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Author: Noa Steimatsky
Publisher: Oxford University Press
ISBN: 0190650354
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
The human face was said to be rediscovered with the advent of motion pictures, in which it is often viewed as expressive locus, as figure, and even as essence of the cinema. But how has the modern, technological, mass-circulating art revealed the face in ways that are also distinct from any other medium? How has it altered our perception of this quintessential incarnation of the person? The archaic powers of masks and icons, the fashioning of the individual in the humanist portrait, the modernist anxieties of fragmentation and de-figuration--these are among the cultural precedents informing our experience in the movie theatre. Yet the moving image also offers radical new confrontations with the face: Dreyer's Passion of Joan of Arc, Donen's Funny Face, Hitchcock's The Wrong Man, Bresson's enigmatic Au hasard Balthazar, Antonioni's Screen Test, Warhol's filmic portraits of celebrity and anonymity are among the key works explored in this book. In different ways these intense encounters manifest a desire for transparency and plenitude, but--especially in post-classical cinema--they also betray a profound ambiguity that haunts the human countenance as it wavers between image and language, between what we see and what we know. The spectacular impact of the cinematic face is uncannily bound up with an opacity, a reticence. But is it not for this very reason that, like faces in the world, it still enthralls us?
Author: Noa Steimatsky
Publisher: Oxford University Press
ISBN: 0190650354
Category : Performing Arts
Languages : en
Pages : 297
Get Book Here
Book Description
The human face was said to be rediscovered with the advent of motion pictures, in which it is often viewed as expressive locus, as figure, and even as essence of the cinema. But how has the modern, technological, mass-circulating art revealed the face in ways that are also distinct from any other medium? How has it altered our perception of this quintessential incarnation of the person? The archaic powers of masks and icons, the fashioning of the individual in the humanist portrait, the modernist anxieties of fragmentation and de-figuration--these are among the cultural precedents informing our experience in the movie theatre. Yet the moving image also offers radical new confrontations with the face: Dreyer's Passion of Joan of Arc, Donen's Funny Face, Hitchcock's The Wrong Man, Bresson's enigmatic Au hasard Balthazar, Antonioni's Screen Test, Warhol's filmic portraits of celebrity and anonymity are among the key works explored in this book. In different ways these intense encounters manifest a desire for transparency and plenitude, but--especially in post-classical cinema--they also betray a profound ambiguity that haunts the human countenance as it wavers between image and language, between what we see and what we know. The spectacular impact of the cinematic face is uncannily bound up with an opacity, a reticence. But is it not for this very reason that, like faces in the world, it still enthralls us?
Author: Noa Steimatsky
Publisher: Oxford University Press
ISBN: 0199863164
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
The human face is a privileged arena of expressivity; yet, this book suggests, cinema's most radical encounters with the face give rise to ambiguity, illegibility--an equivocation between image and language. Braiding theoretical and aesthetic considerations with close analysis of films, Steimatsky interrogates the convergence of archaic powers and modern anxieties in our experience of the face on film.
Author: Cornelia Klecker
Publisher: Routledge
ISBN: 1000488217
Category : Social Science
Languages : en
Pages : 231
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Book Description
The face, being prominent and visible, is the foremost marker of a person’s identity as well as their major tool of communication. Facial disfigurements, congenital or acquired, not only erase these significant capacities, but since ancient times, they have been conjured up as outrageous and terrifying, often connoting evil or criminality in their associations – a dark secret being suggested "behind the mask," the disfigurement indicating punishment for sin. Complemented by an original poem by Kenneth Sherman and a plastic surgeon’s perspective on facial disfigurement, this book investigates the exploitation of these and further stereotypical tropes by literary authors, filmmakers, and showrunners, considering also the ways in which film, television, and the publishing industry have more recently tried to overcome negative codifications of facial disfigurement, in the search for an authentic self behind the veil of facial disfigurement. An exploration of fictional representations of the disfigured face, this book will appeal to scholars of sociology, cultural and media studies, American studies and literary studies with interests in representations of disfigurement and the Other.
Author: Martin O’Shaughnessy
Publisher: Berghahn Books
ISBN: 0857456903
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
Since 1995 there has been a widespread return of commitment to French cinema taking it to a level unmatched since the heady days following 1968. But this new wave of political film is very different and urgently calls out for an analysis that will account for its development, its formal characteristics and its originality. This is what this book provides. It engages with leading directors such as Cantet, Tavernier, Dumont, Kassovitz, Zonca and Guédiguian, takes in a range of less well known but important figures and strays across the Belgian border to engage with the seminal work of the Dardenne brothers. It shows how the works discussed are helping to reinvent political cinema by finding stylistic and narrative strategies adequate to the contemporary context.
Author: Ingmar Bergman
Publisher: New York : Pantheon Books
ISBN:
Category : Fiction
Languages : en
Pages : 136
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Book Description
Author: Caroline B. Cooney
Publisher: Ember
ISBN: 038574238X
Category : Young Adult Fiction
Languages : en
Pages : 210
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Book Description
A psychological thriller about a teenager who sees her own face staring back at her from a missing children's notice on the back of a milk carton. An emotionally evocative and chilling read that seamlessly blends mystery and suspense for fans of A GOOD GIRL'S GUIDE TO MURDER and WE WERE LIARS. “It's a gripper. You can't put it down.” —Entertainment Weekly "A real page-turner." —Kirkus Reviews No one ever really paid close attention to the faces of the missing children on the milk cartons. But as Janie Johnson glanced at the face of the ordinary little girl with her hair in tight pigtails, wearing a dress with a narrow white collar—a three-year-old who had been kidnapped twelve years before from a shopping mall in New Jersey—she felt overcome with shock. She recognized that little girl—it was her. How could it possibly be true? Janie can't believe that her loving parents kidnapped her, but as she begins to piece things together, nothing makes sense. Something is terribly wrong. Are Mr. and Mrs. Johnson really her parents? And if not, who is Janie Johnson, and what really happened?
Author: John Sudol
Publisher: Createspace Independent Publishing Platform
ISBN: 9781490561196
Category : Facial expression
Languages : en
Pages : 0
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Book Description
Acting Face to Face: the Actor's Guide to Understanding How Your Face Communicates Emotion for TV and Film is the first book to define the significant difference between acting for the stage and acting for the camera. That difference being how your face communicates thought, feeling and emotion. The actor who has the tools and skills to create and control how and what their face communicates is the actor most suited to work in front of the camera. Acting Face to Face is also the first book in a series about the "Language of the Face" - or how the face communicates nonverbally. The book is particularly useful for actors transitioning from stage to screen, by clearly defining the difference. On stage, you communicate with your body and voice; on camera you need to add a third means of communication - your face. When you understand this difference, you also understand why only a small percentage of actors get the majority of on-camera work. Acting Face to Face reveals the tools you'll need to level the playing field.Acting Face to Face exposes the myths and misconceptions about on-camera while addressing some of the major challenges most actors face when relying solely on their stage acting training to work in front of the camera. The book contains detailed photos and experiential exercises; it also helps you understand how you personally communicate and what's missing or misunderstood about your facial expressions, so you can take your acting to the next level.After working with thousands of actors and studying the work of leading researchers in the field of emotions for over 10 years, John Sudol - a veteran actor, director, casting director, Hollywood acting teacher and audition coach - has developed this book series, which stands to change the face of acting.Though developed specifically for actors, this book is also helpful to anyone in the communications business who would benefit from knowing how their face nonverbally speaks to others.* The second book of the Language of the Face series, Acting Face to Face 2, How to Create Genuine Emotion for the Camera is now available. Whereas the first Acting Face to Face defined the challenges of On-Camera Acting, Acting Face to Face 2, reveals a step-by-step process to overcoming those challenges.
Author: John Sudol
Publisher: CreateSpace
ISBN: 9781517219482
Category :
Languages : en
Pages : 226
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Book Description
Acting Face to Face 2: How to Create Genuine Emotion for TV and Film (AFF2) is the second book in a series about the "Language of the Face" - or how the face communicates nonverbally. Building upon the work and concepts of many leading researchers, including famed Dr. Paul Ekman, that were introduced in the first book. AFF2 expands on the science of emotions offering practical exercises guiding its readers to true Emotional Alignment. Acting Face to Face 2 is not just another book on acting theory, it's a complete course in emotion training and developing. It contains links to videos, audio as well as detailed photos, explanations, descriptions and reference sheets of each of the muscle groups associated with the seven universal emotions. AFF2 goes even deeper, with a guided method to reveal how you personally express emotions, how others perceive you and what could be interfering with your emotional life in your character work. For the first time, you are presented with how the science of emotion and the art of expression are interwoven to assist the professional actor in achieving the real and genuine emotion necessary to not only move the story along but to captivate the viewer. This is where you will have the long awaited opportunity to learn to speak the Language of the Face, John Sudol's groundbreaking set of tools for on-camera actors and business professionals alike. "And when we do it correctly it allows the viewer to read your mind" is Sudol's emphasis when he teaches and coaches his students and clients. AFF2 contains ALL and more of what you were never told about on-camera acting!
Author: Victor H. Green
Publisher: Colchis Books
ISBN:
Category : History
Languages : en
Pages : 222
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Book Description
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Author: Isabelle Holland
Publisher: Harper Collins
ISBN: 0064470288
Category : Juvenile Fiction
Languages : en
Pages : 162
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Book Description
Charles didn't know much about life ... until he met The Man Without a Face "I'd never had a friend, and he was my friend; I'd never really, except for a shadowy memory, had a father, and he was my father. I'd never known an adult I could communicate with or trust, and I communicated with him all the time, whether I was actually talking to him or not. And I trusted him ...... Fourteen-year-old Charles desperately wants two things: a father and a way out. Little love has come his way until the summer he befriends a mysterious scarred man named Justin McLeod, nicknamed ""The Man Without a Face." Charles enlists McLeod's help as tutor for the St. Matthew's school entrance exams, his ticket away from the unpleasant restrictions of his home life. But more important than anything he could get out of a book, that summer Charles learns from McLeod a stirring life lesson about the many faces of love. ‘Not much affection had come Charles’s way until the summer he was fourteen, when he met McLeod [a man whose face was deeply scarred] and learned that love has many facets.’ —BL. ‘A highly moral book, powerfully and sensitively written; a book that never loses sight of the human." —H. 1972 Best Books for Young Adults (ALA) Best of the Best Books (YA) 1970-1983 (ALA) Outstanding Children's Books of 1972 (NYT)
