The Elements of Drawings; in Three Letters to Beginners ... With Illustrations, Drawn by the Author PDF Download
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Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 402
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 402
Get Book Here
Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 396
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 402
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 248
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Book Description
Author:
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Book Description
Author: Douglas Haig
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 141
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Book Description
Douglas Haig's 'The Western Front' offers a unique perspective on the experiences of soldiers during World War I, as depicted through the evocative drawings by Muirhead Bone. The book combines Haig's insightful commentary with Bone's haunting images to provide readers with a comprehensive understanding of the brutal realities faced on the front lines. Haig's writing style is both informative and poignant, capturing the emotional toll of war with a blend of historical accuracy and personal reflection. This book is a valuable addition to the literature on World War I, shedding light on the lesser-known visual representations of the conflict. Douglas Haig, a seasoned military leader, draws upon his firsthand experiences in the war to offer a thoughtful analysis of the Western Front. His expertise in military strategy and his commitment to preserving the memory of those who fought in the war are evident in his meticulous research and detailed accounts. Haig's collaboration with Bone showcases his dedication to honoring the sacrifices made by soldiers during this tumultuous period in history. I highly recommend 'The Western Front' to anyone interested in gaining a comprehensive understanding of World War I, especially through the unique perspective of Muirhead Bone's drawings. Haig's expert commentary and Bone's powerful imagery make this book a must-read for those seeking a deeper insight into the human experience of war.
Author: De Volson Wood
Publisher:
ISBN:
Category : Mechanics, Analytic
Languages : en
Pages : 396
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Book Description
Author: John Ruskin
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 54
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Book Description
"Three Letters and an Essay by John Ruskin..." is a collection of the earliest writings of the famed English author of the 19th century, as given by his former tutor. "In the days when the Rev. Thomas Dale had a school in Grove Lane, Camberwell, he was, as well as a schoolmaster, a poet, author, and preacher. In 1835 he was presented to the living of St. Bride's, Fleet Street; in 1843, to a Canonry of St. Paul's; and he died in 1870, shortly after accepting the Deanery of Rochester. Amongst his papers were some writings of John Ruskin, his pupil in Grove Lane and, later, at King's College. The earliest of these is an essay written the year before Mr. Ruskin went to Oxford; the others are letters from Rome, Lausanne, and Leamington. The interest of these papers is great. They belong to that period when Mr. Ruskin was trying his powers, when (his famed book) "Modern Painters" was taking form, and when some of the most perfect pieces of prose ever written were given to English readers. The hand of the master is very visible in all these papers, though the earliest of them belongs to the days of boyhood."
Author: Angela Bartram
Publisher: Routledge
ISBN: 1317070003
Category : Architecture
Languages : en
Pages : 273
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Book Description
Bringing together a broad range of contributors including art, architecture, and design academic theorists and historians, in addition to practicing artists, architects, and designers, this volume explores the place of the sketchbook in contemporary art and architecture. Drawing upon a diverse range of theories, practices, and reflections common to the contemporary conceptualisation of the sketchbook and its associated environments, it offers a dialogue in which the sketchbook can be understood as a pivotal working tool that contributes to the creative process and the formulation and production of visual ideas. Along with exploring the theoretical, philosophical, psychological, and curatorial implications of the sketchbook, the book addresses emergent digital practices by way of examining contemporary developments in sketchbook productions and pedagogical applications. Consequently, these more recent developments question the validity of the sketchbook as both an instrument of practice and creativity, and as an educational device. International in scope, it not only explores European intellectual and artistic traditions, but also intercultural and cross-cultural perspectives, including reviews of practices in Chinese artworks or Islamic calligraphy, and situational contexts that deal with historical examples, such as Roman art, or modern practices in geographical-cultural regions like Pakistan.
