Author: Jean R. Brink
Publisher: Manchester University Press
ISBN: 1526142600
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Brink’s provocative biography shows that Spenser was not the would-be court poet whom Karl Marx’s described as ‘Elizabeth’s arse-kissing poet’. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell’s Catechism and Dean of St. Paul’s. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple. Contextualising Spenser’s life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.
The early Spenser, 1554–80
Author: Jean R. Brink
Publisher: Manchester University Press
ISBN: 1526142600
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Brink’s provocative biography shows that Spenser was not the would-be court poet whom Karl Marx’s described as ‘Elizabeth’s arse-kissing poet’. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell’s Catechism and Dean of St. Paul’s. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple. Contextualising Spenser’s life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.
Publisher: Manchester University Press
ISBN: 1526142600
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Brink’s provocative biography shows that Spenser was not the would-be court poet whom Karl Marx’s described as ‘Elizabeth’s arse-kissing poet’. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell’s Catechism and Dean of St. Paul’s. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple. Contextualising Spenser’s life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.
Spenser and Donne
Author: Yulia Ryzhik
Publisher: Manchester University Press
ISBN: 152611738X
Category : Literary Criticism
Languages : en
Pages : 405
Book Description
This edited collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge the traditionally dichotomous view of these two major poets and to shift the critical conversation towards a more holistic, relational view of the two authors’ poetics and thought.
Publisher: Manchester University Press
ISBN: 152611738X
Category : Literary Criticism
Languages : en
Pages : 405
Book Description
This edited collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge the traditionally dichotomous view of these two major poets and to shift the critical conversation towards a more holistic, relational view of the two authors’ poetics and thought.
A Spenser Chronology
Author: W. Maley
Publisher: Springer
ISBN: 0230376789
Category : Literary Criticism
Languages : en
Pages : 136
Book Description
`...a valuable and welcome book; it belongs in any library that has pretensions of supporting Spenser scholarship.' - Russel J. Meyer, Spenser Newsletter A Spenser Chronology is the first serious attempt to map out in concrete detail all of the known facts concerning the poet Edmund Spenser, a major canonical author whose entire literary career was spent in Ireland. This book charts Spenser's parallel vocations of Elizabethan planter and Renaissance writer, outlining the activities, appointments and whereabouts of a prominent Irish colonist, and shedding new light on the life of one of the most important figures in English literary history.
Publisher: Springer
ISBN: 0230376789
Category : Literary Criticism
Languages : en
Pages : 136
Book Description
`...a valuable and welcome book; it belongs in any library that has pretensions of supporting Spenser scholarship.' - Russel J. Meyer, Spenser Newsletter A Spenser Chronology is the first serious attempt to map out in concrete detail all of the known facts concerning the poet Edmund Spenser, a major canonical author whose entire literary career was spent in Ireland. This book charts Spenser's parallel vocations of Elizabethan planter and Renaissance writer, outlining the activities, appointments and whereabouts of a prominent Irish colonist, and shedding new light on the life of one of the most important figures in English literary history.
Self-Commentary in Early Modern European Literature, 1400–1700
Author: Francesco Venturi
Publisher: BRILL
ISBN: 9004396594
Category : Literary Collections
Languages : en
Pages : 445
Book Description
An investigation into the various ways in which Renaissance writers comment on, present, and defend their own works, and at the same time themselves in Britain, France, Italy, Spain, Poland, and the Dutch Republic.
Publisher: BRILL
ISBN: 9004396594
Category : Literary Collections
Languages : en
Pages : 445
Book Description
An investigation into the various ways in which Renaissance writers comment on, present, and defend their own works, and at the same time themselves in Britain, France, Italy, Spain, Poland, and the Dutch Republic.
Printing Virgil
Author: Craig Kallendorf
Publisher: BRILL
ISBN: 9004421351
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
In this work Craig Kallendorf argues that the printing press played a crucial, and previously unrecognized, role in the reception of the Roman poet Virgil in the Renaissance, transforming his work into poetry that was both classical and postclassical.
Publisher: BRILL
ISBN: 9004421351
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
In this work Craig Kallendorf argues that the printing press played a crucial, and previously unrecognized, role in the reception of the Roman poet Virgil in the Renaissance, transforming his work into poetry that was both classical and postclassical.
Of the Decorative Illustration of Books Old and New
Author: Walter Crane
Publisher:
ISBN:
Category : Book ornamentation
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category : Book ornamentation
Languages : en
Pages : 342
Book Description
Hereditary Genius
Author: Sir Francis Galton
Publisher:
ISBN:
Category : Genius
Languages : en
Pages : 416
Book Description
Publisher:
ISBN:
Category : Genius
Languages : en
Pages : 416
Book Description
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
New England's Witches and Wizards
Author: Robert Ellis Cahill
Publisher: Old Saltbox
ISBN: 9780916787004
Category : History
Languages : en
Pages : 50
Book Description
"Funny and fearful true stories of witches, innocent victims and their accusers in the 17th, 18th, and 19th centuries. Curses that seemingly worked their magic and cures by healers that begot them the gallows. Emphasis is on Salem Village in 1692, where 20 accused of witchcraft were executed."
Publisher: Old Saltbox
ISBN: 9780916787004
Category : History
Languages : en
Pages : 50
Book Description
"Funny and fearful true stories of witches, innocent victims and their accusers in the 17th, 18th, and 19th centuries. Curses that seemingly worked their magic and cures by healers that begot them the gallows. Emphasis is on Salem Village in 1692, where 20 accused of witchcraft were executed."
Edmund Spenser's Shepheardes Calender (1579)
Author: Kenneth Borris
Publisher: Manchester University Press
ISBN: 1526133474
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Spenser’s extraordinary Shepheardes Calender as first printed in 1579 is arguably the seminal book of the Elizabethan literary renaissance. This volume reassesses it as a material text in relation to book history, and provides the first clearly detailed facsimile of the 1579 Calender available as a book. The editor reconsiders the original book’s development, production, design, and particular characteristics, and demonstrates both its correlations with diverse precursors in print and its significant departures. Numerous illustrations of archival sources facilitate comparison. By reinvestigating the 1579 Calender’s twelve pictures, he shows that Spenser himself probably designed them, that they involve complex symbolism, and that this book’s meaning is thus profoundly verbal-visual. An analyzed facsimile is an essential new resource for study of Spenser’s Calender, Spenser, Elizabethan print and poetics, and early modern English literary history.
Publisher: Manchester University Press
ISBN: 1526133474
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Spenser’s extraordinary Shepheardes Calender as first printed in 1579 is arguably the seminal book of the Elizabethan literary renaissance. This volume reassesses it as a material text in relation to book history, and provides the first clearly detailed facsimile of the 1579 Calender available as a book. The editor reconsiders the original book’s development, production, design, and particular characteristics, and demonstrates both its correlations with diverse precursors in print and its significant departures. Numerous illustrations of archival sources facilitate comparison. By reinvestigating the 1579 Calender’s twelve pictures, he shows that Spenser himself probably designed them, that they involve complex symbolism, and that this book’s meaning is thus profoundly verbal-visual. An analyzed facsimile is an essential new resource for study of Spenser’s Calender, Spenser, Elizabethan print and poetics, and early modern English literary history.