Author: C.W. Valentine
Publisher: Routledge
ISBN: 1317480384
Category : Psychology
Languages : en
Pages : 457
Book Description
Originally published in 1962, the experimental study of aesthetics was a field particularly associated with the name of C.W. Valentine, who in this book provided a critical review of research carried out since the end of the nineteenth century principally by British and American psychologists. The investigations described, many of them conducted by the author, are concerned with individual responses to what is commonly regarded as beautiful in painting, music, and poetry, an important distinction being made between the perception of objects as ‘beautiful’ as opposed to ‘pleasing’. The reactions of children and adults, and of people having different ethnic and social backgrounds, are explored in a variety of experiments dealing with specific elements, including colour, form, and balance in painting; musical intervals, discord, harmony, melody, and tempo; and rhythm, metre, imagery, and associations in classical and romantic poetry. Other experiments seek to disclose the temperamental and attitudinal factors underlying individual differences in the judgement and appreciation of specific works of art. Of particular interest are the studies of responses to modern paintings, poems and musical compositions. The findings throw light on the development of discrimination and taste and suggest the possibility of some common factor in the appreciation of these three arts. It was felt that critics as well as psychologists and aestheticians would find much to encourage reflection and to stimulate further research.
The Experimental Psychology of Beauty
Author: C.W. Valentine
Publisher: Routledge
ISBN: 1317480384
Category : Psychology
Languages : en
Pages : 457
Book Description
Originally published in 1962, the experimental study of aesthetics was a field particularly associated with the name of C.W. Valentine, who in this book provided a critical review of research carried out since the end of the nineteenth century principally by British and American psychologists. The investigations described, many of them conducted by the author, are concerned with individual responses to what is commonly regarded as beautiful in painting, music, and poetry, an important distinction being made between the perception of objects as ‘beautiful’ as opposed to ‘pleasing’. The reactions of children and adults, and of people having different ethnic and social backgrounds, are explored in a variety of experiments dealing with specific elements, including colour, form, and balance in painting; musical intervals, discord, harmony, melody, and tempo; and rhythm, metre, imagery, and associations in classical and romantic poetry. Other experiments seek to disclose the temperamental and attitudinal factors underlying individual differences in the judgement and appreciation of specific works of art. Of particular interest are the studies of responses to modern paintings, poems and musical compositions. The findings throw light on the development of discrimination and taste and suggest the possibility of some common factor in the appreciation of these three arts. It was felt that critics as well as psychologists and aestheticians would find much to encourage reflection and to stimulate further research.
Publisher: Routledge
ISBN: 1317480384
Category : Psychology
Languages : en
Pages : 457
Book Description
Originally published in 1962, the experimental study of aesthetics was a field particularly associated with the name of C.W. Valentine, who in this book provided a critical review of research carried out since the end of the nineteenth century principally by British and American psychologists. The investigations described, many of them conducted by the author, are concerned with individual responses to what is commonly regarded as beautiful in painting, music, and poetry, an important distinction being made between the perception of objects as ‘beautiful’ as opposed to ‘pleasing’. The reactions of children and adults, and of people having different ethnic and social backgrounds, are explored in a variety of experiments dealing with specific elements, including colour, form, and balance in painting; musical intervals, discord, harmony, melody, and tempo; and rhythm, metre, imagery, and associations in classical and romantic poetry. Other experiments seek to disclose the temperamental and attitudinal factors underlying individual differences in the judgement and appreciation of specific works of art. Of particular interest are the studies of responses to modern paintings, poems and musical compositions. The findings throw light on the development of discrimination and taste and suggest the possibility of some common factor in the appreciation of these three arts. It was felt that critics as well as psychologists and aestheticians would find much to encourage reflection and to stimulate further research.
An Introduction to the Experimental Psychology of Beauty
Author: Charles Wilfred Valentine
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 136
Book Description
The Experimental Psychology of Beauty
Author: Charles Wilfred Valentine
Publisher:
ISBN: 9781317480365
Category : Aesthetics
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781317480365
Category : Aesthetics
Languages : en
Pages :
Book Description
Essential Psychiatry for the Aesthetic Practitioner
Author: Evan A. Rieder
Publisher: John Wiley & Sons
ISBN: 1119680123
Category : Medical
Languages : en
Pages : 32
Book Description
ESSENTIAL PSYCHIATRY FOR THE AESTHETIC PRACTITIONER Aesthetic practice requires an understanding of human psychology, yet professionals across cosmetic medicine and related fields receive no formal training in identifying and managing psychological conditions. Essential Psychiatry for the Aesthetic Practitioner provides concise yet comprehensive guidance on approaching patient assessment, identifying common psychiatric diseases, and managing challenging situations in cosmetic practice. This much-needed guide brings together contributions by dermatologists, plastic surgeons, psychiatrists, psychologists, and other experts to help practitioners understand the role of psychology in cosmetic practice and improve interpersonal relations with their patients. Assuming no previous background knowledge in psychiatry, the text provides cosmetic practitioners of all training and experience levels with clear guidance, real-world advice, and effective psychological tools to assist their practice. Through common clinical scenarios, readers learn to determine if a patient is a good candidate for a cosmetic procedure, enhance the patient experience, deal with difficult personalities in the cosmetic clinic, recognize obsessive compulsive and body dysmorphic disorders, and more. Describes how to use psychologically informed approaches and treatments for aesthetic patients Features easy-to-use psychological tools such as motivational interviewing, progressive muscle relaxation, guided imagery, and acceptance and commitment therapy Includes extensive references and practical tips for understanding the psychological implications of cosmetic treatments Covers cosmetic consultations for female, male, and transgender patients Discusses the history and psychology of beauty as well as the role of cosmetics and cosmeceuticals Emphasizes the importance of screening for common psychological comorbidities Addresses the impact of social media on self-image and its role in a growing crisis in beauty and appearance Highlights the need to develop new guidelines to treat rapidly evolving patient populations Explores how gender fluidity and variations in ethnicity are changing the approaches to aesthetic patients Essential Psychiatry for the Aesthetic Practitioner is required reading for dermatologists, plastic surgeons, cosmetic doctors, dentists, nurses, and physician assistants and all other professionals working in aesthetic medicine.
Publisher: John Wiley & Sons
ISBN: 1119680123
Category : Medical
Languages : en
Pages : 32
Book Description
ESSENTIAL PSYCHIATRY FOR THE AESTHETIC PRACTITIONER Aesthetic practice requires an understanding of human psychology, yet professionals across cosmetic medicine and related fields receive no formal training in identifying and managing psychological conditions. Essential Psychiatry for the Aesthetic Practitioner provides concise yet comprehensive guidance on approaching patient assessment, identifying common psychiatric diseases, and managing challenging situations in cosmetic practice. This much-needed guide brings together contributions by dermatologists, plastic surgeons, psychiatrists, psychologists, and other experts to help practitioners understand the role of psychology in cosmetic practice and improve interpersonal relations with their patients. Assuming no previous background knowledge in psychiatry, the text provides cosmetic practitioners of all training and experience levels with clear guidance, real-world advice, and effective psychological tools to assist their practice. Through common clinical scenarios, readers learn to determine if a patient is a good candidate for a cosmetic procedure, enhance the patient experience, deal with difficult personalities in the cosmetic clinic, recognize obsessive compulsive and body dysmorphic disorders, and more. Describes how to use psychologically informed approaches and treatments for aesthetic patients Features easy-to-use psychological tools such as motivational interviewing, progressive muscle relaxation, guided imagery, and acceptance and commitment therapy Includes extensive references and practical tips for understanding the psychological implications of cosmetic treatments Covers cosmetic consultations for female, male, and transgender patients Discusses the history and psychology of beauty as well as the role of cosmetics and cosmeceuticals Emphasizes the importance of screening for common psychological comorbidities Addresses the impact of social media on self-image and its role in a growing crisis in beauty and appearance Highlights the need to develop new guidelines to treat rapidly evolving patient populations Explores how gender fluidity and variations in ethnicity are changing the approaches to aesthetic patients Essential Psychiatry for the Aesthetic Practitioner is required reading for dermatologists, plastic surgeons, cosmetic doctors, dentists, nurses, and physician assistants and all other professionals working in aesthetic medicine.
An Introduction to Experimental Psychology
Author: Charles Wilfred Valentine
Publisher:
ISBN:
Category : Educational psychology
Languages : en
Pages : 260
Book Description
Publisher:
ISBN:
Category : Educational psychology
Languages : en
Pages : 260
Book Description
The Oxford Handbook of Empirical Aesthetics
Author: MARCOS. VARTANIAN NADAL (OSHIN.)
Publisher: Oxford University Press
ISBN: 0198824351
Category :
Languages : en
Pages : 1105
Book Description
Humans have engaged in artistic and aesthetic activities since the appearance of our species. Our ancestors have decorated their bodies, tools, and utensils for over 100,000 years. The expression of meaning using color, line, sound, rhythm, or movement, among other means, constitutes a fundamental aspect of our species' biological and cultural heritage. Art and aesthetics, therefore, contribute to our species identity and distinguish it from its living and extinct relatives. Science is faced with the challenge of explaining the natural foundations of such a unique trait, and the way cultural processes nurture it into magnificent expressions, historically and ethnically unique. How do the human mind and brain bring about these sorts of behaviors? What psychological and neural processes underlie the appreciation of painting, music, and dance? How does training modulate these processes? Are humans the only species capable of aesthetic appreciation, or are other species endowed with the rudiments of this capacity? Empirical examinations of such questions have a long and rich history in the discipline of psychology, the genesis of which can be traced back to the publication of Gustav Theodor Fechner's Vorschule der Aesthetik in 1876, making it the second oldest branch in experimental psychology. The Oxford Handbook of Empirical Aesthetics brings together leading experts in psychology, neuroimaging, art history, and philosophy to answer these questions. It provides the most comprehensive coverage of the domain of empirical aesthetics to date. With sections on visual art, dance, music, and many other art forms and aesthetic phenomena, the breadth of this volume's scope reflects the richness and variety of topics and methods currently used today by scientists to understand the way our mind and brain endow us with the faculty to produce and appreciate art and aesthetics.
Publisher: Oxford University Press
ISBN: 0198824351
Category :
Languages : en
Pages : 1105
Book Description
Humans have engaged in artistic and aesthetic activities since the appearance of our species. Our ancestors have decorated their bodies, tools, and utensils for over 100,000 years. The expression of meaning using color, line, sound, rhythm, or movement, among other means, constitutes a fundamental aspect of our species' biological and cultural heritage. Art and aesthetics, therefore, contribute to our species identity and distinguish it from its living and extinct relatives. Science is faced with the challenge of explaining the natural foundations of such a unique trait, and the way cultural processes nurture it into magnificent expressions, historically and ethnically unique. How do the human mind and brain bring about these sorts of behaviors? What psychological and neural processes underlie the appreciation of painting, music, and dance? How does training modulate these processes? Are humans the only species capable of aesthetic appreciation, or are other species endowed with the rudiments of this capacity? Empirical examinations of such questions have a long and rich history in the discipline of psychology, the genesis of which can be traced back to the publication of Gustav Theodor Fechner's Vorschule der Aesthetik in 1876, making it the second oldest branch in experimental psychology. The Oxford Handbook of Empirical Aesthetics brings together leading experts in psychology, neuroimaging, art history, and philosophy to answer these questions. It provides the most comprehensive coverage of the domain of empirical aesthetics to date. With sections on visual art, dance, music, and many other art forms and aesthetic phenomena, the breadth of this volume's scope reflects the richness and variety of topics and methods currently used today by scientists to understand the way our mind and brain endow us with the faculty to produce and appreciate art and aesthetics.
Experimental Psychology
Author: Robert Woodworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 889
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 889
Book Description
Discovering Cultural Psychology
Author: Walter J. Lonner
Publisher: IAP
ISBN: 1607526077
Category : Education
Languages : en
Pages : 430
Book Description
This book is a landmark in contemporary cultural psychology. Ernest Boesch’s synthesis of ideas is the first comprehensive theory of culture in psychology since Wilhelm Wundt’s Völkerpsychologie of the first decades of the twentieth century. Cultural psychology of today is an attempt to advance the program of research that was charted out by Wundt—yet at times we are carefully avoiding direct recognition of such continuity. While Wundt’s experimental psychology has been hailed as the root for contemporary scientific psychology, the other side of his contribution— ethnographic analysis of folk traditions and higher psychological functions— has been largely discredited as something disconnected from the scientific realm. As an example of “soft” science—lacking the “hardness” of experimentation—it has been considered to be an esoteric hobby of the founding father of contemporary psychology. Of course that focus is profoundly wrong—the opposition “soft” versus “hard” just does not fit as a metalevel organizer of any science. Yet the rhetoric discounting the descriptive side of Wundt’s psychology is merely an act of social guidance of what psychologists do—not a way of creating knowledge.
Publisher: IAP
ISBN: 1607526077
Category : Education
Languages : en
Pages : 430
Book Description
This book is a landmark in contemporary cultural psychology. Ernest Boesch’s synthesis of ideas is the first comprehensive theory of culture in psychology since Wilhelm Wundt’s Völkerpsychologie of the first decades of the twentieth century. Cultural psychology of today is an attempt to advance the program of research that was charted out by Wundt—yet at times we are carefully avoiding direct recognition of such continuity. While Wundt’s experimental psychology has been hailed as the root for contemporary scientific psychology, the other side of his contribution— ethnographic analysis of folk traditions and higher psychological functions— has been largely discredited as something disconnected from the scientific realm. As an example of “soft” science—lacking the “hardness” of experimentation—it has been considered to be an esoteric hobby of the founding father of contemporary psychology. Of course that focus is profoundly wrong—the opposition “soft” versus “hard” just does not fit as a metalevel organizer of any science. Yet the rhetoric discounting the descriptive side of Wundt’s psychology is merely an act of social guidance of what psychologists do—not a way of creating knowledge.
Experimental Psychology
Author: Barry H. Kantowitz
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 600
Book Description
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 600
Book Description
The Purple One
Author: Judson L. Jeffries
Publisher: Univ. Press of Mississippi
ISBN: 1496853903
Category : Music
Languages : en
Pages : 121
Book Description
Contributions by Cassandra D. Chaney, Shannon M. Cochran, Samuel P. Fitzpatrick, Judson L. Jeffries, Zada Johnson, Tony Kiene, Aaron J. Kimble, Jerod Lockhart, Molly Reinhoudt, Paul N. Reinsch, Laurel Westrup, and Sherman M. White Prince (1958–2016) looms large in contemporary music history. Despite universal acclaim for his artistry, few scholars and writers have thoroughly treated the underlying ideas expressed in his work or examined his profound impact on popular culture. The Purple One: Prince, Race, Gender, and Everything in Between positions Prince in his proper cultural, political, and social place in history. Contributors employ a diverse range of approaches to explore the intricate facets of this cultural icon, illuminating the many dimensions of his creative output and legacy. The collection is organized around two central themes that shed light on Prince’s artistry and lasting influence. Moving beyond conventional discussions about Prince and masculinity, part I, “Black Masculinity and Gender Performativity,” delves into less-explored aspects of the artist’s gender-bending persona. Essays in this section cover a slew of fascinating subjects, including Prince’s re-scripting of Black masculinity in the cult classic Under the Cherry Moon and an autoethnographic study of African American father-son relationships in the film Purple Rain. Another essay examines the subversive gender performativity of Prince and frequent collaborator Sheila E. Part II, “Beauty, Race, and Spirituality,” explores a range of topics present in Prince’s oeuvre, from the sociopolitical contours of his work to his overlooked but significant projects and protégés. Contributors in this section examine Prince’s representations of female beauty, his articulations of urban rage and protest, and his commercially successful but critically overlooked Batman soundtrack. This second installment of the ongoing scholarly project, PrincEnlighteNmenT: A Study of Society through Music, continues to center Prince as a focal point in music scholarship and enhance our understanding of his complex life and work.
Publisher: Univ. Press of Mississippi
ISBN: 1496853903
Category : Music
Languages : en
Pages : 121
Book Description
Contributions by Cassandra D. Chaney, Shannon M. Cochran, Samuel P. Fitzpatrick, Judson L. Jeffries, Zada Johnson, Tony Kiene, Aaron J. Kimble, Jerod Lockhart, Molly Reinhoudt, Paul N. Reinsch, Laurel Westrup, and Sherman M. White Prince (1958–2016) looms large in contemporary music history. Despite universal acclaim for his artistry, few scholars and writers have thoroughly treated the underlying ideas expressed in his work or examined his profound impact on popular culture. The Purple One: Prince, Race, Gender, and Everything in Between positions Prince in his proper cultural, political, and social place in history. Contributors employ a diverse range of approaches to explore the intricate facets of this cultural icon, illuminating the many dimensions of his creative output and legacy. The collection is organized around two central themes that shed light on Prince’s artistry and lasting influence. Moving beyond conventional discussions about Prince and masculinity, part I, “Black Masculinity and Gender Performativity,” delves into less-explored aspects of the artist’s gender-bending persona. Essays in this section cover a slew of fascinating subjects, including Prince’s re-scripting of Black masculinity in the cult classic Under the Cherry Moon and an autoethnographic study of African American father-son relationships in the film Purple Rain. Another essay examines the subversive gender performativity of Prince and frequent collaborator Sheila E. Part II, “Beauty, Race, and Spirituality,” explores a range of topics present in Prince’s oeuvre, from the sociopolitical contours of his work to his overlooked but significant projects and protégés. Contributors in this section examine Prince’s representations of female beauty, his articulations of urban rage and protest, and his commercially successful but critically overlooked Batman soundtrack. This second installment of the ongoing scholarly project, PrincEnlighteNmenT: A Study of Society through Music, continues to center Prince as a focal point in music scholarship and enhance our understanding of his complex life and work.