The English Merchant ... As it is Acted at the Theatre-Royal in Drury-Lane. [Based on “Le Café, Ou L'Ecossaise” by Voltaire. Without the Epilogue.] PDF Download
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Author: George Colman
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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![The English Merchant ... As it is Acted at the Theatre-Royal in Drury-Lane. [Based on “Le Café, Ou L'Ecossaise” by Voltaire. Without the Epilogue.] PDF](https://books.google.com/books/content/images/frontcover/m99ZAAAAcAAJ?fife=w80-h100)
Author: George Colman
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 512
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1138
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Author: University of Illinois at Urbana-Champaign. Library. Rare Book Room
Publisher:
ISBN:
Category : Rare books
Languages : en
Pages : 810
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Author: Folger Shakespeare Library
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 646
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Author: Hugh Noel Williams
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 402
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Book Description
Readers with a taste for theatrical history will find this no less amusing than a novel. Through the biographies of these now forgotten yet acclaimed in their time actresses, presents a view of aspects of the society of eighteenth century France, particularly the court and its interactions with the theatrical world.
Author: Alexander Wheelock Thayer
Publisher: Library of Alexandria
ISBN: 146558322X
Category : Biography & Autobiography
Languages : en
Pages : 1474
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If for no other reasons than because of the long time and monumental patience expended upon its preparation, the vicissitudes through which it has passed and the varied and arduous labors bestowed upon it by the author and his editors, the history of Alexander Wheelock Thayer’s Life of Beethoven deserves to be set forth as an introduction to this work. His work it is, and his monument, though others have labored long and painstakingly upon it. There has been no considerable time since the middle of the last century when it has not occupied the minds of the author and those who have been associated with him in its creation. Between the conception of its plan and its execution there lies a period of more than two generations. Four men have labored zealously and affectionately upon its pages, and the fruits of more than four score men, stimulated to investigation by the first revelations made by the author, have been conserved in the ultimate form of the biography. It was seventeen years after Mr. Thayer entered upon what proved to be his life-task before he gave the first volume to the world—and then in a foreign tongue; it was thirteen more before the third volume came from the press. This volume, moreover, left the work unfinished, and thirty-two years more had to elapse before it was completed. When this was done the patient and self-sacrificing investigator was dead; he did not live to finish it himself nor to see it finished by his faithful collaborator of many years, Dr. Deiters; neither did he live to look upon a single printed page in the language in which he had written that portion of the work published in his lifetime. It was left for another hand to prepare the English edition of an American writer’s history of Germany’s greatest tone-poet, and to write its concluding chapters, as he believes, in the spirit of the original author. Under these circumstances there can be no vainglory in asserting that the appearance of this edition of Thayer’s Life of Beethoven deserves to be set down as a significant occurrence in musical history. In it is told for the first time in the language of the great biographer the true story of the man Beethoven—his history stripped of the silly sentimental romance with which early writers and their later imitators and copyists invested it so thickly that the real humanity, the humanliness, of the composer has never been presented to the world. In this biography there appears the veritable Beethoven set down in his true environment of men and things—the man as he actually was, the man as he himself, like Cromwell, asked to be shown for the information of posterity. It is doubtful if any other great man’s history has been so encrusted with fiction as Beethoven’s. Except Thayer’s, no biography of him has been written which presents him in his true light. The majority of the books which have been written of late years repeat many of the errors and falsehoods made current in the first books which were written about him. A great many of these errors and falsehoods are in the account of the composer’s last sickness and death, and were either inventions or exaggerations designed by their utterers to add pathos to a narrative which in unadorned truth is a hundredfold more pathetic than any tale of fiction could possibly be. Other errors have concealed the truth in the story of Beethoven’s guardianship of his nephew, his relations with his brothers, the origin and nature of his fatal illness, his dealings with his publishers and patrons, the generous attempt of the Philharmonic Society of London to extend help to him when upon his deathbed.
Author: David Wemyss
Publisher:
ISBN:
Category : Jacobite Rebellion, 1745-1746
Languages : en
Pages : 522
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Author: Elizabeth Seymour Percy Duchess of Northumberland
Publisher:
ISBN:
Category : Courts and courtiers
Languages : en
Pages : 296
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Author: GEORGE. COLMAN
Publisher: Gale Ecco, Print Editions
ISBN: 9781385323809
Category :
Languages : en
Pages : 74
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Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) N000983 Based on 'Le café, ou l'Ecossaise' by Voltaire. With an epilogue. Dublin: printed for W. and W. Smith, P. Wilson, J. Exshaw, J. Murphy, H. Saunders, W. Sleater [and 10 others in Dublin], 1767. [4],63, [5]p.; 12°
