Playing to the Gods PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Playing to the Gods PDF full book. Access full book title Playing to the Gods by Peter Rader. Download full books in PDF and EPUB format.
Author: Peter Rader
Publisher: Simon & Schuster
ISBN: 1476738386
Category : Biography & Autobiography
Languages : en
Pages : 304
Get Book Here
Book Description
The riveting story of the rivalry between the two most renowned actresses of the nineteenth century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today. Audiences across Europe and the Americas clamored to see the divine Sarah Bernhardt swoon—and she gave them their money’s worth. The world’s first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon, and spreading rumors that she slept in a coffin to better understand the macabre heroines she played. Eleonora Duse shied away from the spotlight. Born to a penniless family of itinerant troubadours, she disappeared into the characters she portrayed—channeling their spirits, she claimed. Her new, empathetic style of acting revolutionized the theater—and earned her the ire of Sarah Bernhardt in what would become the most tumultuous theatrical showdown of the nineteenth century. Bernhardt and Duse seduced each other’s lovers, stole one another’s favorite playwrights, and took to the world’s stages to outperform their rival in her most iconic roles. A scandalous, enormously entertaining history full of high drama and low blows, Playing to the Gods is the perfect “book for all of us who binge-watched Feud” (Daniel de Visé, author of Andy & Don: The Making of a Friendship and a Classic American TV Show).
Author: Peter Rader
Publisher: Simon & Schuster
ISBN: 1476738386
Category : Biography & Autobiography
Languages : en
Pages : 304
Get Book Here
Book Description
The riveting story of the rivalry between the two most renowned actresses of the nineteenth century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today. Audiences across Europe and the Americas clamored to see the divine Sarah Bernhardt swoon—and she gave them their money’s worth. The world’s first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon, and spreading rumors that she slept in a coffin to better understand the macabre heroines she played. Eleonora Duse shied away from the spotlight. Born to a penniless family of itinerant troubadours, she disappeared into the characters she portrayed—channeling their spirits, she claimed. Her new, empathetic style of acting revolutionized the theater—and earned her the ire of Sarah Bernhardt in what would become the most tumultuous theatrical showdown of the nineteenth century. Bernhardt and Duse seduced each other’s lovers, stole one another’s favorite playwrights, and took to the world’s stages to outperform their rival in her most iconic roles. A scandalous, enormously entertaining history full of high drama and low blows, Playing to the Gods is the perfect “book for all of us who binge-watched Feud” (Daniel de Visé, author of Andy & Don: The Making of a Friendship and a Classic American TV Show).
Author: Helen Sheehy
Publisher: Knopf
ISBN: 030748422X
Category : Biography & Autobiography
Languages : en
Pages : 550
Get Book Here
Book Description
A new biography, the first in two decades, of the legendary actress who inspired Anton Chekhov, popularized Henrik Ibsen, and spurred Stanislavski to create a new theory of acting based on her art and to invoke her name at every rehearsal. Writers loved her and wrote plays for her. She be-friended Rainer Maria Rilke and inspired the young James Joyce, who kept a portrait of her on his desk. Her greatest love, the poet d’Annunzio, made her the heroine of his novel Il fuoco (The Flame). She radically changed the art of acting: in a duel between the past and the future, she vanquished her rival, Sarah Bernhardt. Chekhov said of her, “I’ve never seen anything like it. Looking at Duse, I realized why the Russian theatre is such a bore.” Charlie Chaplin called her “the finest thing I have seen on the stage.” Gloria Swanson and Lillian Gish watched her perform with adoring attention, John Barrymore with awe. Shaw said she “touches you straight on the very heart.” When asked about her acting, Duse responded that, quite simply, it came from life. Except for one short film, Duse’s art has been lost. Despite dozens of books about her, her story is muffled by legend and myth. The sentimental image that prevails is of a misty, tragic heroine victimized by men, by life; an artist of unearthly purity, without ambition. Now Helen Sheehy, author of the much admired biography of Eva Le Gallienne, gives us a different Duse—a woman of strength and resolve, a woman who knew pain but could also inflict it. “Life is hard,” she said, “one must wound or be wounded.” She wanted to reveal on the stage the truth about women’s lives and she wanted her art to endure. Drawing on newly discovered material, including Duse’s own memoir, and unpublished letters and notes, Sheehy brings us to an understanding of the great actress’s unique ways of working: Duse acting out of her sense of her character’s inner life, Duse anticipating the bold aspects of modernism and performing with a sexual freedom that shocked and thrilled audiences. She edited her characters’ lines to bare skeletons, asked for the simplest sets and costumes. Where other actresses used hysterics onstage, Duse used stillness. Sheehy writes about the Duse that the actress herself tried to hide—tracing her life from her childhood as a performing member of a family of actors touring their repertory of drama and commedia dell’arte through Italy. We follow her through her twenties and through the next four decades of commissioning and directing plays, running her own company, and illuminating a series of great roles that included Emile Zola’s Thérèse Raquin, Marguerite in Dumas’s La Dame aux camélias, Nora in Ibsen’s A Doll’s House, and Hedda in his Hedda Gabler. When she thought her beauty was fading at fifty-one, she gave up the stage, only to return to the theatre in her early sixties; she traveled to America and enchanted audiences across the country. She died as she was born—on tour. Sheehy’s illuminating book brings us as close as we have ever been to the woman and the artist.
Author: Eva Le Gallienne
Publisher: [New York] : Farrar, Straus & Giroux
ISBN:
Category : Actors
Languages : en
Pages : 200
Get Book Here
Book Description
Author: Oliver Martin Sayler
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 8
Get Book Here
Book Description
Author: Tommaso Gallarati Scotti
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 514
Get Book Here
Book Description
Author: Lillian Groag
Publisher: Dramatists Play Service Inc
ISBN: 9780822215011
Category : Drama
Languages : en
Pages : 88
Get Book Here
Book Description
THE STORY: An hilarious farce about an imagined meeting in Paris, 1897, between the famous theater divas Sarah Bernhardt and Eleonora Duse. The two actresses--who were the biggest and most temperamental stars of their day--were scheduled to perform b
Author: Meredith Conti
Publisher: Routledge
ISBN: 1351787705
Category : Performing Arts
Languages : en
Pages : 274
Get Book Here
Book Description
Few life occurrences shaped individual and collective identities within Victorian-era society as critically as witnessing or suffering from illness. The prevalence of illness narratives within late nineteenth-century popular culture was made manifest on the period’s British and American stages, where theatrical embodiments of illness were indisputable staples of actors’ repertoires. Playing Sick: Performances of Illness in the Age of Victorian Medicine reconstructs how actors embodied three of the era’s most provocative illnesses: tuberculosis, drug addiction, and mental illness. In placing performances of illness within wider medicocultural contexts, Meredith Conti analyzes how such depictions confirmed or resisted salient constructions of diseases and the diseased. Conti’s case studies, which range from Eleonora Duse’s portrayal of the consumptive courtesan Marguerite Gautier to Henry Irving’s performance of senile dementia in King Lear, help to illuminate the interdependence of medical science and theatre in constructing nineteenth-century illness narratives. Through reconstructing these performances, Conti isolates from the period’s acting practices a lexicon of embodied illness: a flexible set of physical and vocal techniques that performers employed to theatricalize the sick body. In an age when medical science encouraged a gradual decentering of the patient from their own diagnosis and treatment, late nineteenth-century performances of illness symbolically restored the sick to positions of visibility and consequence.
Author: Maurice Maeterlinck
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
Get Book Here
Book Description
Author: Edward Ledger
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 510
Get Book Here
Book Description
Author: Patrick Tucker
Publisher: Routledge
ISBN: 1135862265
Category : Performing Arts
Languages : en
Pages : 308
Get Book Here
Book Description
Secrets of Acting Shakespeare isn't a book that gently instructs. It's a passionate, yes-you-can designed to prove that anybody can act Shakespeare. By explaining how Elizabethan actors had only their own lines and not entire playscripts, Patrick Tucker shows how much these plays work by ear. Secrets of Acting Shakespeare is a book for actors trained and amateur, as well as for anyone curious about how the Elizabethan theater worked.
