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Author: Robert Steele
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 222
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Book Description
Author: Robert Steele
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 222
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Book Description
Author: Robert Steele
Publisher: Wentworth Press
ISBN: 9781011112456
Category : History
Languages : en
Pages : 226
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Robert Steele
Publisher: Martino Pub
ISBN: 9781578985166
Category : Music
Languages : en
Pages : 108
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Book Description
This is the Bibliographical Society's annual publication for 1903. The first example of music printing in a book in English is the 1569 Psalter of John Day. The earliest book in which music is printed from a block is the Musices Opusculum of Burtius, printed at Bologna in 1487 by Ugo de Rugeriis.These and other important books in the history of Music printing are described by Steele. In this study of music printing and music books, Robert Steele examines and describes 197 books which contain printed music from the period 14951600from Wynkyn de Worde's music printing to the apogee of psalm-book and madrigal part-book printing. He also includes a chapter on the methods of early music printing, another chapter on the printers of English music books, a synopsis of known and doubtful editions, and some titles from authentic sources, followed by 46 facsimile plates (with the verso of each leaf blank) of early printed music
Author: Robert Steele
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 108
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Book Description
Author: Robert Steele
Publisher: London : Printed for the Bibliographical Society at the Chiswick Press
ISBN:
Category : Music
Languages : en
Pages : 218
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Book Description
Author: Robert Steele
Publisher:
ISBN:
Category : Music printing
Languages : en
Pages : 108
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Book Description
Author: Jeremy L. Smith
Publisher: Oxford ; Toronto : Oxford University Press
ISBN: 0195139054
Category : History
Languages : en
Pages : 242
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Book Description
"In Thomas East and Music Publishing in Renaissance England, Jeremy Smith not only tells the story of this influential player in early English music publishing, but also offers a vivid portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. From this lively market, beset as it was by monopolies and lawsuits, a prototype of today's copyright system emerged."--Jacket.
Author: Rebecca Herissone
Publisher: Boydell & Brewer Ltd
ISBN: 1843837404
Category : Art
Languages : en
Pages : 374
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Book Description
The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. The aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia and Reviews Editor for Eighteenth-Century Music. Contributors: Linda Phyllis Austern, Stephanie Carter, John Cunningham, Marina Daiman, Kirsten Gibson, Raphael Hallett, Rebecca Herissone, Anne Hultzsch, Freyja Cox Jensen, Stephen Rose, Andrew R. Walkling, Amanda Eubanks Winkler, James A. Winn.
Author: Valerie Hotchkiss
Publisher: University of Illinois Press
ISBN: 0252091531
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
English in Print from Caxton to Shakespeare to Milton examines the history of early English books, exploring the concept of putting the English language into print with close study of the texts, the formats, the audiences, and the functions of English books. Lavishly illustrated with more than 130 full-color images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance of popular literature; and the development of school grammars and dictionaries. Valerie Hotchkiss and Fred C. Robinson provide engaging descriptions of more than a hundred early English books drawn from the Rare Book and Manuscript Library at the University of Illinois, Urbana-Champaign, and the Elizabethan Club of Yale University. The study nearly mirrors the chronological coverage of Pollard and Redgrave's famous Short-Title Catalogue (1475-1640), beginning with William Caxton, England's first printer, and ending with John Milton, the English language's most eloquent defender of the freedom of the press in his Areopagitica of 1644. William Shakespeare, neither a printer nor a writer much concerned with publishing his own plays, nonetheless deserves his central place in this study because Shakespeare imprints, and Renaissance drama in general, provide a fascinating window on the world of English printing in the period between Caxton and Milton.
Author: George Watson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 1296
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Book Description
