination, Berman pioneered mail art through his magazine Semina and in March 1957, Ed Kienholz, in collaboration with curator Walter Hopps, co-founded one of California's greatest historical galleries, Ferus. Within months of opening, Ferus, which is Latin for "wild," gained notoriety when the Hollywood vice squad raided Berman's first--and, in his lifetime, last--solo exhibition, following a complaint about "lewd material." Shows by Kienholz and Jay DeFeo followed, but 1962 was Ferus' annus mirabilis, with solo shows by Bruce Conner and Joseph Cornell, and the first solo shows of Roy Lichtenstein and Andy Warhol on the west coast. The following year, Ferus also hosted Ed Ruscha's first solo exhibition. After Kienholz and Hopps parted ways--Hopps went on to mount the first American Duchamp retrospective at the Pasadena Art Musuem--the reins were handed to Irving Blum, who got Ferus out of the red and ran the gallery until its closure in 1966. A Place to Begin is an illustrated oral history of this heroic enterprise. With 62 new interviews with Ferus artists and more than 300 photographs (most previously unpublished), it retrieves a lost chapter of twentieth-century American art. Edited by Kristine McKenna, noted expert and co-editor of the critically acclaimed Semina Culture.
Author: Alexandra Schwartz
Publisher: MIT Press
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.
Author: Hunter Drohojowska-Philp
Publisher: Henry Holt and Company
ISBN: 9780805088366
Category : Art
Languages : en
Pages : 288
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Book Description
The extraordinary story of the artists who propelled themselves to international fame in 1960s Los Angeles Los Angeles, 1960: There was no modern art museum and there were few galleries, which is exactly what a number of daring young artists liked about it, among them Ed Ruscha, David Hockney, Robert Irwin, Bruce Nauman, Judy Chicago and John Baldessari. Freedom from an established way of seeing, making, and marketing art fueled their creativity, which in turn inspired the city. Today Los Angeles has four museums dedicated to contemporary art, around one hundred galleries, and thousands of artists. Here, at last, is the book that tells the saga of how the scene came into being, why a prevailing Los Angeles permissiveness, 1960s-style, spawned countless innovations, including Andy Warhol's first exhibition, Marcel Duchamp's first retrospective, Frank Gehry's mind-bending architecture, Rudi Gernreich's topless bathing suit, Dennis Hopper's Easy Rider, even the Beach Boys, the Byrds, the Doors, and other purveyors of a California style. In the 1960s, Los Angeles was the epicenter of cool.
Author: Cécile Whiting
Publisher: Univ of California Press
ISBN: 9780520256347
Category : Art
Languages : en
Pages : 296
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Book Description
In this original and engaging book, Cécile Whiting examines what Pop looked like when it left the highbrow cloisters of Manhattan's art galleries and ventured westward to the sprawling suburbs of Los Angeles.
Author: William R. Hackman
Publisher:
ISBN:
Category : Art and society
Languages : en
Pages : 308
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Book Description
"The history of modern art typically begins in Paris and ends in New York. Los Angeles was out of sight and out of mind, viewed as the apotheosis of popular culture, not a center for serious art. Out of Sight chronicles the rapid-fire rise, fall, and rebirth of L.A.'s art scene, from the emergence of a small bohemian community in the 1950s to the founding of the Museum of Contemporary Art in 1980. Included are some of the most influential artists of our time: painters Edward Ruscha and Vija Celmins, sculptors Ed Kienholz and Ken Price, and many others. A book about the city as much as it is about the art, Out of Sight is a social and cultural history that illuminates the ways mid-century Los Angeles shaped its emerging art scene--and how that art scene helped remake the city"--
Author: James Sampson Meyer
Publisher: University of Chicago Press
ISBN: 9780226425108
Category : Art
Languages : en
Pages : 408
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Book Description
This is the catalogue for an exhibition organized by the National Gallery of Art in Washington, DC, which explores the considerable contributions of Virginia Dwan and her legendary gallery to post-WWII American art.It is being carefully curated by Press author James Meyer. Founded by Virginia Dwan in 1959, the Dwan Gallery was a leading avant-garde space with locations in Los Angeles and New York, presenting the art of Franz Kline, Robert Rauschenberg, Claes Oldenburg, Sol LeWitt, and Robert Smithson, among others. Where the Los Angeles gallery featured abstract expressionism, neo-dada, and Pop, the New York branch reflected the emerging movements of minimalism, conceptualism, and land art. The activities of the Dwan Gallery transpired not just in and between Los Angeles, New York, and Paris, but also in the wilderness of the American West, where Dwan fostered a new genre of art known as earthworks (land art). A keen follower of the Parisian art scene, Dwan also gave many nouveaux realistes such as Yves Klein their debut shows in the United States."
Author: Tosh Berman
Publisher: City Lights Books
ISBN: 0872867641
Category : Biography & Autobiography
Languages : en
Pages : 341
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Book Description
The triumphs and tragedies of growing up as the son of a famous Beat artist. TOSH is a memoir of growing up as the son of an enigmatic, much-admired, hermetic, and ruthlessly bohemian artist during the waning years of the Beat Generation and the heyday of hippie counterculture. A critical figure in the history of postwar American culture, Tosh Berman's father, Wallace Berman, was known as the "father of assemblage art," and was the creator of the legendary mail-art publication Semina. Wallace Berman and his wife, famed beauty and artist's muse Shirley Berman, raised Tosh between Los Angeles and San Francisco, and their home life was a heady atmosphere of art, music, and literature, with local and international luminaries regularly passing through. Tosh's unconventional childhood and peculiar journey to adulthood features an array of famous characters, from George Herms and Marcel Duchamp, to Michael McClure and William S. Burroughs, to Dennis Hopper and Dean Stockwell, to the Rolling Stones, Neil Young, and Toni Basil. TOSH takes an unflinching look at the triumphs and tragedies of his unusual upbringing by an artistic genius with all-too-human frailties, against a backdrop that includes The T.A.M.I. Show, Sgt. Pepper's Lonely Hearts Club Band, Easy Rider, and more. With a preface by actress/writer Amber Tamblyn (daughter of Wallace's friend, actor Russ Tamblyn), TOSH is a self-portrait taken at the crossroads of popular culture and the avant-garde. The index of names included represents a who's who of midcentury American—and international—culture. Praise for Tosh: "Tosh Berman's sweet and affecting memoir provides an intimate glimpse of his father, Wallace, and the exciting, seat-of-the-pants LA art scene of the 1960s, and it also speaks to the hearts of current and former lonely teenagers everywhere."--Luc Sante, author of The Other Paris "This is the story of a kid growing up inside of art world history, retelling his upbringing warts and all. A well-written, fast-moving book that is candid, funny, often disturbing, and never dull."--Gillian McCain, co-author of Please Kill Me: The Uncensored Oral History of Punk "TOSH is a delightfully entertaining memoir filled with sly wit and a profound personal perspective."--John Zorn, composer "One could not wish for a better guide into the subterranean and bohemian worlds of the California art/Beat scene than Tosh Berman, only scion of the great Wallace. Tosh has a sly wit and an informed eye, he is both erudite and neurotic, and often hilarious."--John Taylor, Duran Duran "There's the life—and then there's the life. With TOSH you can have both. My life, and that of many who sailed with me, was formed by the 40's & 50's. TOSH takes you there."--Andrew Loog Oldham, producer/manager, The Rolling Stones "As the son of artist Wallace Berman, Tosh Berman had a front row seat for the beat parade of the '50s, and the hippie extravaganza of the '60s. It was an exotic, star-studded childhood, but having groovy parents doesn't insulate one from the challenge of forging one's own identity in the world. Berman's successful effort to do that provides the heart and soul of this movingly candid chronicle of growing up bohemian."--Kristine McKenna, co-author of Room to Dream by David Lynch "This is a beautifully written memoir, and I highly recommend it to those who are interested in the Sixties, Topanga Canyon, the Southern California art scene, and for those who wonder what it might mean to grow up as the son of one of our most acclaimed artists."--Lisa See, author of The Tea Girl of Hummingbird Lane
Author: Sarah Schrank
Publisher: University of Pennsylvania Press
ISBN: 0812204107
Category : Art
Languages : en
Pages : 226
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Book Description
"Art and the City" explores the contentious relationship between civic politics and visual culture in Los Angeles. Struggles between civic leaders and modernist artists to define civic identity and control public space highlight the significance of the arts as a site of political contest in the twentieth century.
