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Author: Sergei Eisenstein
Publisher: Seagull Books Pvt Ltd
ISBN: 9781905422005
Category : Performing Arts
Languages : en
Pages : 444
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Book Description
The Eisenstein Collection brings together Sergei Eisenstein's key writings in one volume for the first time and includes new material not previously available. This edition covers the period from Eisenstein's dispute over the authorship of his first feature film, The Strike, in 1925 to his filmmaking and polemical activities during World War II, including his correspondence with Soviet leaders over Ivan the Terrible.
Author: Sergei Eisenstein
Publisher: Seagull Books Pvt Ltd
ISBN: 9781905422005
Category : Performing Arts
Languages : en
Pages : 444
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Book Description
The Eisenstein Collection brings together Sergei Eisenstein's key writings in one volume for the first time and includes new material not previously available. This edition covers the period from Eisenstein's dispute over the authorship of his first feature film, The Strike, in 1925 to his filmmaking and polemical activities during World War II, including his correspondence with Soviet leaders over Ivan the Terrible.
Author: Sergei Eisenstein
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156309356
Category : Biography & Autobiography
Languages : en
Pages : 316
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Book Description
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
Author: Sergei Eisenstein
Publisher: HMH
ISBN: 0547539479
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.
Author: Albert J. LaValley
Publisher: Rutgers University Press
ISBN: 9780813529707
Category : Performing Arts
Languages : en
Pages : 346
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Book Description
Like many other figures once closely associated with the Soviet state, the great Russian filmmaker Sergei Eisenstein has become the subject of renewed interest. A decade after the fall of the Soviet Union, and with fresh material on his life and art now available, a more complex picture of Eisenstein is emerging. This collection-featuring the work of major film theorists and Russian scholars-offers the first post-Soviet reconsideration of Eisenstein's contribution to world cinema. The contributors address themes previously avoided by Soviet critics, such as sexuality, religion, gender, and politics, in The Battleship Potemkin, October, Alexander Nevsky, and Ivan the Terrible. These films and others are also reassessed in light of a more thorough knowledge of Eisenstein's life and of the complicated historical, cultural, and political contexts in which he worked. Of particular concern here is Eisenstein's struggle with Soviet censorship, which resulted in a tenuous balance between the pressures of the state and his goals as an artist. Essays explore the manner in which Eisenstein's later theoretical writings reveal continuity with the more well known earlier work, issues of historical revisionism, and the relationship between autobiography and the films. Eisenstein's undeniable influence on his contemporaries and subsequent generations, as well as his reception by the film community and the public, are illuminated. Rather than fostering the popular image of Eisenstein as the "inventor" of film montage, the director of Potemkin, and the enthusiastic early supporter of the Bolsheviks, Eisenstein at 100 presents a much richer and more profound picture of Eisenstein the man, the director, and the film theorist.
Author: Anita Brenner
Publisher: Courier Corporation
ISBN: 0486145751
Category : Art
Languages : en
Pages : 433
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Book Description
Critical study ranges from pre-Columbian times through the 20th century to explore Mexico's intrinsic association between art and religion; the role of iconography in Mexican art; and the return to native values. Unabridged reprint of the classic 1929 edition. 118 black-and-white illustrations.
Author: Jay Leyda
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
Author: Sergei Eisenstein
Publisher: Peter Owen Publishers
ISBN: 9780720615579
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
"Sergei Eisenstein (1898-1948), creator of such masterpieces as Battleship Potemkin, Alexander Nevsky and Ivan the Terrible, was perhaps the greatest of all film directors. He wrote his autobiography in 1946, two years before his death, and it is a work of major importance in the light it sheds on his personality and mercurial genius. Vivid, eccentric and free-ranging, Immoral Memories is written in a style reminiscent of the brilliant visual effects of montage and dynamic progression that characterize its author's film-making technique. He recounts his life in Russia from the time of the Revolution, during which he served in the Bolshevik army as a volunteer, his travels in the West and his encounters with a remarkable medley of individuals during his long career. He gives us unique insights, too, into his triumphs and tribulations. His disappointments and despair were exemplified by the banning of the film Ivan the Terrible, Part II, which was not released until fifteen years after his death. And he never expected his autobiography to be published in Russia. Yet in answer to his query "Has there been life" he replied that there had been "life lived acutely, joyously, tormentedly, at times even sparkling, unquestionably colourful, and such a life that, I suppose, I would not exchange for another""--Publisher's description.
Author: Sergei Eisenstein
Publisher: I.B. Tauris
ISBN: 9781848853553
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film - and one of the most original aesthetic thinkers of the twentieth century. Now in paperback for the first time, Volume 1 documents from the definitive Russian texts the complex course of Sergei Eisenstein's writings during the revolutionary years in the Soviet Union. It presents Eisenstein the innovative aesthetic thinker, socialist artist and humourist, passionately engaged in the debates over the art forms of the future. Importantly, this was also the period of Eisenstein's great silent masterpieces, 'The Strike', 'The Battleship Potemkin', 'October' and 'The General Line', and of his controversial sojourns in Hollywood and Mexico.
Author: Naum Kleiman
Publisher: National Geographic Books
ISBN: 0500093938
Category : Art
Languages : en
Pages : 0
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Book Description
The first comprehensive book on the extensive, yet rarely seen, graphic works of pioneering filmmaker Sergei Eisenstein Sergei Eisenstein is regarded as one of cinema’s greatest revolutionaries. Less well known is that he was also a prolific graphic artist who drew compulsively as a means of expressing his ideas. Arranged chronologically, Eisenstein on Paper is divided into six chapters, each prefaced by short texts relating to the graphic works of each distinct period, and interwoven with excerpts from Eisenstein’s own essays and diary entries. In 1930 Eisenstein traveled to the United States and then Mexico, where he produced hundreds of drawings influenced by ancient and contemporary Mexican art. Forced to return to Russia in 1932, Eisenstein came under the scrutiny of the Communist government and, struggling to make further films without political interference, turned again to sketching for artistic freedom. By the end of his life, he had pared his style down to the utmost simplicity and sincerity. Despite completing relatively few films in his lifetime, Eisenstein made several thousand drawings. Eisenstein on Paper is the product of a groundbreaking collaboration with RGALI, the Russian State Archive of Arts and Literature, and is a fitting tribute to an incredible graphic talent.
Author: Jean Antoine-Dunne
Publisher: Rodopi
ISBN: 9789042008984
Category : Art
Languages : en
Pages : 266
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Book Description
This book of essays is quite unique in that it intervenes in a still contested area within many universities, that of the relevance of film to literature, critical theory, politics, sociology and anthropology. The essays were commissioned by Jean Antoine-Dunne whose research has explored the impact of Eisenstein s aesthetics on different areas of modernist literature and drama. The essays in this collection use Eisenstein as a point of departure into divergent fields of analysis and are concerned with the principle of montage as a transforming idea. They gather within the pages of one work contributions from Geoffrey Nowell-Smith, Richard Taylor, Paul Willemen and emerging scholars entering and altering the field of interdisciplinary scholarship, film and literature. These hitherto unpublished essays not only extend and elaborate on previous treatments of Eisenstein and montage in areas such as semiotics, film theory, and feminist film practice, but also introduce his work to areas which have not yet been considered in relation to Eisenstein and montage, such as Beckett scholarship, Caribbean aesthetics, Third Cinema, and debates around digital imagery. No other collection of essays has explored the idea of montage as a structuring cultural and critical principle and the elasticity of Eisenstein's legacy in quite this way.
