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Author: Nina Cornyetz
Publisher: Routledge
ISBN: 1135985138
Category : History
Languages : en
Pages : 241
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Book Description
This is an innovative, scholarly and original study of the ethics of modern Japanese aesthetics from the 1930s, through the Second World War and into the post-war period. Nina Cornyetz embarks on new and unprecedented readings of some of the most significant literary and film texts of the Japanese canon, for instance works by Kawabata Yasunari, Mishima Yukio, Abe Kôbô and Shinoda Masahiro, all renowned for their texts' aesthetic and philosophic brilliance. Cornyetz uniquely opens up the field in a fresh and controversial way by showing how these authors and filmmakers' concepts of beauty and relation to others were, in fact, deeply impacted by political and social factors. Probing questions are asked such as: How did Japanese fascism and imperialism ideologically, politically and aesthetically impact on these literary/cinematic giants? How did the emperor as the 'nodal point' for Japanese national identity affect their ethics? What were the repercussions of the virtual collapse of the Marxist movement in the 1960s? What are the similarities and differences between pre-war, wartime and post-war ideals of beauty and those of fascist aesthetics in general? This ground-breaking work is truly interdisciplinary and will appeal to students and scholars of Japanese literature, film, gender, culture, history and even psychoanalytic theory.
Author: Nina Cornyetz
Publisher: Routledge
ISBN: 113598512X
Category : Literary Criticism
Languages : en
Pages : 455
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Book Description
This is an innovative, scholarly and original study of the ethics of modern Japanese aesthetics from the 1930s, through the Second World War and into the post-war period. Nina Cornyetz embarks on new and unprecedented readings of some of the most significant literary and film texts of the Japanese canon, for instance works by Kawabata Yasunari, Mishima Yukio, Abe Kôbô and Shinoda Masahiro, all renowned for their texts' aesthetic and philosophic brilliance. Cornyetz uniquely opens up the field in a fresh and controversial way by showing how these authors and filmmakers' concepts of beauty and relation to others were, in fact, deeply impacted by political and social factors. Probing questions are asked such as: How did Japanese fascism and imperialism ideologically, politically and aesthetically impact on these literary/cinematic giants? How did the emperor as the 'nodal point' for Japanese national identity affect their ethics? What were the repercussions of the virtual collapse of the Marxist movement in the 1960s? What are the similarities and differences between pre-war, wartime and post-war ideals of beauty and those of fascist aesthetics in general? This ground-breaking work is truly interdisciplinary and will appeal to students and scholars of Japanese literature, film, gender, culture, history and even psychoanalytic theory.
Author: Dennis Washburn
Publisher: Cambridge University Press
ISBN: 9780521777414
Category : Performing Arts
Languages : en
Pages : 420
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Book Description
Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. In exploring the rift between word and image, the essays in this volume clarify the cultural imperatives that Japanese cinema reflects, as well as the ways in which the dialectic of word and image has informed the understanding and critical reception of Japanese cinema in the West.
Author: Hugo Noël Santander-Ferreira
Publisher: Hugo Santander
ISBN:
Category : Photography
Languages : en
Pages : 203
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Book Description
Films follow an organic model first described by Aristotle in "Poetics." The structure of storytelling, however, is not the invention of a particular playwright in a particular era. The representation of conflicts that require an urgent answer, follows the logic of perception. The principle of causality operates as the only a-priori category of our understanding. On our first chapter, we give credit to Méliès, the magician who, while relying on the fallibility of perception, imported to cinema the grammar of the dramatic arts. The chapters on aesthetics were written for my university students in the US, Portugal, England, Kirgizstan, Colombia, Mexico and India. Even in prestigious universities outputs of creativity are often checked by budget and technical constraints. The chapter on resourceful cinema discusses the growing influence of the aesthetics of poor theatre into cinema. Low-budget cinema allows filmmakers to express their particular voices without the constraints of budget or film distribution. Applying theory to practice, I write about the making of my 150-minute independent film Hamlet Unbound (1998 – 2018). The methodology of this book is interdisciplinary. Raising questions from the field of film studies, I have incorporated concepts from semiotics, psychology, archaeology, history, sociology, theology and philosophy. My discussion on Ethics of Cinema is but a development of questions already addressed by my definition of Narration, published by Hodder Education in their Encyclopaedia on Ethics and Philosophy (2006.) In an era of universal communication, there is a tendency to understand and correct social incorrectness. Such morality is strange to a global culture, where manners vary from language to language, from culture to culture. The main influences on this book are the works of Shakespeare, Søren Kierkegaard and Joseph Campbell, and my own experiences living and working in countries from 5 continents. Shakespeare speaks of drama as the mirror where men see the true image of their vice and virtue. Films and theatre plays, indeed, as well as literature and poetry, are but mirrors to present and incoming generations. Aristotle had already prescribed that the ethics of the child are very much influenced by the behaviour of the adult. Imitation, then, has a didactic purpose. Poetry would certainly play an important role in the construction of the child's universe. The actions of daily life are persistently reflected on memories of actions performed by historical figures, actors and celebrities. Søren Kierkegaard revealed the ceaseless interaction between the representations of today and the ethics of tomorrow. In a generation where filmmakers become the most influential poets since Saint Paul and Mahomet: the virtual substitutes of parents and professors, children are constraint to adopt the ethics performed by the heroes of the screen. All societies suffer inconsistencies, errors, vices, criminals, disasters, revenge and death. What varies is the way they cope with it. They can choose to exterminate the previous ruling and wealthy class--as in the revolutions of France, Russia and Venezuela, or they can forgive and implement new policies: as in Kirgizstan and South Africa. The writings of Joseph Campbell have underlined the mythical dimension of literature and cinema. Notwithstanding, the Bible, the Coran and the Ramayana remain the most influential texts. Modern writers--according to Campbell, have the purpose of representing very ancient myths in new settings. Movies could certainly be identified as representations of very old myths. Artistic films would be those able to revive the archetypes of the past. The myth of Cain and Abel will be remembered as long as humanity perpetrates fratricide, e.g., Coppola's The Godfather: Part II (1974) and TV series such as The Borgia (2012.) Madras, August 15th 2012 SDG
Author: Michael F. Marra
Publisher: University of Hawaii Press
ISBN: 9780824820770
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Modern Japanese Aesthetics is the first work in English on the history of the Japanese philosophy of art, from its inception in the 1870s to the present. In addition to the historical information and discussion of aesthetic issues that appear in the introductions to each of the chapters, the book presents English translations of otherwise inaccessible major works on Japanese aesthetics, beginning with a complete and annotated translation of the first work in the field, Nishi Amane's Bimyogaku Setsu (The Theory of Aesthetics). In its four sections (The Subject of Aesthetics, Aesthetic Categories, Poetic Expression, Postmodernism and Aesthetics), Modern Japanese Aesthetics discusses the momentous efforts made by Japanese thinkers to master, assimilate, and transform Western philosophical systems to discuss their own literary and artistic heritage. Readers are introduced to debates between the unconditional supporters of Western ideas (Onishi Hajime) and more cautious approaches to the literary and artistic past (Okakura Kakuzo, Tsubouchi Shoyo). The institutionalization of aesthetics as an academic subject is discussed and the work of some of Japan's most distinguished professional aestheticians (Onishi Yoshimori, Imamichi Tomonobu), philosophers (Kusanagi Masao, Nishitani Keiji, Sakabe Megumi), and literary critics (Karatani Kojin) is included. Modern Japanese Aesthetics is a sophisticated and energetic volume on the process that led to the construction of aesthetic categories used by Japanese and, later, Western scholars in discussing Japanese literature and arts. This important work will be essential reading for anyone concerned with the formation of a critical vocabulary in Japan. Modern Japanese Aesthetics: A Reader is a companion volume to A History of Modern Japanese Aesthetics (UH Press, 2001).
Author: Michael Marra
Publisher: BRILL
ISBN: 9004195947
Category : Philosophy
Languages : en
Pages : 520
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Book Description
Essays on Japan is a compilation of Professor Michael F. Marra’s essays written in the past ten years on the topics of Japanese literature, Japanese aesthetics, and the space between the two subjects. Marra is one of the leading scholars in the field of Japanese aesthetics and hermeneutics and has published extensively on medieval and early modern Japanese literature, thought, and the arts. This work will present the reader critical insight into the fields of Japanese aesthetics, literary hermeneutics, and literature, with essays on such texts and figures as Kuki Shūzō, The Tale of Genji, Motoori Norinaga, and Heidegger.
Author: Daisuke Miyao
Publisher: Oxford University Press
ISBN: 0199731667
Category : History
Languages : en
Pages : 497
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Book Description
This book provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.
Author: Keiko I. McDonald
Publisher: M.E. Sharpe
ISBN: 9780765603883
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
This study explores the connections between Japan's modern literary tradition and its national cinema. The first part offers a historical and cultural overview of the working relationship that developed between pure literature and film. The second analyzes 12 literary works and their adaptions.
Author: Michael F. Marra
Publisher: University of Hawaii Press
ISBN: 0824863100
Category : Philosophy
Languages : en
Pages : 266
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Book Description
Japanese Hermeneutics provides a forum for the most current international debates on the role played by interpretative models in the articulation of cultural discourses on Japan. It presents the thinking of esteemed Western philosophers, aestheticians, and art and literary historians, and introduces to English-reading audiences some of Japan's most distinguished scholars, whose work has received limited or no exposure in the United States. In the first part, "Hermeneutics and Japan," contributors examine the difficulties inherent in articulating "otherness" without falling into the trap of essentialization and while relying on Western epistemology for explanation and interpretation. In the second part, "Japan's Aesthetic Hermeneutics," they explore the role of aesthetics in shaping discourses on art and nature in Japan. The essays in the final section of the book, "Japan's Literary Hermeneutics," rethink the notion of "Japanese literature" in light of recent findings on the ideological implications of canon formations and transformations within Japan's prominent literary circles. Contributors: Amagasaki Akira, Haga Toru, Hamashita Masahiro, Inaga Shigemi, Kambayashi Tsunemichi, Thomas LaMarre, John C. Maraldo, Michael F. Marra, Mark Meli, Ohashi Ryosuke, Otabe Tanehisa, Graham Parkes, J. Thomas Rimer, Sasaki Ken'ichi, Haruo Shirane, Suzuki Sadami, Stefan Tanaka, Gianni Vattimo.
Author: Daisuke Miyao
Publisher: Duke University Press
ISBN: 0822354225
Category : Performing Arts
Languages : en
Pages : 395
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Book Description
In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formulation of a coherent new Japanese cultural tradition. Miyao discusses the influences of Hollywood and German cinema alongside Japanese Kabuki theater lighting traditions and the emergence of neon commercial lighting during this period. He argues that lighting technology in cinema had been structured by the conflicts of modernity in Japan, including capitalist transitions in the film industry, the articulation of Japanese cultural and national identity, and increased subjectivity for individuals. By focusing on the understudied element of film lighting and treating cinematographers and lighting designers as essential collaborators in moviemaking, Miyao offers a rereading of Japanese film history.
Author: Thomas LaMarre
Publisher: U of M Center for Japanese Studies
ISBN:
Category : Aesthetics, Japanese
Languages : en
Pages : 432
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Book Description
Reevaluates representations of race, sex, nation, and modernity in the work of a celebrated early 20th-century Japanese filmmaker and critic
