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Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 748
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Book Description
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 72
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Book Description
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 748
Get Book Here
Book Description
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 760
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Book Description
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
Author: Michael Anesko
Publisher: U of Nebraska Press
ISBN: 1496231627
Category : Art
Languages : en
Pages : 286
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Book Description
Henry James Framed is a cultural history of Henry James as a work of art. Throughout his life, James demonstrated an abiding interest in—some would say an obsession with—the visual arts. In his most influential testaments about the art of fiction, James frequently invoked a deeply felt analogy between imaginative writing and painting. At a time when having a photographic carte de visite was an expected social commonplace, James detested the necessity of replenishing his supply or of distributing his autographed image to well-wishing friends and imploring readers. Yet for a man who set the highest premium on personal privacy, James seems to have had few reservations about serving as a model for artists in other media and sat for his portrait a remarkable number of twenty-four times. Surprisingly few James scholars have brought into primary focus those occasions when the author was not writing about art but instead became art himself, through the creative expression of another’s talent. To better understand the twenty-four occasions he sat for others to represent him, Michael Anesko reconstructs the specific contexts for these works’ coming into being, assesses James’s relationships with his artists and patrons, documents his judgments concerning the objects produced, and, insofar as possible, traces the later provenance of each of them. James’s long-established intimacy with the studio world deepened his understanding of the complex relationship between the artist and his sitter. James insisted above all that a portrait was a revelation of two realities: the man whom it was the artist’s conscious effort to reveal and the artist, or interpreter, expressed in the very quality and temper of that effort. The product offered a double vision—the strongest dose of life that art could give, and the strongest dose of art that life could give.
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Book Description
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages : 22
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Book Description
Author: Exhibition of the Royal Academy of Arts
Publisher: Legare Street Press
ISBN: 9781014123558
Category :
Languages : en
Pages : 166
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author:
Publisher:
ISBN:
Category : Art, English
Languages : en
Pages : 0
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 35
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Book Description
