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Author: Charles Drazin
Publisher:
ISBN: 9780571343416
Category : Motion picture industry
Languages : en
Pages :
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Book Description
Offering portraits of such key figures as the Lumière brothers, Georges Méliès, Charles Pathé and Léon Gaumont, the author looks at the early pioneers who transformed a fairground novelty into a global industry.
Author: Charles Drazin
Publisher:
ISBN: 9780571343416
Category : Motion picture industry
Languages : en
Pages :
Get Book Here
Book Description
Offering portraits of such key figures as the Lumière brothers, Georges Méliès, Charles Pathé and Léon Gaumont, the author looks at the early pioneers who transformed a fairground novelty into a global industry.
Author: C. DRAZIN
Publisher:
ISBN: 9780571349289
Category :
Languages : en
Pages : 464
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Book Description
In The Faber Book of French Cinema, Charles Drazin explores the rich film culture and history of the country that first established the cinema as the most important mass medium of the twentieth century. Offering portraits of such key figures as the Lumière brothers, Georges Méliès, Charles Pathé and Léon Gaumont, he looks at the early pioneers who transformed a fairground novelty into a global industry. The crisis caused by the First World War led France to surrender her position as the world's dominant film-making power, but French cinema forged a new role for itself as a beacon of cinematic possibility and achievement. Suggesting a Gallic attitude that has always considered the cinema to be as much a cause as a business, Drazin looks at the extraordinary resilience of the French film industry during the Second World War when, in spite of the national catastrophe of defeat and occupation, it was still able to produce such classics as Le Corbeau and Les Enfants du Paradis. Finally, he traces its remarkable post-war regeneration. He looks at the seminal impact of the New Wave of film-makers - typified by Truffaut and Godard - but also at the other waves that have followed since. As he brings the story into the twenty-first century - with Jacques Audaird's award-winning A Prophet - he seeks to capture the essence of the French film tradition and why it continues to matter to anyone who cares about the cinema.
Author: Philip French
Publisher:
ISBN: 9780571173297
Category : American poetry
Languages : en
Pages : 458
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Book Description
This collection of poetry about the cinema includes work by almost 100 English-language poets. It guides readers through the silent era to talkies, movie stars, home movies and beyond - the final poem being about recording TV films onto VHS.
Author: Wes Anderson
Publisher: Faber & Faber
ISBN: 0571360483
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Bill Murray, Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, and Owen Wilson.
Author: Charles Drazin
Publisher: Faber & Faber
ISBN: 9780571211739
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
The Hollywood model of cinema as mass-market spectacle—as entertainment rather than an art—is more dominant than ever, its box-office power amounting to an effective monopoly. France has been one of the most active countries to challenge this hegemony. A key motivation has been its sense of a distinct film tradition that has always provided the most sustained alternative model to Hollywood. The respected film critic Charles Drazin has written what will become the definitive history of French cinema. Drazin examines France’s role as the inventor of cinema and its pivotal influence over the language of cinema across the past century. Along the way, he highlights the influence of Hollywood directors such as Hitchcock, Ford, and Hawks on Truffaut’s generation, as well as the impact of British directors such as Ken Loach and Mike Leigh on current filmmakers. French Cinema seeks to capture some essence of French cinema through the key personalities and episodes in its history, but it is also the story of a conflict between two traditions that continues to this day.
Author: Charles Drazin
Publisher: Hal Leonard Corporation
ISBN: 9780879102944
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
(Limelight). Half a century after its opening, The Third Man remains an unquestioned masterpiece of film artistry and, for many, the greatest British movie ever made. Whether it is Harry Lime's magical first appearance or the celebrated cuckoo clock speech or the climactic chase through the sewers beneath Vienna or the haunting theme music of Anton Karas, the film contains some of the most memorable moments in screen history. Drawing on both contemporary documents and accounts of the people involved, In Search of The Third Man explores the many myths that over the years have grown around this extraordinary film, and seeks to unravel the facts from the fiction. "...you'll want to read The Third Man...The story of the film's creation is as intriguing as the film itself" Leonard Maltin, Playboy
Author: Laurent Tirard
Publisher: Macmillan
ISBN: 9780571211029
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Publisher Description
Author: Michael Temple
Publisher: Bloomsbury Publishing
ISBN: 1349929093
Category : Performing Arts
Languages : en
Pages : 370
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Book Description
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
Author: Phil Powrie
Publisher: Oxford University Press
ISBN: 9780198711193
Category : Masculinity
Languages : en
Pages : 236
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Book Description
French film in the 1980s might have lacked the invention of the New Wave but gritty police thrillers and nostalgic costume-dramas such as Jean de Florette and Manon des Sources brought French cinema to a wider audience than ever before. This landmark study is not merely a history of French film in the 1980s, but offers a set of critical essays on the crisis of masculinity in contemporary French culture, and its interrelationship with nostalgia. After a brief overview both of the crisis in the French film industry during the 1980s, and of the socio-political crisis of masculinity in the wake of 1970s feminism, the book is divided into three sections: the retro-nostalgic film, the Polar, or police thriller, and the comic film. Films studied in detail include Diva, Subway, Coup de foudre, Vivement dimanche , La Vie est un long fleuve tranquille, and Tenue de soir e, while the volume covers actors from G rard Depardieu, Daniel Auteuil, and Yves Montand to Isabelle Adjani, Isabelle Huppert, and Emmanuelle B art.
Author: Kate Griffiths
Publisher: Bloomsbury Publishing USA
ISBN: 1501311824
Category : Performing Arts
Languages : en
Pages : 327
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Book Description
French novels, plays, poems and short stories, however temporally or culturally distant from us, continue to be incarnated and reincarnated on cinema screens across the world. From the silent films of Georges Méliès to the Hollywood production of Gustave Flaubert's Madame Bovary directed by Sophie Barthes, The History of French Literature on Film explores the key films, directors, and movements that have shaped the adaptation of works by French authors since the end of the 19th century. Across six chapters, Griffiths and Watts examine the factors that have driven this vibrant adaptive industry, as filmmakers have turned to literature in search of commercial profits, cultural legitimacy, and stories rich in dramatic potential. The volume also explains how the work of theorists from a variety of disciplines (literary theory, translation theory, adaptation theory), can help to deepen both our understanding and our appreciation of literary adaptation as a creative practice. Finally, this volume seeks to make clear that adaptation is never a simple transcription of an earlier literary work. It is always simultaneously an adaptation of the society and era for which it is created. Adaptations of French literature are thus not only valuable artistic artefacts in their own right, so too are they important historical documents which testify to the values and tastes of their own time.
