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Author: Peter Lerangis
Publisher: Penguin
ISBN: 1440684367
Category : Young Adult Nonfiction
Languages : en
Pages : 175
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Book Description
It’s a new school year, and for Casey Chang it’s a chance to make a fresh start away from the bad memories in her old town. But for the Drama Club of Ridgefield High, it means a chance to recruit new members. And Brianna Glaser—the Type A co-president of the club—has her sights set on the new girl. But Casey soon finds herself sucked into the excitement and drama. For these kids, Drama Club isn’t just about a school play, it’s about passion and dreams and the future. All Casey wanted was a new life for herself, but Drama Club has opened up a whole new world.
Author: Peter Lerangis
Publisher: Penguin
ISBN: 1440684367
Category : Young Adult Nonfiction
Languages : en
Pages : 175
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Book Description
It’s a new school year, and for Casey Chang it’s a chance to make a fresh start away from the bad memories in her old town. But for the Drama Club of Ridgefield High, it means a chance to recruit new members. And Brianna Glaser—the Type A co-president of the club—has her sights set on the new girl. But Casey soon finds herself sucked into the excitement and drama. For these kids, Drama Club isn’t just about a school play, it’s about passion and dreams and the future. All Casey wanted was a new life for herself, but Drama Club has opened up a whole new world.
Author: Tim Rutherford-Johnson
Publisher: Univ of California Press
ISBN: 0520959043
Category : Music
Languages : en
Pages : 363
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Book Description
"...the best extant map of our sonic shadowlands, and it has changed how I listen."—Alex Ross, The New Yorker "...an essential survey of contemporary music."—New York Times "…sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound."—The Wire 2017 Music Book of the Year—Alex Ross, The New Yorker Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.
Author: Tim Rutherford-Johnson
Publisher: Univ of California Press
ISBN: 0520283155
Category : History
Languages : en
Pages : 362
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Book Description
Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.
Author: Mr Benjamin Halligan
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409494012
Category : Music
Languages : en
Pages : 230
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Book Description
This volume offers a comprehensive range of approaches to the work of Mark E. Smith and his band The Fall in relation to music, art and politics. Mark E. Smith remains one of the most divisive and idiosyncratic figures in popular music after a recording career with The Fall that spans thirty years. Although The Fall were originally associated with the contemporaneous punk explosion, from the beginning they pursued a highly original vision of what was possible in the sphere of popular music. While other punk bands burned out after a few years, only to then reform decades later as their own cover bands, The Fall continue to evolve while retaining a remarkable consistency, even with the frequent line-up changes that soon left Mark E. Smith as the only permanent member of the group. The key aspect of the group that this volume explores is the invariably creative, unfailingly critical and often antagonistic relations that characterize both the internal dynamics of the group and the group's position in the pop cultural surroundings. The Fall's ambiguous position in the unfolding histories of British popular music and therefore in the new heritage industries of popular culture in the UK, from post-punk to anti-Thatcher politics, to the 'Factory fiction of Manchester' and on into Mark E. Smith's current role as ageing enfant terrible of rock, illustrates the uneasy relationship between the band, their critical commentators and the historians of popular music. This volume engages directly with this critical ambiguity. With a diverse range of approaches to The Fall, this volume opens up new possibilities for writing about contemporary music beyond traditional approaches grounded in the sociology of music, Cultural Studies and music journalism – an aim which is reflected in the variety of provocative critical approaches and writing styles that make up the volume.
Author: Patryk Galuszka
Publisher: Routledge
ISBN: 1000374580
Category : Music
Languages : en
Pages : 226
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Book Description
During the last thirty years Eastern Europe has been a place of radical political, economic, and social transformation, and these changes have affected the cultural industries of its countries. This volume consists of twelve chapters by leading international researchers. Stories are documented of various organisations that once dominated the ‘communist music industries’ — such as state-owned record companies, music festivals, and collecting societies. The strategies employed by artists and industries to join international music markets after the fall of communism are explained and evaluated. Political and economic transformations that coincided with the advent of digitalisation and the Internet intensified the changes. All these issues posed challenges both to record labels and artists who, after adjusting to the rules of the free-market economy, were faced with the falling record sales of records caused by the advent of new communication technologies. This book examines how these processes have all affected the music scene, industries, and markets in various Eastern European countries.
Author: MarkE. Smith
Publisher: Omnibus Press
ISBN: 0857120301
Category : Music
Languages : en
Pages : 376
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Book Description
Over the years, The Fall have given me more pleasure than any other band and, when people ask me why I always say, 'they are always different, they are always the same' John Peel. The first ever authorised biography of this most inscrutable of bands! Together music writer Mick Middles and Fall leader Mark E. Smith have written an exhaustive biography of The Fall. Spanning their years on the fringe of the Manchester punk scene, three dozen albums, numerous tours, two successful stage plays and various spoken word events, this book is as strangely compelling as the band itself. Laced with Smith's distinctive brand of working class intellectualism and trenchant broadsides this is a meticulously researched story to thrill the famously disparate fans of The Fall who revel in a string of classic albums that fly in the face of all fashion, fads and musical trends. Mark E Smith remains famously true to his roots. Uncomfortable in art circles in London or, say, New York, he continues to live a full life in his native Salford, perfectly at home amongst the artisans in the string of local pubs. Just one more reason why Mark E Smith is a truly unique phenomenon with assured longevity. The book is the only authorised account of the enigma that is Mark E Smith. Author Mick Middles has been a close friend of Smith for over 25 years, and the book, written with Smith's complete approval and assistance, delves deep into the heart of that enigma.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 922
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Book Description
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 800
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 438
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Book Description
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1107046866
Category : Literary Criticism
Languages : en
Pages : 467
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Book Description
Jack Boss presents detailed analyses of Arnold Schoenberg's twelve-tone pieces, bringing the composer's 'musical idea' - problem, elaboration, solution - to life.
