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Author: Gabriele Schor
Publisher: Prestel Publishing
ISBN: 9783791359717
Category :
Languages : en
Pages : 0
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Book Description
Now available again in an expanded edition and featuring a variety of work from artists both well-known and under the radar, this volume explores the pioneering achievements of the Feminist Avant-Garde. For art history, the 1970s represent the beginning of women subverting culturally and socially established constructions and traditional norms. Second-wave feminism, with its slogan "The personal is political", challenged the one-dimensional roles assigned to women--mother, housewife, and spouse. During this period, women artists radically questioned their duties and created a plurality of self-determined representations of themselves. Rejecting traditional male-dominated techniques, such as painting, these artists made use of new media, such as photography, film, video, and performance. The outcome was artwork which was radical, poetic, ironic, bitter, cynical, and heartfelt. This book features more than seventy international female artists, including works by Martha Rosler, Mary Beth Edelson, Ana Mendieta, Nil Yalter, and Ulrike Rosenbach. Editor Gabriele Schor used the term Feminist Avant-Garde in order to emphasize the role that these artists played in the last four decades. This new edition has been enriched with twenty-five new artists--Emma Amos, Dara Birnbaum, Rose English, Natalia LL, among others--as well as up-to-date research on feminist exhibitions, catalogues, and periodicals. Each artist is introduced by an essay and the book also includes fascinating texts by leading scholars.
Author: Gabriele Schor
Publisher: Prestel Publishing
ISBN: 9783791359717
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Now available again in an expanded edition and featuring a variety of work from artists both well-known and under the radar, this volume explores the pioneering achievements of the Feminist Avant-Garde. For art history, the 1970s represent the beginning of women subverting culturally and socially established constructions and traditional norms. Second-wave feminism, with its slogan "The personal is political", challenged the one-dimensional roles assigned to women--mother, housewife, and spouse. During this period, women artists radically questioned their duties and created a plurality of self-determined representations of themselves. Rejecting traditional male-dominated techniques, such as painting, these artists made use of new media, such as photography, film, video, and performance. The outcome was artwork which was radical, poetic, ironic, bitter, cynical, and heartfelt. This book features more than seventy international female artists, including works by Martha Rosler, Mary Beth Edelson, Ana Mendieta, Nil Yalter, and Ulrike Rosenbach. Editor Gabriele Schor used the term Feminist Avant-Garde in order to emphasize the role that these artists played in the last four decades. This new edition has been enriched with twenty-five new artists--Emma Amos, Dara Birnbaum, Rose English, Natalia LL, among others--as well as up-to-date research on feminist exhibitions, catalogues, and periodicals. Each artist is introduced by an essay and the book also includes fascinating texts by leading scholars.
Author: Elisabeth A. Frost
Publisher: University of Iowa Press
ISBN: 1587294346
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
The Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910s through the 1990s and asserts an alternative tradition to the predominantly male-dominated avant-garde movements. Elisabeth Frost argues that this alternative lineage distinguishes itself by its feminism and its ambivalence toward existing avant-garde projects; she also thoroughly explores feminist avant-garde poets' debts and contributions to their male counterparts.
Author: Lucy Delap
Publisher: Cambridge University Press
ISBN: 0521876516
Category : History
Languages : en
Pages : 0
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Book Description
In the first major study of twentieth-century feminism as an Anglo-American phenomenon, Lucy Delap offers a unique perspective on the politics of gender. By exploring the intellectual history and cultural politics of Anglo-American feminism Delap challenges the reader to re-think the nature of both the 'avant-garde' and 'feminism'.
Author: James M. Harding
Publisher: University of Michigan Press
ISBN: 0472117181
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Sheds light on the critical role that women artists have played in the evolution of the American avant-garde
Author: Susan Rubin Suleiman
Publisher: Harvard University Press
ISBN: 9780674853843
Category : Art
Languages : en
Pages : 302
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Book Description
With this important new book, Susan Suleiman lays the foundation for a postmodern feminist poetics and theory of the avant-garde. She shows how the figure of Woman, as fantasy, myth, or metaphor, has functioned in the work of male avant-garde writers and artists of this century. Focusing also on women's avant-garde artistic practices, Suleiman demonstrates how to read difficult modern works in a way that reveals their political as well as their aesthetic impact. Suleiman directly addresses the subversive intent of avant-garde movements from Surrealism to postmodernism. Through her detailed readings of provocatively transgressive works by André Breton, Georges Bataille, Roland Barthes, Alain Robbe-Grillet, Marcel Duchamp, Max Ernst, and others, Suleiman demonstrates the central role of the female body in the male erotic imagination and illuminates the extent to which masculinist assumptions have influenced modern art and theory. By examining the work of contemporary women avantgarde artists and theorists--including Hélène Cixous, Marguerite Duras, Monique Wittig, Luce Irigaray, Angela Carter, Jeanette Winterson, Leonora Carrington, Barbara Kruger, Jenny Holzer, and Cindy Sherman--Suleiman shows the political power of feminist critiques of patriarchal ideology, and especially emphasizes the power of feminist humor and parody. Central to Suleiman's revisionary theory of the avant-garde is the figure of the playful, laughing mother. True to the radically irreverent spirit of the historical avant-gardes and their postmodernist successors, Suleiman's laughing mother embodies the need for a link between symbolic innovation and political and social change.
Author: Sammlung Verbund
Publisher: Distributed Art Publishers (DAP)
ISBN: 9781938922411
Category : Photograph collections
Languages : en
Pages : 0
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Book Description
"This monograph on Francesca Woodman (1958--1981), the most comprehensive to date, charts new approaches to her oeuvre. Whereas the evanescence of the female figure in the artist's photographs has often been read as an aesthetic anticipation of her suicide, the essays by publishers Gabriele Schor and Elisabeth Bronfen as well as those from Johannes Binotto, Abigail Solomon-Godeau and Beate Söntgen illustrate Woodman's passionate self-staging in the tradition of the tableau vivant. Her poetic and metaphorical use of props (mirrors, gloves, rugs etc.) and her staging in a room, where the laws of geometry seem to no longer apply, are examined in the essays. The 80 photographs in the SAMMLUNG VERBUND collection can be seen for the first time in their original size."--Publisher infomation.
Author: Lauren Rabinovitz
Publisher: University of Illinois Press
ISBN: 9780252071249
Category : Experimental films
Languages : en
Pages : 276
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Book Description
In detailing the relationship of three women filmmakers' lives and films to the changing institutions of the post-World War II era, Lauren Rabinovitz has created the first feminist social history of the North American avant-garde cinema. At a time when there were few women directors in commercial films, the postwar avant-garde movement offered an opportunity. Rabinovitz argues that avant-garde cinema, open to women because of its marginal status in the art world, included women as filmmakers, organizers, and critics. Focusing on Maya Deren, Shirley Clarke, and Joyce Wieland, Rabinovitz illustrates how women used bold physical images to enhance their work and how each provided entrée to her subversive art while remaining culturally acceptable. She combines archival materials with her own interviews to show how the women's labor and films, even their identities as women filmmakers, were produced, disseminated, and understood. With a new preface and an updated bibliography, Points of Resistance simultaneously demonstrates the avant-garde's importance as an organizational network for women filmmakers and the processes by which women remained marginal figures within that network.
Author: Alyce Mahon
Publisher: Princeton University Press
ISBN: 0691141614
Category : Art
Languages : en
Pages : 299
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Book Description
"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--
Author: Alexandra Schwartz
Publisher: The Museum of Modern Art
ISBN: 0870706608
Category : Art, Modern
Languages : en
Pages : 266
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Book Description
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
Author: Patricia Mellencamp
Publisher: Indiana University Press
ISBN: 9780253115997
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory. She creates a dialogue among theory and popular culture and politics through inventive readings of the films of Owen Land, Hollis Frampton, Ken Jacobs, Bruce Conner, Robert Nelson, Michael Snow, Yvonne Rainer, and Sally Potter, and videotapes by Ant Farm, TVTV, Michael Smith, William Wegman, and Cecelia Condit.
