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Author: Wayne A. Rebhorn
Publisher:
ISBN:
Category : European literature
Languages : en
Pages : 312
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Book Description
"In a book that will change the way we read Renaissance rhetoric, Wayne A. Rebhorn shows that the issues at stake are not dialogue and debate but power and control. Looking closely at what rhetoricians themselves said about their art, Rebhorn explores the profound engagement of rhetoric with some of the major cultural concerns of the time, including political authority, social mobility, gender relations, and attitudes toward the body." "As he reads texts by Shakespeare, Jonson, Herbert, Carew, Tirso de Molina, Machiavelli, Rabelais, and Moliere, among others, Rebhorn offers a new model for the rhetorical reading of literature. Renaissance literature, he maintains, subjects rhetorical discourse to examination and evaluation and in the process exposes its many contradictions and evasions." "According to Rebhorn, rhetoricians imagine orators ambiguously, both as absolutist rulers who employ rhetoric to help maintain the status quo, and as base-born outsiders who use it to promote their own social advancement or even to resist authority. Renaissance rhetoric is equally ambiguous when it confronts issues of gender, for it identifies itself as simultaneously male and female, both "masculine" in its power and "feminine" in its procreativity and adornment. Finally, Renaissance rhetoric conveys a contradictory vision of the body, for although it is most typically aligned with the body image associated with elites, it simultaneously identities itself with the ethically suspect, grotesque body linked with the lower classes."--BOOK JACKET
Author: Wayne A. Rebhorn
Publisher:
ISBN:
Category : European literature
Languages : en
Pages : 312
Get Book
Book Description
"In a book that will change the way we read Renaissance rhetoric, Wayne A. Rebhorn shows that the issues at stake are not dialogue and debate but power and control. Looking closely at what rhetoricians themselves said about their art, Rebhorn explores the profound engagement of rhetoric with some of the major cultural concerns of the time, including political authority, social mobility, gender relations, and attitudes toward the body." "As he reads texts by Shakespeare, Jonson, Herbert, Carew, Tirso de Molina, Machiavelli, Rabelais, and Moliere, among others, Rebhorn offers a new model for the rhetorical reading of literature. Renaissance literature, he maintains, subjects rhetorical discourse to examination and evaluation and in the process exposes its many contradictions and evasions." "According to Rebhorn, rhetoricians imagine orators ambiguously, both as absolutist rulers who employ rhetoric to help maintain the status quo, and as base-born outsiders who use it to promote their own social advancement or even to resist authority. Renaissance rhetoric is equally ambiguous when it confronts issues of gender, for it identifies itself as simultaneously male and female, both "masculine" in its power and "feminine" in its procreativity and adornment. Finally, Renaissance rhetoric conveys a contradictory vision of the body, for although it is most typically aligned with the body image associated with elites, it simultaneously identities itself with the ethically suspect, grotesque body linked with the lower classes."--BOOK JACKET
Author: Edwin Davies
Publisher:
ISBN:
Category : Quotations, English
Languages : en
Pages : 690
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Author: Eginhardus (Abbot of Seligenstadt.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
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Author:
Publisher:
ISBN:
Category : France
Languages : en
Pages : 692
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Author: Hiroshi Tasogawa
Publisher: Hal Leonard Corporation
ISBN: 155783850X
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
(Applause Books). When 20th Century Fox planned its blockbuster portrayal of Japan's attack on Pearl Harbor, it looked to Akira Kurosawa a man whose mastery of the cinema led to his nickname "the Emperor" to direct the Japanese sequences. Yet a matter of three weeks after he began shooting the film in December 1968, Kurosawa was summarily dismissed and expelled from the studio. The tabloids trumpeted scandal: Kurosawa had himself gone mad; his associates had betrayed him; Hollywood was engaged in a conspiracy. Now, for the first time, the truth behind the downfall and humiliation of one of cinema's greatest perfectionists is revealed in All the Emperor's Men. Journalist Hiroshi Tasogawa probes the most sensitive questions about Kurosawa's thwarted ambition and the demons that drove him. His is a tale of a great clash of personalities, of differences in the ways of making movies, and ultimately of a clash between Japanese and American cultures.
Author: Stanley Wells
Publisher: Cambridge University Press
ISBN: 9780521523882
Category : Drama
Languages : en
Pages : 368
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Book Description
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Author: Robert Browning
Publisher: Univ of California Press
ISBN: 9780520037311
Category : History
Languages : en
Pages : 280
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Author: Wendy Olmsted
Publisher: John Wiley & Sons
ISBN: 0470777214
Category : Language Arts & Disciplines
Languages : en
Pages : 184
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Book Description
This introduction to the art of rhetoric analyzes rhetorical concepts, problems, and methods and teaches practical inquiry through a series of classic rhetorical texts. An introduction to the art of rhetoric for those who are unacquainted with it and an argument about invention and tradition suitable for specialists Texts range from Cicero's De oratore and Augustine’s On Christian Doctrine to Jane Austen’s Persuasion and Stephen Greenblatt’s Marvellous Possessions Texts serve simultaneously as works of persuasion and considerations of how rhetoric works Engages readers in using rhetoric to deliberate about challenging issues.
Author: Henry Thomas Riley
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 576
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Author: Emilio Ocampo
Publisher: University of Alabama Press
ISBN: 0817361251
Category : History
Languages : en
Pages : 528
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Book Description
Winner of the 2009 Literary Award, sponsored by the International Napoleonic Society/La Societe Napoleonienne Internationale of Montreal, Quebec's Literary Committee Napoleon's last campaign didn't end at Waterloo. After that fateful day on June 1815, hundreds if not thousands of veterans of Napoleon's army emigrated to America. Many went farther south and joined the rebels fighting for independence in the Spanish colonies, from Mexico to Buenos Aires. The Bonapartists roiled the Western World as they sought fortune, fame, and glory in the expanding United States and in the tumultuous Spanish Americas suffering from repression and civil disorder, and even in the states of Europe. They were joined by adventurers from other nations who shared their admiration for the fallen emperor. This is the first full-length examination of the Bonapartists who emigrated from France after Napoleon's defeat and exile, who formed a loose confederation with adventurers and romantics, and who contemplated a new empire in the Western Hemisphere. The scheme had the support and encouragement of the fallen emperor himself and his brother Joseph, former King of Spain, who lived in exile in the United States. Emilio Ocampo has examined archives on three continents and sources in several languages to ferret out the evidence--a monumental task considering that conspirators tried to leave no evidence of their plans, and that a failed plot, like failure in general, leaves few claimants. Ocampo reinterprets Latin American independence as an international event that drew in all the major powers. By illuminating the complex connections between the shattered France of the Bourbon restoration; an England threatened by radical politician inspired by the French Revolution; Napoleon in exile at St. Helena; the United States, where home-grown adventurers and French émigrés alike saw opportunity; and the collapsing Spanish colonial empire, where revolutionaries were allying themselves with the veterans of Napoleon's Grande Armée, Ocampo brings together two bodies of scholarship: Napoleonic history and Latin American independence. He does so by tracing the steps of four of the most fascinating characters of the era: two Britons disaffected with their own government--Lord Thomas Cochrane and Sir Robert Wilson--and two former generals of Napolean's army named Charles Lallemand and Michel Brayer. The Emperor's Last Campaign is a fascinating story, well told, and peopled with all sorts of improbable characters and schemes that perhaps just missed coming to full fruition but that in the process contributed to one of the most important events of the nineteenth century: the breakdown of the Spanish empire in America and the rise of the United States as a world power.