The Englishman in Paris

The Englishman in Paris PDF Author: Samuel Foote
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 60

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The Englishman in Paris

The Englishman in Paris PDF Author: Samuel Foote
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 60

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Book Description


The Englishman in Paris. A Comedy, in Two Acts. As it is Performed at the Theatre-Royal in Covent-Garden. By Samuel Foote, Esq

The Englishman in Paris. A Comedy, in Two Acts. As it is Performed at the Theatre-Royal in Covent-Garden. By Samuel Foote, Esq PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The Englishman in Paris. A Comedy, in Two Acts, Written by Samuel Foote, Esq. As Performed at the Theatre-Royal Covent-Garden

The Englishman in Paris. A Comedy, in Two Acts, Written by Samuel Foote, Esq. As Performed at the Theatre-Royal Covent-Garden PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The Englishman in Paris. A Comedy in Two Acts. As it is Performed at the Theatre-Royal in Covent-Garden. By Samuel Foote, Esq. The Second Edition

The Englishman in Paris. A Comedy in Two Acts. As it is Performed at the Theatre-Royal in Covent-Garden. By Samuel Foote, Esq. The Second Edition PDF Author: Samuel Foote
Publisher: Gale Ecco, Print Editions
ISBN: 9781379884347
Category :
Languages : en
Pages : 38

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T032715 Dublin: printed by Richard James, 1753. 34, [2]p.; 12°

The Englishman Returned from Paris

The Englishman Returned from Paris PDF Author: Samuel Foote
Publisher:
ISBN:
Category :
Languages : en
Pages : 54

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The Englishman Return'd from Paris

The Englishman Return'd from Paris PDF Author: Samuel Foote
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 60

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Bibliotheca Cornubiensis: A-O

Bibliotheca Cornubiensis: A-O PDF Author: George Clement Boase
Publisher:
ISBN:
Category : Cornwall (England : County)
Languages : en
Pages : 438

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Owning Performance | Performing Ownership

Owning Performance | Performing Ownership PDF Author: Jane Wessel
Publisher: University of Michigan Press
ISBN: 047222025X
Category : Performing Arts
Languages : en
Pages : 229

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Book Description
In 1710, England’s first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays. Owning Performance follows the careers of some of the 18th century’s most influential playwrights, actors, and theater managers as they vied for control over the period’s most popular shows. Without protection for dramatic literary property, these figures developed creative extra-legal strategies for controlling the performance of drama—quite literally performing their ownership. Their various strategies resulted in a culture of ephemerality, with many of the period’s most popular works existing only in performance and manuscript copies. Author Jane Wessel explores how playwrights and actors developed strategies for owning their works and how, in turn, theater managers appropriated these strategies, putting constant pressure on artists to innovate. Owning Performance reveals the wide-reaching effects of property law on theatrical culture, tracing a turn away from print that affected the circulation, preservation, and legacy of 18th century drama.

Author-title Catalog

Author-title Catalog PDF Author: University of California, Berkeley. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1020

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The Englishman Return'd from Paris

The Englishman Return'd from Paris PDF Author: Samuel Foote
Publisher:
ISBN:
Category : Entertainment events
Languages : en
Pages : 54

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