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Author: Henry Havard
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 326
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Book Description
Author: Henry Havard
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 326
Get Book Here
Book Description
Author: Henry Havard
Publisher: Forgotten Books
ISBN: 9780331995947
Category : Art
Languages : en
Pages : 300
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Book Description
Excerpt from The Dutch School of Painting The artistic energy of a great nation is not a mere accident, of which we can neither determine the cause nor foresee the result. It is, on the contrary, the resultant of the genius and character of the people the reflection of the social conditions under which it was called into being; and the product of the civilisation to which it owes its birth. All the force and activity of a race appear to be concentrated in its Art; enterprise aids its growth; appreciation ensures its development; and as Art is always grandest when national prosperity is at its height, so it is pre-eminently by its Art that we can estimate the capabilities of a people. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Gabriel Metsu
Publisher: Forgotten Books
ISBN: 9781333406714
Category : Art
Languages : en
Pages : 60
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Book Description
Excerpt from Metsu: Dutch School HE following extract is from an issue of 'the Portfolio' (1904) treating of 'the Peel Collection and the Dutch School of Painting, ' by Sir Walter Armstrong. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: David C. Preyer
Publisher: Forgotten Books
ISBN: 9780365427483
Category :
Languages : en
Pages : 498
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Book Description
Excerpt from The Art of the Netherland Galleries: Being a History of the Dutch School of Painting Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in the Many Galleries It is a peculiarity, evidently indicating the satis faction of Dutch collectors with their own national art, that no other school of that period is so com pletely represented. Only a few foreign pictures, Italian and Spanish, are found here and there, and of the old Flemish school some forty men are shown. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Sir Walter Armstrong
Publisher: Forgotten Books
ISBN: 9780484247399
Category : Art
Languages : en
Pages : 96
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Book Description
Excerpt from The Peel Collection and the Dutch School of Painting Elizabethan Englishman, he was dull, massive, narrow, and intolerant. But he took long views. His eyes were clear, and within his own horizon they saw what there was to be seen. His aspect towards those flowery sides of life which mean so much to men Of southern blood, was one of apparent indiflerence. We can find no evidence that woman's beauty appealed to him. Pretty women are rare in Holland, but they are rarer still in Dutch pictures, and none of the national fashions are based on a desire to enhance beauty or to bring out its characteristic lines. The very young Dutchwoman is often a fine animal, tall, well set up, muscular and supple. For years it was my habit, during annual visits to the Hague, to have breakfast at Scheveningen and sit an hour or so on the beach before beginning the day. The crowds of bathers gave one every Oppor tunity for a true estimate of the Dutch physique. I was often reminded of the famous letter in which Lady Mary Wortley describes her visit to the ladies' bath at Adrianople; for beautiful figures frequently atoned for the plainest of faces. But the Dutch take thought to deny every charm of limb and torso when they dress, and this seems to have been their habit always. A people with such tendencies can have little romantic about it. It cannot be a race of castle-builders, inventing ideals to pursue. The imagination must work by selection from experience, not by projection to unseen fields ahead. The faces immortalized in such pictures as the Shooter's Feast of Van der Helst, or the Syndics of Rembrandt, or the St. George's Guild of Frans Hals, entirely bear out this idea. In every feature they declare capacity for the work on hand, capacity to control and manipulate, to find the line of least resistance or to stand like a wall and defy. And the female groups - the Regents Of the Spin ning-house of Hals, for instance - show similar qualities. All these heads breathe a character diametrically opposed to that of the Celtic races. They are full of intellect, but of an intellect which deliber ately prefers the most familiar of truths to the most dazzling and romantic of fictions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Gustave Geffroy
Publisher: Forgotten Books
ISBN: 9780666724380
Category : Art
Languages : en
Pages : 72
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Book Description
Excerpt from The National Gallery London: The Dutch School The Dutch School. By Gustave Geffroy A List of Painters of the Dutch School and their Pictures at the National Gallery, London xxv. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Charles H. Caffin
Publisher: Forgotten Books
ISBN: 9780365180883
Category : Art
Languages : en
Pages : 288
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Book Description
Excerpt from The Story of Dutch Painting In Wagner's mind great art, as he conceived it, stood out in clear contrast against a background of less art, of art which is produced in response to some more restricted impulse than that of a common and collective need of the people; for example, in catering to the whims of fashion. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Henry Havard
Publisher: Palala Press
ISBN: 9781354682005
Category :
Languages : en
Pages : 308
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Wilhelm Bode
Publisher: Forgotten Books
ISBN: 9780265396124
Category : Art
Languages : en
Pages : 448
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Book Description
Excerpt from Great Masters of Dutch and Flemish Painting AT the centre of Dutch Art - ih point both of time and of importance, as well as from the extent of his produc tions - stands Rembrandt van Rijn. Even if Rembrandt had not been an artist of genius, he must have aroused our interest more than almost any other Dutch painter. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Harry John Wilmot-Buxton
Publisher: Forgotten Books
ISBN: 9780364070116
Category : Art
Languages : en
Pages : 260
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Book Description
Excerpt from German, Flemish and Dutch Painting The painters of Germany and the Netherlands provide for the English Art-Student a field of study no less interesting than that furnished by the celebrated Italian Masters. In Germany - after a school of painters who worked with a deep and honest purpose but with no immense genius - Art, in the persons of Dürer and Holbein, made an advance of incomparable importance; and owing to the fact that Holbein spent many of his best years in England, and here painted a large number of his finest works, we have an additional reason for a careful study of the great German Renaissance. After these masters and their immediate disciples, Art gradually declined in the hands of such copyists as Mengs who was nothing better than a feeble imitator of Michelangelo, and of Denner who smothered Art by his excessive elaboration. The later revival under Cornelius and Overbeck, if it does not arouse enthusiasm, at least commands respect and admiration. The early schools of Holland and Flanders were so closely allied that it is difficult to divide their honours. To the Van Eycks of Bruges is due the discovery of an improved method of using oil as a vehicle in painting, and they and their followers have never been surpassed in technical excellence. Then followed Matsys and the early school of Antwerp, and after him came the decline, hastened by over-wrought composition and a futile straining after the style of the Italians. This decline was happily checked by the advent of Rubens, the Titian of the North, whose Art is manly, although it does not possess the idealism or religious sentiment of Italy, or even of the early Flemings. With his greatest pupil, Van Dyck, all Englishmen are familiar, and indeed this country has an almost equal claim with Flanders to rank him among her painters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
