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Author: Thomas A. Edison, Inc
Publisher:
ISBN:
Category : Phonograph
Languages : en
Pages : 322
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Author: Thomas A. Edison, Inc
Publisher:
ISBN:
Category : Phonograph
Languages : en
Pages : 322
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 800
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Author: H. Frank Andrews
Publisher:
ISBN:
Category : Cylinder recordings
Languages : en
Pages : 168
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Book Description
Author: Steve J. Wurtzler
Publisher: Columbia University Press
ISBN: 9780231136778
Category : Computers
Languages : en
Pages : 424
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Book Description
The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework, and the birth of a new acoustic commodity in which consumers accessed stories, songs, and other products through multiple media formats. The innovations of this period not only restructured and consolidated corporate mass media interests while shifting the conventions of media consumption. They renegotiated the social functions assigned to mass media forms. In this impeccably researched history, Steve J. Wurtzler grasps the full story of sounds media, proving that the ultimate form technology takes is never predetermined but shaped by conflicting visions of technological possibility in economic, cultural, and political realms.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1106
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Author:
Publisher:
ISBN:
Category : Sound recording libraries
Languages : en
Pages : 292
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Author: Wiebe E. Bijker
Publisher: MIT Press
ISBN: 9780262260435
Category : Science
Languages : en
Pages : 356
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Book Description
Building on the influential book The Social Construction of Technological Systems, this volume carries forward the project of creating a theory of technological development and implementation that is strongly grounded in both sociology and history. Technology is everywhere, yet a theory of technology and its social dimension remains to be fully developed. Building on the influential book The Social Construction of Technological Systems, this volume carries forward the project of creating a theory of technological development and implementation that is strongly grounded in both sociology and history. The 12 essays address the central question of how technologies become stabilized, how they attain a final form and use that is generally accepted. The essays are tied together by a general introduction, part introductions, and a theoretical conclusion. The first part of the book examines and criticizes the idea that technologies have common life cycles; three case studies cover the history of a successful but never produced British jet fighter, the manipulation of patents by a French R&D company to gain a market foothold, and the managed development of high-intensity fluorescent lighting to serve the interests of electricity suppliers as well as the producing company. The second part looks at broader interactions shaping technology and its social context: the question of who was to define "steel," the determination of what constitutes radioactive waste and its proper disposal, and the social construction of motion pictures as exemplified by Thomas Edison's successful development of the medium and its commercial failure. The last part offers theoretical studies suggesting alternative approaches to sociotechnologies; two studies argue for a strong sociotechnology in which artifact and social context are viewed as a single seamless web, while the third looks at the ways in which a social program is a technology.
Author: Tim Brooks
Publisher: University of Illinois Press
ISBN: 0252090632
Category : Music
Languages : en
Pages : 656
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Book Description
A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
Author: United States. Patent Office
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 960
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Book Description
![Bulletin [1908-23] PDF](https://books.google.com/books/content/images/frontcover/HEMmAQAAIAAJ?fife=w80-h100)
Author: Boston Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 894
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Book Description
