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Author: Abbie Findlay Potts
Publisher: Ithaca, N.Y. : Cornell University Press
ISBN:
Category : Elegiac poetry, English
Languages : en
Pages : 480
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Book Description
Author: Abbie Findlay Potts
Publisher: Ithaca, N.Y. : Cornell University Press
ISBN:
Category : Elegiac poetry, English
Languages : en
Pages : 480
Get Book Here
Book Description
Author: Diana Fuss
Publisher: Duke University Press
ISBN: 0822397501
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
In Dying Modern, one of our foremost literary critics inspires new ways to read, write, and talk about poetry. Diana Fuss does so by identifying three distinct but largely unrecognized voices within the well-studied genre of the elegy: the dying voice, the reviving voice, and the surviving voice. Through her deft readings of modern poetry, Fuss unveils the dramatic within the elegiac: the dying diva who relishes a great deathbed scene, the speaking corpse who fancies a good haunting, and the departing lover who delights in a dramatic exit. Focusing primarily on American and British poetry written during the past two centuries, Fuss maintains that poetry can still offer genuine ethical compensation, even for the deep wounds and shocking banalities of modern death. As dying, loss, and grief become ever more thoroughly obscured from public view, the dead start chattering away in verse. Through bold, original interpretations of little-known works, as well as canonical poems by writers such as Emily Dickinson, Randall Jarrell, Elizabeth Bishop, Richard Wright, and Sylvia Plath, Fuss explores modern poetry's fascination with pre- and postmortem speech, pondering the literary desire to make death speak in the face of its cultural silencing.
Author: Margaret Alexiou
Publisher: Rowman & Littlefield
ISBN: 9780742507579
Category : Funeral rites and ceremonies
Languages : en
Pages : 324
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Book Description
The only generic and diachronic study of learned and popular lament and its socio-cultural contexts throughout Greek tradition in which a great diversity of sources are integrated to offer a comprehensive and penetrating synthesis.
Author: John B. Vickery
Publisher: LSU Press
ISBN: 0807131423
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Lamentation of death is the traditional elegiac focus, but in the twentieth century the elegy has become characterized as well by the mourning of other kinds of loss—those personal, familial, romantic, cultural, and philosophical privations and dispossessions that have so greatly shaped the modern sensibility. According to John B. Vickery, a profound elegiac temper is itself the major trait of twentieth-century culture, registered in attitudes ranging from regret, sorrow, confusion, anger, anxiety, doubt, and alienation to outright despair. He transforms our understanding of the elegy and its relation to modernism in The Modern Elegiac Temper. Vickery offers in-depth readings of a broad sampling of British and American poems written from World War I to the present. He considers works of overlooked poets such as Vernon Watkins, George Barker, and Edith Sitwell while also attending to canonical writers such as T. S. Eliot, Ezra Pound, W. H. Auden, and Wallace Stevens. Taking a text-oriented rather than author- or theory-oriented approach, he discusses in turn the personal, love, cultural, and philosophical elegy and shows how war, the Great Depression, the Holocaust, and other major historical events influenced poets’ elegiac expressions. By suggesting ways in which the individual-centered concerns of the traditional elegy metamorphose under the depersonalizing lens of high modernism, Vickery reveals the modern elegy to be a finely calibrated instrument for reading and expressing, absorbing and reflecting, the modern temperament.
Author: Peter M. Sacks
Publisher: Johns Hopkins University Press
ISBN: 9780801834714
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
In an award winning book of literary scholarship, Sacks explores the functions as well as forms of convention and provides an interpretive study of the elegy as a genre. The English Elegy is an ambitious and humane book, an eloquent work on the poetry of mourning. (Poetry)
Author: Thea S. Thorsen
Publisher: Cambridge University Press
ISBN: 1107511747
Category : Literary Collections
Languages : en
Pages : 455
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Book Description
Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an accessible introduction for the general reader interested in Latin love elegy and the history of love and lament in Western literature, as well as a collection of critically stimulating essays for students and scholars of Latin poetry and of the classical tradition.
Author: Karen Weisman
Publisher: OUP Oxford
ISBN: 0199228132
Category : Literary Criticism
Languages : en
Pages : 736
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Book Description
The single most comprehensive study of elegy, this Handbook offers groundbreaking scholarship, historical breadth, and responds to recent exciting developments in elegy studies: the explosion in interest in elegies about AIDS, cancer, and war; the reconsideration of the role of women; and elegy's relation to ethics, philosophy, and theory.
Author: Angela Esterhammer
Publisher: John Benjamins Publishing
ISBN: 9789027234506
Category : Literary Criticism
Languages : en
Pages : 564
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Book Description
Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: tracing a theme or motif through several literatures; developing innovative models of transnational influence; studying the role of Romantic poetry in socio-political developments; or focusing on an issue that appears most prominently in one national literature yet is illuminated by the international context. This collaborative volume provides an invaluable resource for students of comparative literature and Romanticism.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Author: John Frow
Publisher: Routledge
ISBN: 1134463294
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Genre is a key means by which we categorize the many forms of literature and culture. But it is also much more than that: in talk and writing, in music and images, in film and television, genres actively generate and shape our knowledge of the world. Understanding genre as a dynamic process rather than a set of stable rules, this book explores: the relation of simple to complex genres the history of literary genre in theory the generic organisation of implied meanings the structuring of interpretation by genre the uses of genre in teaching. John Frow’s lucid exploration of this fascinating concept will be essential reading for students of literary and cultural studies.
Author: Galia Benziman
Publisher: Springer
ISBN: 1137507136
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
This book examines the transition from traditional to modern elegy through a close study of Thomas Hardy’s oeuvre and its commitment to mourning and remembrance. Hardy is usually read as an avowed elegist who writes against the collective forgetfulness typical of the late-Victorian era. But Hardy, as argued here, is dialectically implicated in the very cultural and psychological amnesia that he resists, as her book demonstrates by expanding the corpus of study beyond the spousal elegies (the “Poems of 1912-1913”) to include a wide variety of poems, novels and short stories that deal with bereavement and mourning. Locating the modern aspect of Hardy’s elegiac writing in this ambivalence and in the subversion of memory as unreliable, the book explores the textual moments at which Hardy challenges binary dichotomies such as forgetting vs. remembering, narcissism vs. unselfish commitment, grief vs. betrayal, the work of mourning vs. melancholia, presence vs. absence. The book's analysis allows us to relate Hardy’s elegiac poetics, and particularly his description of the mourner as a writer, to shifting late-Victorian conceptualizations of death, memory, art, science and gender relations.
