The Essays of Virginia Woolf: 1933-1941 and additional essays 1906-1924 PDF Download
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Author: Andrew McNeillie
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Category :
Languages : en
Pages :
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Author: Andrew McNeillie
Publisher:
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Category :
Languages : en
Pages :
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Author: Stuart Nelson Clarke
Publisher:
ISBN: 9780701206710
Category :
Languages : en
Pages : 0
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Author: Virginia Woolf
Publisher:
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Category : Essays
Languages : en
Pages :
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Author: Simone Schröder
Publisher: BRILL
ISBN: 900438927X
Category : Literary Criticism
Languages : en
Pages : 238
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In The Nature Essay: Ecocritical Explorations Simone Schröder offers the first extended account of the nature essay. Her ecocritical readings of essays engage with the genre's central epistemological and poetic paradigms, revealing its unique capacity to serve as a platform for environmental discourse.
Author: Stuart N. Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 736
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Author: Virginia Woolf
Publisher: DigiCat
ISBN:
Category : Social Science
Languages : en
Pages : 230
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This carefully crafted ebook: "The Collected Essays of Virginia Woolf" is formatted for your eReader with a functional and detailed table of contents. A collection of the finest essays written by one of the greatest essay writers in the English language. THE COMMON READER (1925) The Common Reader The Pastors and Chaucer On not knowing Greek The Elizabethan Lumber Room Notes on an Elizabethan Play Montaigne The Duchess of Newcastle Rambling round Evelyn Defoe Addison Lives of the Obscure--Taylors and Edgeworths Lives of the Obscure--Laetitia Pilkington Jane Austin Modern Fiction Jayne Eyre' and 'Wuthering Heights' George Eliot The Russian Point of View Outlines--Miss Mitford Outlines--Bentley Outlines--Lady Dorothy Nevill Outlines--Archbishop Thomson The Patron and the Crocus The Modern Essay Joseph Conrad How it strikes a Contemporary
Author: Kamila Pawlikowska
Publisher: BRILL
ISBN: 9004302263
Category : Literary Criticism
Languages : en
Pages : 250
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Anti-Portraits: Poetics of the Face in Modern English, Polish and Russian Literature (1835-1965) is a study of a-physiognomic descriptions of the face. It demonstrates that writers such as George Eliot, Leo Tolstoy, Edgar Allan Poe, Nicolay Gogol, Virginia Woolf and Witold Gombrowicz vigorously resisted the belief that facial features reflect character. While other studies tend to focus on descriptions which affirm physiognomy, this book examines portraits which question popular face-reading systems and contravene their common premise – the surface-depth principle. Such portraits reveal that physiognomic formula is a cultural construct, invented to abridge, organise and regulate legibility of the human face. Most importantly, strange and ‘unreadable’ fictional faces frequently expose the connection between physiognomic judgement and stereotyping, prejudice and racism.
Author: Danell Jones
Publisher: Oxford University Press
ISBN: 1805260065
Category : Hoaxes
Languages : en
Pages : 348
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Book Description
A new look at a revolutionary writer, a diverse imperial city, and a controversial trick on the Royal Navy.In February 1910, the future Virginia Woolf played the most famous practical joke in British military history. Blackening her face and masquerading as an Abyssinian prince, the young writer and her friends conned their way onto HMS Dreadnought, the Empire's most powerful battleship. The stunt made headlines around the world, embarrassed the Admiralty, and provoked debate in Parliament. But who was the 'girl prince' unidentified at the time, and what was she doing there?The Girl Prince intertwines three fascinating stories: a scandalous prank and its afterlife; Woolf's ideas about race and empire; and the actual lived experience of Black people in Edwardian Britain, from real princes to Caribbean writers and South African activists. Using letters, diaries, reporting and newly discovered archives, Danell Jones describes an extraordinary chain of events, exploring why a boundary-pushing novelist once pulled a bigoted blackface prank, and what it tells us--about Woolf's Britain and Woolf's work. This is a tantalisingly fresh take on an iconic writer and her deeply problematic stunt.
Author: Adriana Varga
Publisher: Indiana University Press
ISBN: 0253012643
Category : Music
Languages : en
Pages : 348
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Book Description
“A truly comprehensive, multi-perspective, and up-to-date survey of the undeniable role of music in Woolf ’s life and writings” (Music and Letters). Through Virginia Woolf's diaries, letters, fiction, and the testimony of her contemporaries, this fascinating volume explores the inspiration and influences of music—from classical through mid-twentieth century—on the preeminent Modernist author of Mrs. Dalloway, To the Lighthouse, Orlando, A Room of One’s Own, and other masterful compositions. In a letter to violinist Elizabeth Trevelyan, Woolf revealed: “I always think of my books as music before I write them.” In a journal entry she compared herself to an “improviser with [my] hands rambling over the piano.“ Approaching the author’s career from a unique perspective, Virginia Woolf and Music examines her musical background; music in her fiction and her own critical writings on the subject; its importance in the Bloomsbury milieu; and its role within the larger framework of aesthetics, politics, gender studies, language, and Modernism. Illuminating the rich nature of Woolf's works, these essays from scores of literary and music scholars are “a fascinating and important contribution to scholarship about Virginia Woolf, music, and interdisciplinary art” (Music Reference Services Quarterly).
Author: Carmen Borbély
Publisher: Ledizioni
ISBN: 885526849X
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Temporalities of Modernism gathers fourteen scholars whose contributions readdress the very tenets of modernism by approaching its multifaceted relationship with time in a series of fresh and original essays. The contemporary energies behind the collection are rooted in the turbulence of the modernist age: relativity, irreversibility, duration, fragmentation, contingency, and the looming threat of the apocalyptic future. The collection includes geographical areas often neglected by the habitual reduction of modernist studies to English-speaking literary high modernism, or to the concentration of famous figures in the traditional capital of modernism—Paris. Thus it offers detailed presentations of Italian pre-WWI modernism, Czech Dadaism, or of Polish, Romanian, and Hungarian writers and artists. The borders also open in terms of genres and mediums, as the contributions are not limited to fiction, but examine the multi-faceted productions of modernist artists: poetry, theatre, painting, music, cinema, photography, etc. In addition, the limits are temporally stretched out as some contributions focus on more recent writers (such as Sylvia Plath) and their reactivation of modernist discoveries.
