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Author: Sean F. Johnston
Publisher: CRC Press
ISBN: 1420034774
Category : Science
Languages : en
Pages : 285
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Book Description
2003 Paul Bunge Prize of the Hans R. Jenemann Foundation for the History of Scientific Instruments Judging the brightness and color of light has long been contentious. Alternately described as impossible and routine, it was beset by problems both technical and social. How trustworthy could such measurements be? Was the best standard of inten
Author: Sean F. Johnston
Publisher: CRC Press
ISBN: 1420034774
Category : Science
Languages : en
Pages : 285
Get Book Here
Book Description
2003 Paul Bunge Prize of the Hans R. Jenemann Foundation for the History of Scientific Instruments Judging the brightness and color of light has long been contentious. Alternately described as impossible and routine, it was beset by problems both technical and social. How trustworthy could such measurements be? Was the best standard of inten
Author: Michael Hall
Publisher:
ISBN:
Category : Lighting
Languages : en
Pages : 0
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Book Description
Author: Robert A. Crone
Publisher: Springer Science & Business Media
ISBN: 940070870X
Category : Medical
Languages : en
Pages : 375
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Book Description
This is the first comprehensive text on the history of color theories since Halbertsma's book of 1947. Color is discussed in close connection with the evolution of ideas of light and vision. The book has chapters on the ancient Greek ideas of vision and color; on the contributions of Arabic science; on the Scientific Revolution from Kepler to Newton; on the early history of the three-color hypothesis; on the trichromatic theory and defective color vision; and on Goethe's, Schopenhauer's and Hering's theories. New understanding of the structure and functions of the retina and the brain finally results in the modern science of color vision. A History of Color has been written for ophthalmologists, optometrists and others who are interested in visual science and its history. The book requires no specialized knowledge.
Author: George Pavlidis
Publisher: Springer Nature
ISBN: 303087771X
Category : Science
Languages : en
Pages : 151
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Book Description
This book offers a comprehensive introduction in to the various theories of colour and how they developed over the centuries and millennia. As colour is the perception of light by our brains, the book captures not only the physical phenomena but also psychological and philosophical aspects of colours. It starts with ancient studies of Greek philosophers and their insights into light and mirrors, then reviews the theory of colors in the middle ages in Europe and Middle East. The last big part of the book explains the theories of colours by modern scientists and philosophers, starting with Isaac Newton and ending colour schemes of modern digital pictures.
Author: Robert Arnold Crone
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 282
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Book Description
This is the first comprehensive text on the history of color theories since Halbertsma's book of 1947. Color is discussed in close connection with the evolution of ideas of light and vision. The book has chapters on the ancient Greek ideas of vision and color; on the contributions of Arabic science; on the Scientific Revolution from Kepler to Newton; on the early history of the three-color hypothesis; on the trichromatic theory and defective color vision; and on Goethe's, Schopenhauer's and Hering's theories. New understanding of the structure and functions of the retina and the brain finally results in the modern science of color vision. A History of Color has been written for ophthalmologists, optometrists and others who are interested in visual science and its history. The book requires no specialized knowledge.
Author: Sean F. Johnston
Publisher: CRC Press
ISBN: 9780750307543
Category : Science
Languages : en
Pages : 280
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Book Description
2003 Paul Bunge Prize of the Hans R. Jenemann Foundation for the History of Scientific Instruments Judging the brightness and color of light has long been contentious. Alternately described as impossible and routine, it was beset by problems both technical and social. How trustworthy could such measurements be? Was the best standard of intensity a gas lamp, an incandescent bulb, or a glowing pool of molten metal? And how much did the answers depend on the background of the specialist? A History of Light and Colour Measurement: Science in the Shadows is a history of the hidden workings of physical science-a technical endeavor embedded in a social context. It argues that this "undisciplined" subject, straddling academia, commerce, and regulation, may be typical not only of 20th century science, but of its future. Attracting scientists, engineers, industrialists, and artists, the developing subject produced a new breed of practitioners having mixed provenance. The new measurers of light had to decide the shape not only of their specialism but of their careers: were they to be a part of physics, engineering, or psychology? The physical scientists who dominated the subject into the early 20th century made their central aim the replacement of the problematic human eye with physical detectors of light. For psychologists between the wars, though, describing the complexity of color was more important than quantifying a handful of its dimensions. And after WWII, military designers shaped the subject of radiometry and subsumed photometry and colorimetry within it. Never attaining a professional cachet, these various specialists moved fluidly between science and technology; through government, industry, and administration.
Author: Joseph Priestley
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
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Book Description
Author: Chloë N. Duckworth
Publisher: Routledge
ISBN: 1351682962
Category : Art
Languages : en
Pages : 302
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Book Description
The myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume. Light and colour’s iconographic, economic, and socio-cultural implications are considered by established and emerging scholars including art historians, archaeologists, and conservators, who address the variety of human experience of these sensory phenomena. In today’s world it is the norm for humans to be surrounded by strong, artificial colours, and even to see colour as perhaps an inessential or surface property of the objects around us. Similarly, electric lighting has provided the power and ability to illuminate and manipulate environments in increasingly unprecedented ways. In the context of such a saturated experience, it becomes difficult to identify what is universal, and what is culturally specific about the human experience of light and colour. Failing to do so, however, hinders the capacity to approach how they were experienced by people of centuries past. By means of case studies spanning a broad historical and geographical context and covering such diverse themes as architecture, cave art, the invention of metallurgy, and medieval manuscript illumination, the contributors to this volume provide an up-to-date discussion of these themes from a uniquely interdisciplinary perspective. The papers range in scope from the meaning of colour in European prehistoric art to the technical art of the glazed tiles of the Shah mosque in Isfahan. Their aim is to explore a multifarious range of evidence and to evaluate and illuminate what is a truly enigmatic topic in the history of art and visual culture.
Author: Mohammad D. Al-Amri
Publisher: Springer
ISBN: 3319319035
Category : Science
Languages : en
Pages : 509
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Book Description
Light and light based technologies have played an important role in transforming our lives via scientific contributions spanned over thousands of years. In this book we present a vast collection of articles on various aspects of light and its applications in the contemporary world at a popular or semi-popular level. These articles are written by the world authorities in their respective fields. This is therefore a rare volume where the world experts have come together to present the developments in this most important field of science in an almost pedagogical manner. This volume covers five aspects related to light. The first presents two articles, one on the history of the nature of light, and the other on the scientific achievements of Ibn-Haitham (Alhazen), who is broadly considered the father of modern optics. These are then followed by an article on ultrafast phenomena and the invisible world. The third part includes papers on specific sources of light, the discoveries of which have revolutionized optical technologies in our lifetime. They discuss the nature and the characteristics of lasers, Solid-state lighting based on the Light Emitting Diode (LED) technology, and finally modern electron optics and its relationship to the Muslim golden age in science. The book’s fourth part discusses various applications of optics and light in today's world, including biophotonics, art, optical communication, nanotechnology, the eye as an optical instrument, remote sensing, and optics in medicine. In turn, the last part focuses on quantum optics, a modern field that grew out of the interaction of light and matter. Topics addressed include atom optics, slow, stored and stationary light, optical tests of the foundation of physics, quantum mechanical properties of light fields carrying orbital angular momentum, quantum communication, and Wave-Particle dualism in action.
Author: Optical Society of America. Committee on Colorimetry
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 440
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Book Description
