Author: Novene Thomas
Publisher: Strategic Book Publishing
ISBN: 1622129865
Category : Juvenile Fiction
Languages : en
Pages : 193
Book Description
It's show time at The Enchanted Opera. Maude is an opera singer whose voice has the talent to heal. On the night of an opera performance, she discovers that her human form has been transformed into a fairy, so she can no longer perform. Her rival, the opera singer Angelique, is a dark sprite who cast a fairy spell on Maude so she can't heal people anymore with her melodious voice. Angelique wants to receive all the attention at the theater herself, so she uses an ancient fairy spell to rid herself of Maude. For many years Maude tries to regain her natural human body. She asks for help from two other opera singers, Jeanette and Zelda, who are also chorus members of the local Baptist church. They use an ancient fairy book of spells to counteract the first spell, as they battle the force of dark sprites who work for Angelique. Will Maude get her body back and be able to use her healing voice once again? The show must go on, but who will be performing?
The Enchanted Opera
Author: Novene Thomas
Publisher: Strategic Book Publishing
ISBN: 1622129865
Category : Juvenile Fiction
Languages : en
Pages : 193
Book Description
It's show time at The Enchanted Opera. Maude is an opera singer whose voice has the talent to heal. On the night of an opera performance, she discovers that her human form has been transformed into a fairy, so she can no longer perform. Her rival, the opera singer Angelique, is a dark sprite who cast a fairy spell on Maude so she can't heal people anymore with her melodious voice. Angelique wants to receive all the attention at the theater herself, so she uses an ancient fairy spell to rid herself of Maude. For many years Maude tries to regain her natural human body. She asks for help from two other opera singers, Jeanette and Zelda, who are also chorus members of the local Baptist church. They use an ancient fairy book of spells to counteract the first spell, as they battle the force of dark sprites who work for Angelique. Will Maude get her body back and be able to use her healing voice once again? The show must go on, but who will be performing?
Publisher: Strategic Book Publishing
ISBN: 1622129865
Category : Juvenile Fiction
Languages : en
Pages : 193
Book Description
It's show time at The Enchanted Opera. Maude is an opera singer whose voice has the talent to heal. On the night of an opera performance, she discovers that her human form has been transformed into a fairy, so she can no longer perform. Her rival, the opera singer Angelique, is a dark sprite who cast a fairy spell on Maude so she can't heal people anymore with her melodious voice. Angelique wants to receive all the attention at the theater herself, so she uses an ancient fairy spell to rid herself of Maude. For many years Maude tries to regain her natural human body. She asks for help from two other opera singers, Jeanette and Zelda, who are also chorus members of the local Baptist church. They use an ancient fairy book of spells to counteract the first spell, as they battle the force of dark sprites who work for Angelique. Will Maude get her body back and be able to use her healing voice once again? The show must go on, but who will be performing?
Magic Flutes and Enchanted Forests
Author: David J. Buch
Publisher: University of Chicago Press
ISBN: 0226078116
Category : Music
Languages : en
Pages : 483
Book Description
Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake.
Publisher: University of Chicago Press
ISBN: 0226078116
Category : Music
Languages : en
Pages : 483
Book Description
Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake.
The Magic Flute
Author:
Publisher: Star Bright Books
ISBN: 1595720588
Category : Children's stories
Languages : en
Pages : 1
Book Description
All of the elements of a classic fairy-tale are present in this simple retelling of the Mozart opera.
Publisher: Star Bright Books
ISBN: 1595720588
Category : Children's stories
Languages : en
Pages : 1
Book Description
All of the elements of a classic fairy-tale are present in this simple retelling of the Mozart opera.
The Barefoot Book of Stories from the Opera
Author:
Publisher:
ISBN: 9781901223415
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
The author's rewriting of opera stories from seven different composers combined with illustrations and a select discography, introduces to children some of the great operatic themes of the last 200 years.
Publisher:
ISBN: 9781901223415
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
The author's rewriting of opera stories from seven different composers combined with illustrations and a select discography, introduces to children some of the great operatic themes of the last 200 years.
The Enchanted Years of the Stage
Author: Felicia Hardison Londré
Publisher: University of Missouri Press
ISBN: 0826265855
Category : Electronic books
Languages : en
Pages : 349
Book Description
"Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Londre chronicles the "first golden age" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I"--Provided by publisher.
Publisher: University of Missouri Press
ISBN: 0826265855
Category : Electronic books
Languages : en
Pages : 349
Book Description
"Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Londre chronicles the "first golden age" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I"--Provided by publisher.
Mozart's The Magic Flute
Author: Wolfgang Amadeus Mozart
Publisher: Opera Journeys Publishing
ISBN: 0977145506
Category : Music
Languages : de
Pages : 132
Book Description
A comprehensive guide to Mozart's THE MAGIC FLUTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English translation side-by side, and over 30 music highlight examples.
Publisher: Opera Journeys Publishing
ISBN: 0977145506
Category : Music
Languages : de
Pages : 132
Book Description
A comprehensive guide to Mozart's THE MAGIC FLUTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English translation side-by side, and over 30 music highlight examples.
Operas in English
Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Changing the Score
Author: Hilary Poriss
Publisher: Oxford University Press
ISBN: 0199744653
Category : Music
Languages : en
Pages : 237
Book Description
This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.
Publisher: Oxford University Press
ISBN: 0199744653
Category : Music
Languages : en
Pages : 237
Book Description
This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.
Hints to Singers
Author: Lillian Nordica
Publisher: Courier Corporation
ISBN: 9780486400945
Category : Music
Languages : en
Pages : 100
Book Description
Selecting the right teacher, developing confidence, overcoming stage fright, and many other important skills receive thoughtful discussion in this indispensible guide, written by a world-famous diva of 4 decades' experience.
Publisher: Courier Corporation
ISBN: 9780486400945
Category : Music
Languages : en
Pages : 100
Book Description
Selecting the right teacher, developing confidence, overcoming stage fright, and many other important skills receive thoughtful discussion in this indispensible guide, written by a world-famous diva of 4 decades' experience.
Enchantment
Author: Jean Starobinski
Publisher: Columbia University Press
ISBN: 9780231140904
Category : Music
Languages : en
Pages : 304
Book Description
"This book examines some figures of seduction as they have appeared over the course of opera's history." --introd.
Publisher: Columbia University Press
ISBN: 9780231140904
Category : Music
Languages : en
Pages : 304
Book Description
"This book examines some figures of seduction as they have appeared over the course of opera's history." --introd.