The Family History and Genealogy of Christian Steinman(n) and Veronica Eyer PDF Download
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Author: Lorraine Roth
Publisher: Baden, Ont. : The Committee
ISBN:
Category : Amish
Languages : en
Pages : 474
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Book Description
Christian Steinman, son of Jacob Steinman and Barbara Kennel, was born in 1792, in or near Marienthal in Lorraine, France. Christian married Veronica Eyer in France ca. 1822. The family arrived in the harbor of New York August 18, 1826. From New York Christian Steinman brought his family to Wilmot, Upper Canada (Ontario). Most of the Steiman descendants now live in Ontario, Canada. Some family members live in Maryland, Pennsylvania, New York, and elsewhere. Christian and his family adhered to the Amish Mennonite faith and located in Amish communities. Includes Albrecht, Baechler, Bast, Bender, Boshart, Bowman, Brenneman, and Erb as well as other connected families.
Author: Lorraine Roth
Publisher: Baden, Ont. : The Committee
ISBN:
Category : Amish
Languages : en
Pages : 474
Get Book
Book Description
Christian Steinman, son of Jacob Steinman and Barbara Kennel, was born in 1792, in or near Marienthal in Lorraine, France. Christian married Veronica Eyer in France ca. 1822. The family arrived in the harbor of New York August 18, 1826. From New York Christian Steinman brought his family to Wilmot, Upper Canada (Ontario). Most of the Steiman descendants now live in Ontario, Canada. Some family members live in Maryland, Pennsylvania, New York, and elsewhere. Christian and his family adhered to the Amish Mennonite faith and located in Amish communities. Includes Albrecht, Baechler, Bast, Bender, Boshart, Bowman, Brenneman, and Erb as well as other connected families.
Author:
Publisher:
ISBN:
Category : Mennonites
Languages : en
Pages : 448
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Book Description
Author: Ralph Beaver Strassburger
Publisher:
ISBN: 9780806308814
Category : Reference
Languages : en
Pages : 736
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Book Description
Author: Elizabeth Bloomfield
Publisher: [Guelph, Ont.] : Waterloo Regional Heritage Foundation
ISBN:
Category : Reference
Languages : en
Pages : 778
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Book Description
Author:
Publisher:
ISBN:
Category : Mennonites
Languages : en
Pages : 846
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Book Description
Author: Lorraine Roth
Publisher: Masthof Press & Bookstore
ISBN:
Category : History
Languages : en
Pages : 138
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Book Description
The German Block, located in then "Upper Canada," has a very distinct history between the 1820s and 1860 from the rest of Wilmot Twp. It was the initiative of Christian Nafziger and the persistence of the Mennonites of Waterloo that precipitated this survey. Surnames: Hunsberger, Miller, Schwartzentruber, Shantz. (118pp. illus. index. Menn. Hist. Soc. of Ontario, 1998.)
Author: Harvey Hostetler
Publisher:
ISBN:
Category :
Languages : en
Pages : 1256
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Book Description
Author: Lemar and Lois Ann Mast
Publisher: Masthof Press & Bookstore
ISBN:
Category : Family & Relationships
Languages : en
Pages : 12
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Book Description
Index to the articles published by Mennonite Family History
Author: Israel Daniel Rupp
Publisher:
ISBN:
Category : History
Languages : en
Pages : 832
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Book Description
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
