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Author: John C. Greene
Publisher: Lehigh University Press
ISBN: 9780934223225
Category : Performing Arts
Languages : en
Pages : 492
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Book Description
In the analytical introduction to the calendar, the authors discuss the physical characteristics and locations of the theatres; their acoustics and capacities; the Dublin theatre season; composition, administration, and management of the companies of performers; management styles and techniques; actors' contractual arrangements, conditions, and salaries; ticket prices; benefit and command performances; the composition of the repertory; costumes, scenery, wardrobe, and machinery, and much else. Special attention is paid to areas that have been neglected by previous histories, such as dance and dancers, and prologues and epilogues.
Author: John C. Greene
Publisher: Lehigh University Press
ISBN: 9780934223225
Category : Performing Arts
Languages : en
Pages : 492
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Book Description
In the analytical introduction to the calendar, the authors discuss the physical characteristics and locations of the theatres; their acoustics and capacities; the Dublin theatre season; composition, administration, and management of the companies of performers; management styles and techniques; actors' contractual arrangements, conditions, and salaries; ticket prices; benefit and command performances; the composition of the repertory; costumes, scenery, wardrobe, and machinery, and much else. Special attention is paid to areas that have been neglected by previous histories, such as dance and dancers, and prologues and epilogues.
Author: John C. Greene
Publisher: Lexington Books
ISBN: 1611461197
Category : Performing Arts
Languages : en
Pages : 704
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Book Description
Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
Author: David O'Shaughnessy
Publisher: Cambridge University Press
ISBN: 1108498140
Category : History
Languages : en
Pages : 283
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Book Description
Reveals the contribution of Irish writers to the Georgian English stage; argues that theatre is an important strand of the Irish Enlightenment.
Author: Michael Caines
Publisher: Oxford University Press
ISBN: 0199642389
Category : Literary Collections
Languages : en
Pages : 251
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Book Description
This book considers the impact of the eighteenth century on Shakespeare, and vice versa. It describes how actors, critics, painters, and Enlightenment philosophers read and responded to Shakespeare's plays and poems, and how those plays and poems changed their lives.
Author: Barbara Freitag
Publisher: Cambridge Scholars Publishing
ISBN: 1527528898
Category : Architecture
Languages : en
Pages : 215
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Book Description
Richard Castle is widely regarded as one of the most important architects in eighteenth-century Ireland, yet this is the first book devoted to both Castle’s personal history and his professional career. The study builds on a wealth of information concerning his background. It investigates Castle’s Dutch and Sephardic ancestors, his father’s position at the Polish court, the military career of his siblings in the Saxon/Polish army, his wife’s Huguenot family, and his kinship with English economist David Ricardo. Making use of extensive research data, the book refutes commonly held misconceptions about Castle’s name, family, nationality and religion. This book will be of interest to architectural historians, readers interested in Irish/European cultural studies, and researchers into the Jewish diaspora and into early modern Europe in general.
Author: Matthew Gardner
Publisher: Cambridge University Press
ISBN: 1108492932
Category : Music
Languages : en
Pages : 303
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Book Description
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Author: Alan John Fletcher
Publisher: University of Toronto Press
ISBN: 9780802043771
Category : Drama
Languages : en
Pages : 548
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Book Description
A study of the early history of drama and performance in Ireland, from the 7th century through the 16th and 17th centuries, ending on the eve of the arrival of Oliver Cromwell.
Author: James Flanagan
Publisher: Hachette Books Ireland
ISBN: 1399722824
Category : History
Languages : en
Pages : 261
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Book Description
The Phoenix Park in Dublin holds a special place in the collective memory of Irish people. From the assassinations of 1882 and the destruction of several imperial monuments, to the arrival of Douglas Hyde as Ireland's first president and Pope John Paul's 1979 visit, it has been at the centre of Irish society for centuries. But the park is also part and parcel of daily life for many Dubliners - none more so than the Flanagan family, who have been lighting the gas lamps within its walls since 1890. Here, historian Donal Fallon speaks to brothers Frank and James Flanagan, lamplighters of the park, to give us a snapshot of a fading tradition, and a unique history of one of Ireland's most beloved places. With stunning photographs, historical events and personal stories, The Lamplighters of the Phoenix Park shines a light on the park at the centre of our national identity, through the prism of this singular family, whose histories have been intertwined for more than 150 years.
Author: Rachel Wilson
Publisher: Boydell & Brewer
ISBN: 178327039X
Category : History
Languages : en
Pages : 224
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Book Description
The late seventeenth and early eighteenth century was a period of great social and political change within Ireland, as the Protestant Ascendancy gained control of the country, aided by the English government and aristocracy, withwhom the ruling class in Ireland mixed through marriage and travel. The resulting Anglo-Irish elite, with its distinct transnational identity, differed markedly from the preceding Irish elite, but, at the same time, because of itsIrish dimension, was very different also from the contemporary English and Scottish upper classes. Women played key roles in this Anglo-Irish elite, and the nature of the Protestant Ascendancy can only be completely understood byconsidering women's roles fully. This book provides a thorough examination of the role of women in Ascendancy Ireland. It discusses marriage, family and social life; explores women's roles in economic and political life and in charitable activities; and places Irish elite women of this period in their wider historiographical context. The book is based on extensive original research, including among the papers of aristocratic families in Ireland and Britain, and provides a wealth of detail on elite women's lives in this period. Rachel Wilson completed her doctorate in modern history at Queen's University, Belfast.
Author: Jane Milling
Publisher: Cambridge University Press
ISBN: 0521650682
Category : English drama
Languages : en
Pages : 574
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Book Description
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