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Author: Neeraj Pizar
Publisher: Cambridge Scholars Publishing
ISBN: 1036405435
Category : Juvenile Nonfiction
Languages : en
Pages : 130
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Book Description
This book examines the adaptations of Amleth, a legendary Danish prince, in different works including Ur-Hamlet, Shakespeare’s Hamlet, Rosencrantz and Guildenstern Are Dead by Tom Stoppard, and Haider by Vishal Bhardwaj. The book employs various adaptation theories proposed by critics such as Linda Hutcheon, Thomas Leitch, and others to thoroughly analyze these adaptations in the context of intertextuality and adaptation studies. Throughout the book, the analysis is supported by a comprehensive review of existing scholarship on the topic, including critical essays, books, and articles written by various scholars. The book provides a thorough examination of the adaptations of Amleth in the context of intertextuality and adaptation theories, shedding new light on their interpretations, transformations, and cultural significance.
Author: Neeraj Pizar
Publisher: Cambridge Scholars Publishing
ISBN: 1036405435
Category : Juvenile Nonfiction
Languages : en
Pages : 130
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Book Description
This book examines the adaptations of Amleth, a legendary Danish prince, in different works including Ur-Hamlet, Shakespeare’s Hamlet, Rosencrantz and Guildenstern Are Dead by Tom Stoppard, and Haider by Vishal Bhardwaj. The book employs various adaptation theories proposed by critics such as Linda Hutcheon, Thomas Leitch, and others to thoroughly analyze these adaptations in the context of intertextuality and adaptation studies. Throughout the book, the analysis is supported by a comprehensive review of existing scholarship on the topic, including critical essays, books, and articles written by various scholars. The book provides a thorough examination of the adaptations of Amleth in the context of intertextuality and adaptation theories, shedding new light on their interpretations, transformations, and cultural significance.
Author: Saxo Grammaticus
Publisher:
ISBN: 9780615878911
Category :
Languages : en
Pages : 126
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Book Description
Shakespeare's "Hamlet" is not a wholly original story, but is the greatest retelling of the legend of Amleth, recorded by the Danish historian Saxo Grammaticus four centuries before Shakespeare. Saxo's tale is a highly entertaining adventure in its own right and provides insights into the creative processes by which the old, pagan legend evolved to strike fire in the Christian age of Elizabethan theater. This accurate new translation of "The Revenge of Amleth" by Soren Filipski gives a complete selection of the Amleth legend, including Amleth's often-omitted adventures in Britain. Filipski also provides an historical introduction that traces Saxo's influence on Shakespeare's contemporaries, with exhaustive citations of every Elizabethan reference to earlier versions of "Hamlet." Also included is the full text of Francois de Belleforest's "Hystorie of Hamblet," an influential pre-Shakespearean adaptation of the same story.
Author: Margrethe Jolly
Publisher: McFarland
ISBN: 078647887X
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
It is nearly two centuries since the first quarto of Hamlet was rediscovered, yet there is still no consensus about its relationship to the second quarto. Indeed, the first quarto, the least frequently read Hamlet, has been dismissed as "corrupt," "inferior" or like "a mutilated corpse," even though in performance it has been described as "the absolute dynamo behind the play." Currently one hypothesis dominates explanations about the quartos' interrelationship, supposing that the first quarto (published 1603) was reconstructed from memory by one or more actors who had performed minor roles in a version of the second quarto (published 1604-5). The present study reports on a detailed linguistic reassessment of the principal arguments for memorial reconstruction. The evidence--including a three way comparison between the underlying French source in Les Histoires Tragiques and the two quartos, and the informal features and specific grammatical aspects, and a documented memorial reconstruction in 1779--does not support the dominant hypothesis. The cumulative evidence suggests that the earliest scholars to examine the first quarto were right: the 1603 Hamlet came first, and the second quarto is a substantial, later revision.
Author: Edward Payson Vining
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
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Book Description
Author: Myron Stagman
Publisher: Cambridge Scholars Publishing
ISBN: 1443816221
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Hamlet kills Polonius thinking he is Claudius. Yet he cannot kill Claudius. Why? Hamlet, angry, tells Ophelia: “Take thee to a nunnery!” [nunnery: Renaissance slang for brothel] “There [in Heaven] is no shuffling; there the action lies in his true nature, and we ourselves compelled, even to the teeth and forehead of our faults, to give in evidence.” —King Claudius “Why does Hamlet attend the German university at Wittenberg? Why study at a university at all? An incorrigible symbolist, Shakespeare must secretly import what he does not openly impart.” Contrast resolute avenger Laertes, who would “cut [Hamlet’s] throat i’ the church”! Shakespeare understood the Freudian slip centuries before Dr. Freud in Vienna. Twice he employs it to give us hints. Queen Gertrude to her son Hamlet: “What wilt thou do? Thou wilt not murder me? ... Alas, he’s mad!” “Prince Hamlet is a disillusioned idealist, a vital key to his generous, passionate, and tragically conscientious character.” Camelot—“Shakespeare specifically ties the assassination of Hamlet to the death of King Arthur and the collapse of the fellowship of the Round Table.”
Author: Kun Árpád
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author: Laurie Johnson
Publisher: Cambridge Scholars Publishing
ISBN: 1443869929
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Shakespeare's Hamlet is considered by many to be the cornerstone of the English literary canon, a play that remains universally relevant. Yet it seems likely that we have spent so long reading the play for its capacity to reflect ourselves that we have lost sight of the thing itself. The goal of this book is to look beyond the Hamlet that has bedazzled critics for centuries, to seek to apprehend the play in all of its historical distinctness. This is not simply the search for what the play me...
Author: CEREZO MORENO, Marta
Publisher: Editorial UNED
ISBN: 8436277724
Category : Literary Criticism
Languages : en
Pages : 373
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Book Description
Critical Approaches to Shakespeare (1623-2000). Shakespeare for All Time addresses the keys to understanding the significance of the critical reception of Shakespeare from the seventeenth to the end of the twentieth century. It aims to show that the richness of these different modes of reading Shakespeare over time and their productive interactions have been fundamental in the constant resignification of Shakespeare as they have gradually conformed and fed our critical perception and interpretation of his works
Author: S. Farron
Publisher: BRILL
ISBN: 9004329188
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
For more than a century, critics of the Aeneid have assumed that all or most of its episodes must propound something about Aeneas and his mission to found the Roman people, and through them about Rome and Augustus; whether that is their positive aspects, or their brutality and destructiveness, or the contrast between the public "voice" of their achievements and the private "voice" of the suffering they cause. This book argues that this assumption is wrong; the Aeneid's main purpose was to present a series of emotionally moving episodes, especially pathetic ones. This book shows that the Aeneid makes more sense when regarded primarily as a series of emotion-arousing episodes than as expressing a pro-Aeneas, anti-Aeneas or two voices message. That is how it was regarded into the nineteenth century and that is what the ancient Greeks and Romans assumed was the main purpose of literature.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1596
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Book Description
