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Author: Robert Jensen
Publisher:
ISBN: 9781742199924
Category : POLITICAL SCIENCE
Languages : en
Pages : 184
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Book Description
The End of Patriarchy asks one key question: what do we need to create stable and decent human communities that can thrive in a sustainable relationship with the larger living world? Robert Jensen's answer is feminism and a critique of patriarchy. He calls for a radical feminist challenge to institutionalized male dominance; an uncompromising rejection of men's assertion of a right to control women's sexuality; and a demand for an end to the violence and coercion that are at the heart of all systems of domination and subordination. The End of Patriarchy makes a powerful argument that a socially just society requires no less than a radical feminist overhaul of the dominant patriarchal structures.
Author: Robert Jensen
Publisher:
ISBN: 9781742199924
Category : POLITICAL SCIENCE
Languages : en
Pages : 184
Get Book Here
Book Description
The End of Patriarchy asks one key question: what do we need to create stable and decent human communities that can thrive in a sustainable relationship with the larger living world? Robert Jensen's answer is feminism and a critique of patriarchy. He calls for a radical feminist challenge to institutionalized male dominance; an uncompromising rejection of men's assertion of a right to control women's sexuality; and a demand for an end to the violence and coercion that are at the heart of all systems of domination and subordination. The End of Patriarchy makes a powerful argument that a socially just society requires no less than a radical feminist overhaul of the dominant patriarchal structures.
Author: Earl G. Ingersoll
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641538
Category : Fiction
Languages : en
Pages : 294
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Book Description
Waiting for the End examines two dozen contemporary novels within the context of a half century of theorizing about the function of ending in narrative. That theorizing about ending generated a powerful dynamic a quarter-century ago with the advent of feminist criticism of masculinist readings of the role played by ending in fiction. Feminists such as Theresa de Lauretis in 1984 and more famously Susan Winnett in her 1991 PMLA essay, Coming Unstrung, were leading voices in a swelling chorus of theorist pointing out the masculinist bias of ending in narrative. With the entry of feminist readings of ending, it became inevitable that criticism of fiction would become gendered through the recognition of difference transcending a simple binary of female/male to establish a spectrum of masculine to feminine endings, regardless of the sex of the writer. Accordingly, Waiting for the End examines pairs of novels - one pair by Margaret Atwood and one by Ian McEwan - to demonstrate how a writer can offer endings at either end of the gender spectrum.
Author: Marilyn Nissim-Sabat
Publisher: Lexington Books
ISBN: 0739128221
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
In Neither Victim nor Survivor: Thinking toward a New Humanity, Marilyn Nissim-Sabat offers a comprehensive critique of the interrelated concepts of "victim" and "survivor" as they have been ideologically distorted in Western thought. Framed by the phenomenological perspective of Edmund Husserl, Nissim-Sabat carries out her argument through an intense engagement with current scholarly work on Toni Morrison's Beloved, Sophocles' Antigone, akrasia, psychoanalysis, critical race theory, feminist philosophy of science, and Marxism. Nissim-Sabat ultimately proposes that a new consciousness, enabled by the phenomenological attitude, of the way in which ideological distortion of the concepts of 'victim' and 'survivor' helps to perpetuate victimization will empower us to find ways to end victimization and its anti-human consequences. The book's interdisciplinary approach will make it appealing to a broad range of students and scholars alike.
Author: Michael Kramp
Publisher: Taylor & Francis
ISBN: 1003847579
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Patriarchy’s Creative Resilience explores the disturbing sustainability of White male supremacy. Kramp traces an imaginative failure and an imaginative success; his focus on British speculative fiction published between 1870 and 1900 demonstrates how even this elastic and wildly inventive literary form remains incapable of promoting non- patriarchal masculinity, and he attributes this inability to the creative resiliency of white male supremacy. He demonstrates the inventive use of diverse resources that we frequently view as custom or uncomplicated history and a versatility that we often dismiss as sheer power. He draws on an archive of late nineteenth- century speculative fiction to detail a versatile patriarchal toolbox, including hegemonic masculinity, control of dangerous women, hyperbolic and sentimental performances of male sovereignty, and reversions to authoritarian, at times violent conduct. He also considers how the classic military strategy of dividing to conquer undergirds all these tactics, inhibiting our creating energies and dynamic collaborations. Various chapters demonstrate the enterprise, ingenuity, and adaptability of patriarchy to refashion and rejustify normalized systems of oppression. While scholars have consistently identified moments and agents of resistance to patriarchal structures by highlighting creativity, resiliency, and resourcefulness, Kramp’s project reveals how patriarchy itself is creative, resilient, and resourceful.
Author: Z. P. Foy
Publisher: indigo ptah
ISBN: 1973168677
Category : Fiction
Languages : en
Pages : 83
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Book Description
Goddess Sekhmet is a Legendary Lioness-Woman tasked with raising the vibrational energies of humans, on a specific part of the Earth. Without the elevation in vibrations, Earth will not be able to ascend with the other planets in the galaxy. She is Super Woman rolled up into Mother Nature. The Matriarchy of the Kemetic Pantheon and Cosmic Goddesses, are the protagonist of the book; displaying their best nurturing attributes. The story is being told from a divine feminine perspective in a way Goddess Sekhmet is not traditionally typified. For those who study the Ancient Egyptians and/or Kemet, metaphors will develop into myth. And for those who are new to the subject matter; the interaction of the immortals with humans will encourage readers to seek what is seeking them. This novella is unique in that few stories are dedicated to the African Cosmic Pantheon as compared to books popularized by Greek and Roman mythology. Book One is written as the first of a series of seven novellas that chronicle how the Goddess Sekhmet gets Earth to ascend. The stories may seem controversial to some; but are non-confrontational. The main antagonist is, Systematic Internal Societal Illness, SISI. And the story-line is never meant to accuse anyone or any group of people. What is emphasized is the misuse of spirituality and the decline of the human condition. Overall, the concept of "Personal Agency" is encouraged, so the reader expands their thoughts, on their individual journey; and how their purpose fits in the Universe.
Author: Kimberly Springer
Publisher: NYU Press
ISBN: 0814781241
Category : Political Science
Languages : en
Pages : 378
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Book Description
Still Lifting, Still Climbing is the first volume of its kind to document African American women's activism in the wake of the civil rights movement. Covering grassroots and national movements alike, contributors explore black women's mobilization around such areas as the black nationalist movements, the Million Man March, black feminism, anti-rape movements, mass incarceration, the U.S. Congress, welfare rights, health care, and labor organizing. Detailing the impact of post-1960s African American women's activism, they provide a much-needed update to the historical narrative. Ideal for course use, the volume includes original essays as well as primary source documents such as first-hand accounts of activism and statements of purpose. Each contributor carefully situates their topic within its historical framework, providing an accessible context for those unfamiliar with black women's history, and demonstrating that African American women's political agency does not emerge from a vacuum, but is part of a complex system of institutions, economics, and personal beliefs. This ambitious volume will be an invaluable resource on the state of contemporary African American women's activism.
Author: Risa Dickens
Publisher: North Atlantic Books
ISBN: 1623175739
Category : Body, Mind & Spirit
Languages : en
Pages : 314
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Book Description
A guide to invocations, rituals, and histories at the intersection of magic and feminism, as informed by history's witches--and the sociopolitical culture that gave rise to them. When you start looking for witches, you find them everywhere. As seekers and practitioners reclaim and restore magic to its rightful place among powerful forces for social, personal, and political transformation, more people than ever are claiming the identity of "Witch." But our knowledge of witchcraft and magic has been marred by erasure, sensationalism, and sterilization, the true stories of history's witches left untold. Through meditations, stories, and practices, authors Risa Dickens and Amy Torok offer an intersectional, contemporary lens for uncovering and reconnecting with feminist witch history. Sharing traditions from all over the world--from Harlem to Haiti, Oaxaca to Mesopotamia--Missing Witches introduces readers to figures like Monica Sjoo, HP Blavatsky, Maria Sabina, and Enheduanna, shedding light on their work and the cultural and sociopolitical contexts that shaped it. Structured around the 8 sabbats of the Wheel of the Year, each chapter includes illustrations by Amy Torok, as well as invocations, rituals, and offerings that incorporate the authors' own wisdom, histories, and journeys of trauma, loss, and empowerment. Missing Witches offers an inside look at the vital stories of women who have practiced--and lived--magic.
Author: Sara Martín
Publisher: Cambridge Scholars Publishing
ISBN: 1527559300
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
How are men represented on the printed page, the stage and the screen? What do these representations say about masculinity in the past, the present, and the future? The twelve essays in this volume explore the different ways in which men and masculinity have been represented, from the plays of William Shakespeare to the science fiction of Richard K. Morgan, passing through classic fiction by Emily Brontë and Charles Dickens, and popular favourites by Terry Pratchett and Isaac Asimov, without forgetting the Star Wars saga. Collectively, these essays argue that, although much has been written about men, it has been done from a perspective that does not see masculinity as a specific feature in need of critical appraisal. Men need to be made aware of how they are represented in order to alter the toxic patriarchal models handed down to them and even break the extant binary gender models. For that, it is important that men distinguish patriarchy from masculinity, as is done here, and form anti-patriarchal alliances with each other and with women. This book is, then, an invitation to men’s liberation from patriarchy by raising an awareness of its crippling constraints.
Author: Francesca Saggini
Publisher: Rutgers University Press
ISBN: 1684480604
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
On the 200th anniversary of the first edition of Mary Shelley’s Frankenstein, Transmedia Creatures presents studies of Frankenstein by international scholars from converging disciplines such as humanities, musicology, film studies, television studies, English and digital humanities. These innovative contributions investigate the afterlives of a novel taught in a disparate array of courses - Frankenstein disturbs and transcends boundaries, be they political, ethical, theological, aesthetic, and not least of media, ensuring its vibrant presence in contemporary popular culture. Transmedia Creatures highlights how cultural content is redistributed through multiple media, forms and modes of production (including user-generated ones from “below”) that often appear synchronously and dismantle and renew established readings of the text, while at the same time incorporating and revitalizing aspects that have always been central to it. The authors engage with concepts, value systems and aesthetic-moral categories—among them the family, horror, monstrosity, diversity, education, risk, technology, the body—from a variety of contemporary approaches and highly original perspectives, which yields new connections. Ultimately, Frankenstein, as evidenced by this collection, is paradoxically enriched by the heteroglossia of preconceptions, misreadings, and overreadings that attend it, and that reveal the complex interweaving of perceptions and responses it generates. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Jill Hicks-Keeton
Publisher: Fortress Press
ISBN: 1506485871
Category : Religion
Languages : en
Pages : 251
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Book Description
Good Book?interrogates how white evangelical Christians in the US make the Bible the "Good Book." An inanimate object with a contested table of contents ripe for multiple meanings and uses, the Bible cannot be a moral agent on its own. People must make it so, as indeed they have. As prevailing social norms change, evangelical Christians confront intellectual and interpretive challenges as they quest to make an ancient book newly relevant and ever benevolent, especially for historically oppressed populations. While histories show us that white Christians in the US have frequently appealed to their Bibles in support of issues now judged to be on the wrong side of history, including racism, sexism, and colonialism, contemporary white evangelical figures have in recent years worked steadfastly to defend the Bible against charges of complicity in harm. This is especially the case when it comes to patriarchy and the place of women, as evangelicals conscript the Bible into arguments for and against patriarchal normativity in response to changing conceptions of what is good. The Bible's historical origins in the hierarchical, patriarchal contexts of the ancient world create challenges for any Christian seeking to interpret their Bible as fundamentally liberative.?Good Book?shows the creative negotiations that Bible-benevolence projects demand, as evangelicals wrestle both Jesus and Paul into advocates for women. The quest to maintain the Bible's goodness is ultimately a respectability project for evangelical Christians in the US who seek to maintain moral authority in an increasingly diverse religious landscape. Whether they rebrand patriarchy or seek to untangle the Bible from sexism, white evangelical Bible-benevolence projects perpetuate misogyny.
