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Author: Alison Adams
Publisher: BRILL
ISBN: 9004451870
Category : History
Languages : en
Pages : 299
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Book Description
The volume is a cross-section of contributions to the Glasgow International Emblem Conference 1990, and demonstrates the range of research currently under way into the emblem tradition in the Renaissance and Baroque periods and the variety of its development across the centuries in many European countries. The seventeen papers are arranged here in broad national and thematic groupings, showing the emblem tradition in France, Italy, the Low Countries, Germany, Britain, within the field of alchemy, and extending into wider European traditions. The volume is generously illustrated, and an index is provided for the orientation of the reader. An impression of the richness of the European emblem tradition is given for the general reader, whilst the specialist is provided with a comprehensive insight into the many and varied strands of current emblem research and the diversity of approach adopted by scholars internationally.
Author: Alison Adams
Publisher: BRILL
ISBN: 9004451870
Category : History
Languages : en
Pages : 299
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Book Description
The volume is a cross-section of contributions to the Glasgow International Emblem Conference 1990, and demonstrates the range of research currently under way into the emblem tradition in the Renaissance and Baroque periods and the variety of its development across the centuries in many European countries. The seventeen papers are arranged here in broad national and thematic groupings, showing the emblem tradition in France, Italy, the Low Countries, Germany, Britain, within the field of alchemy, and extending into wider European traditions. The volume is generously illustrated, and an index is provided for the orientation of the reader. An impression of the richness of the European emblem tradition is given for the general reader, whilst the specialist is provided with a comprehensive insight into the many and varied strands of current emblem research and the diversity of approach adopted by scholars internationally.
Author: Michael Giordano
Publisher: University of Toronto Press
ISBN: 0802099467
Category : Literary Criticism
Languages : en
Pages : 697
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Book Description
The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love. At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution.
Author: Marisa Bass
Publisher: Princeton University Press
ISBN: 0691177155
Category : Art
Languages : en
Pages : 313
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Book Description
How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.
Author: Simon McKeown
Publisher: Cambridge Scholars Publishing
ISBN: 1443820067
Category : Art
Languages : en
Pages : 630
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Book Description
The emblem, a Renaissance literary genre which combined text and image, conveyed erudition, admonishment, propaganda, and piety with unparalleled concision and economy. It arose out of humanist circles in the early sixteenth century and quickly became established as a staple tool in religious, political, and social discourses across the major European languages. In recent years the emblem has come to be regarded by scholars working in all areas of the humanities and cultural studies as an interdisciplinary matrix of extraordinary utility in gaining insights into the mentalities and preoccupations of the early modern era. Within its apparently slender frame, the emblem embraces questions of foremost philological, semiotic, and iconographical importance, and encompasses ideas and assumptions of exceedingly far range and reach. This collection of essays attests to the pervasiveness of the emblem, both within Renaissance and Baroque Europe, and in those parts of the wider world where European influence came to bear. It seeks to follow the development of the emblem from its beginnings in various forms of bimedial artefact, from early illustrated books and hieroglyphs, to medals and ancient coins; we then witness its deployment as a propagandistic tool in the temporal and confessional disputes of Europe. Thereafter, the emblem appears in non-European contexts, emerging as a place of cultural exchange as it became assimilated within indigenous visual traditions. The latter parts of the book concentrate on the often subliminal role emblems played in diverse literary texts, as well as their ongoing vitality in praxis or in the burgeoning area of emblem scholarship within early modern studies.
Author: Laurence Grove
Publisher: Librairie Droz
ISBN: 9782600004121
Category : Emblem books, French
Languages : en
Pages : 268
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Book Description
Complète les deux ouvrages publiés dans la même collection, d'Alison Saunders, Stephen Rawles et Alison Adams. L'index des noms et des lieux enrichit la bibliographie des oeuvres secondaires consacrées aux emblèmes français et en facilite l'utilisation.
Author: Anthony John Harper
Publisher: Librairie Droz
ISBN: 9780852617304
Category : Emblem books
Languages : en
Pages : 196
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Book Description
Author: Peter Maurice Daly
Publisher: University of Toronto Press
ISBN: 9780802078919
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
The literature of the 16th and 17th centuries was informed by the symbolic thought embodied in the mixed art form of emblems. This study explores the relationship between the emblem and the literature of England and Germany during the period.
Author: Peter Rietbergen
Publisher: BRILL
ISBN: 904741795X
Category : History
Languages : en
Pages : 455
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Book Description
In ten chapters, partly case-studies, this monograph analyzes the (new) ways in which cultural manifestations were used to create the necessary preconditions for (religious) policy and power in the Rome of Urban VIII (1623-1644). It was the intensified interaction between culture and power-politics that created what we now call ‘the Baroque’. Based on a rich variety of, hitherto largely unexplored, primary sources, the book addresses the basic issues of papal power in the post-Tridentine period. It does not study actual papal politics, but rather the cultural forms that were essential to the representation and legitimatization of the papacy’s power, both secular and religious and that (co-)determined the effectiviness of papal policy. Precisely during Urban’s long pontificate, the manifold, always imaginative and often unexpected uses of power representation became, in the end, not so much a series of cultural forms as, in a sense, the structure of early modern (Roman) society.
Author: Arnoud Visser
Publisher: BRILL
ISBN: 9047405390
Category : History
Languages : en
Pages : 328
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Book Description
The emblem is one of the most remarkable literary inventions of Renaissance humanism. The symbolic imagery presented in these Neo-Latin emblem books constituted an important influence on many areas in early modern literature and art. This volume provides the first comprehensive study of Sambucus’ influential Emblemata (first published by Christopher Plantin, Antwerp, 1564). It reconstructs the cultural-historical contexts in which it was produced, thus reconsidering the social and commercial functions of the humanist emblem. Accompanied by a detailed analysis of individual emblems, it takes into account the emblems’ classical intertextuality and the relationship between word and image. This study shows how the emblematic practice can differ from contemporary symbol and emblem theories, which have often coloured modern interpretations of the genre.
Author: Clare Lapraik Guest
Publisher: BRILL
ISBN: 9004302085
Category : History
Languages : en
Pages : 708
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Book Description
In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.
