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Author: Otto Scott
Publisher: Routledge
ISBN: 1351492608
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
This volume is the best-known and most widely discussed work of the influential scholar and critic Irving Babbitt (1865-1933), intellectual leader of the movement known as the New Humanism. It is also the work that best conveys the ethical and aesthetic core of his thought. Broad in scope, it examines a variety of manifestations of romanticism and presents a typology of the imaginative inclinations of that movement Rousseau is analyzed as paradigmatic of the ethical and aesthetic sensibility that is replacing the classical and Christian outlook in the Western world. For Babbitt, works of imagination are integral to human life in general. He explores romanticism with a view to its implications for Western civilization.Babbitt identifies serious ethical, religious, aesthetic, and philosophical problems in the modern world, but he also shows how remedies to those problems must incorporate the best insights of modernity. First published in 1919, the book is strikingly relevant to today's discussion of the crisis of American and Western culture and education. Babbitt anticipated and analyzed dangerous cultural trends whose consequences are now widely bemoaned. He applies to these phenomena an intellectual breadth and depth rare today. At the end of the twentieth century his prescriptions for dealing with the central problems of Western civilization have acquired an acute urgency. At a time of much renewed interest in Rousseau, Babbitt's book offers a penetrating commentary that challenges widely held beliefs and interpretations.Graced with a lengthy and wide-ranging new introduction by Claes G. Ryn, Rousseau and Romanticism is simultaneously a work of literary history, criticism, and a theory of civilization. In addressing its special subject, this classic study reflects the main themes of Babbitt's thought, making it representative of his work as a whole. Ryn explicates and critically assesses Babbitt's central ideas, refutes widely circulating
Author: Otto Scott
Publisher: Routledge
ISBN: 1351492608
Category : Literary Criticism
Languages : en
Pages : 303
Get Book Here
Book Description
This volume is the best-known and most widely discussed work of the influential scholar and critic Irving Babbitt (1865-1933), intellectual leader of the movement known as the New Humanism. It is also the work that best conveys the ethical and aesthetic core of his thought. Broad in scope, it examines a variety of manifestations of romanticism and presents a typology of the imaginative inclinations of that movement Rousseau is analyzed as paradigmatic of the ethical and aesthetic sensibility that is replacing the classical and Christian outlook in the Western world. For Babbitt, works of imagination are integral to human life in general. He explores romanticism with a view to its implications for Western civilization.Babbitt identifies serious ethical, religious, aesthetic, and philosophical problems in the modern world, but he also shows how remedies to those problems must incorporate the best insights of modernity. First published in 1919, the book is strikingly relevant to today's discussion of the crisis of American and Western culture and education. Babbitt anticipated and analyzed dangerous cultural trends whose consequences are now widely bemoaned. He applies to these phenomena an intellectual breadth and depth rare today. At the end of the twentieth century his prescriptions for dealing with the central problems of Western civilization have acquired an acute urgency. At a time of much renewed interest in Rousseau, Babbitt's book offers a penetrating commentary that challenges widely held beliefs and interpretations.Graced with a lengthy and wide-ranging new introduction by Claes G. Ryn, Rousseau and Romanticism is simultaneously a work of literary history, criticism, and a theory of civilization. In addressing its special subject, this classic study reflects the main themes of Babbitt's thought, making it representative of his work as a whole. Ryn explicates and critically assesses Babbitt's central ideas, refutes widely circulating
Author: Robert F. Gleckner
Publisher: Wayne State University Press
ISBN: 9780814315439
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Author: Irving Babbitt
Publisher:
ISBN:
Category : Romanticism
Languages : en
Pages : 458
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Book Description
Author: Jean-Jacques Rousseau
Publisher: Good Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 1669
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Book Description
The Collected Works of Jean-Jacques Rousseau showcases the breadth and depth of the renowned philosopher's literary output, ranging from political theory to autobiographical musings. Written in a clear and engaging manner, Rousseau's works delve into themes of human nature, societal structures, and the nature of freedom. His writing style is profound yet accessible, making this collection a must-read for anyone interested in Enlightenment philosophy. With influences from the likes of Montesquieu and Locke, Rousseau's works are a cornerstone of Western philosophical thought.
Author: Irving Babbitt
Publisher: Library of Alexandria
ISBN: 1465612475
Category : Fiction
Languages : en
Pages : 530
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Book Description
The words classic and romantic, we are often told, cannot be defined at all, and even if they could be defined, some would add, we should not be much profited. But this inability or unwillingness to define may itself turn out to be only one aspect of a movement that from Rousseau to Bergson has sought to discredit the analytical intellect—what Wordsworth calls “the false secondary power by which we multiply distinctions.” However, those who are with Socrates rather than with Rousseau or Wordsworth in this matter, will insist on the importance of definition, especially in a chaotic era like the present; for nothing is more characteristic of such an era than its irresponsible use of general terms. Now to measure up to the Socratic standard, a definition must not be abstract and metaphysical, but experimental; it must not, that is, reflect our opinion of what a word should mean, but what it actually has meant. Mathematicians may be free at times to frame their own definitions, but in the case of words like classic and romantic, that have been used innumerable times, and used not in one but in many countries, such a method is inadmissible. One must keep one’s eye on actual usage. One should indeed allow for a certain amount of freakishness in this usage. Beaumarchais, for example, makes classic synonymous with barbaric. One may disregard an occasional aberration of this kind, but if one can find only confusion and inconsistency in all the main uses of words like classic and romantic, the only procedure for those who speak or write in order to be understood is to banish the words from their vocabulary. Now to define in a Socratic way two things are necessary: one must learn to see a common element in things that are apparently different and also to discriminate between things that are apparently similar. A Newton, to take the familiar instance of the former process, saw a common element in the fall of an apple and the motion of a planet; and one may perhaps without being a literary Newton discover a common element in all the main uses of the word romantic as well as in all the main uses of the word classic; though some of the things to which the word romantic in particular has been applied seem, it must be admitted, at least as far apart as the fall of an apple and the motion of a planet. The first step is to perceive the something that connects two or more of these things apparently so diverse, and then it may be found necessary to refer this unifying trait itself back to something still more general, and so on until we arrive, not indeed at anything absolute—the absolute will always elude us—but at what Goethe calls the original or underlying phenomenon (Urphänomen). A fruitful source of false definition is to take as primary in a more or less closely allied group of facts what is actually secondary—for example, to fix upon the return to the Middle Ages as the central fact in romanticism, whereas this return is only symptomatic; it is very far from being the original phenomenon. Confused and incomplete definitions of romanticism have indeed just that origin—they seek to put at the centre something that though romantic is not central but peripheral, and so the whole subject is thrown out of perspective.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 178
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Author: Leonard Bacon
Publisher:
ISBN:
Category :
Languages : en
Pages : 750
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Author: Laurence S. Lockridge
Publisher: Cambridge University Press
ISBN: 0521352568
Category : History
Languages : en
Pages : 516
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Book Description
Laurence Lockridge argues that a focus on the ethical dimension of literature is the single most powerful strategy for structuring a writer's work as a whole, and that it can even prove congenial. He gives original, interrelated readings of eight major British Romantic writers.
Author: Edward Jewitt Wheeler
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 566
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Book Description
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 546
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Book Description
