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Author: Kenneth Gross
Publisher: Cornell University Press
ISBN: 9780801427022
Category : Art
Languages : en
Pages : 284
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Book Description
This eloquent and evocative book explores that arresting moment encountered in film, theater, and literature: a statue steps down off its pedestal and comes to life as lover, oracle, avenger, or monster. What does it mean for the statue that stands immobile in gallery or square to step down from its pedestal or speak out of its silence? What is it in this fantasy that animates us?
Author: Kenneth Gross
Publisher: Cornell University Press
ISBN: 9780801427022
Category : Art
Languages : en
Pages : 284
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Book Description
This eloquent and evocative book explores that arresting moment encountered in film, theater, and literature: a statue steps down off its pedestal and comes to life as lover, oracle, avenger, or monster. What does it mean for the statue that stands immobile in gallery or square to step down from its pedestal or speak out of its silence? What is it in this fantasy that animates us?
Author: Michael Brenson
Publisher: Farrar, Straus and Giroux
ISBN: 0374604037
Category : Biography & Autobiography
Languages : en
Pages : 579
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Book Description
“An essential account of America’s greatest sculptor . . . [A] magnum opus.” —Marjorie Perloff, The Times Literary Supplement The landmark biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century. David Smith, a pioneer of Abstract Expressionism, did more than any other sculptor of his era to bring the plastic arts to the forefront of the American scene. Central to his project of reimagining sculptural experience was challenging the stability of any identity or position—Smith sought out the unbounded, unbalanced, and unexpected, creating works of art that seem to undergo radical shifts as the spectator moves from one point of view to another. So groundbreaking and prolific were his contributions to American art that by the time Smith was just forty years old, Clement Greenberg was already calling him “the greatest sculptor this country has produced.” Michael Brenson’s David Smith: The Art and Life of a Transformational Sculptor is the first biography of this epochal figure. It follows Smith from his upbringing in the Midwest, to his heady early years in Manhattan, to his decision to establish a permanent studio in Bolton Landing in upstate New York, where he would create many of his most significant works—among them the Cubis, Tanktotems, and Zigs. It explores his at times tempestuous personal life, marked by marriages, divorces, and fallings-out as well as by deep friendships with fellow artists like Helen Frankenthaler and Robert Motherwell. His wife Jean Freas described him as “salty and bombastic, jumbo and featherlight, thin-skinned and Mack Truck. And many more things.” This enormous, contradictory vitality was true of his work as well. He was a bricoleur, a master welder, a painter, a photographer, and a writer, and he entranced critics and attracted admirers wherever he showed his work. With this book, Brenson has contextualized Smith for a new generation and confirmed his singular place in the history of American art.
Author: Joe Moshenska
Publisher: Stanford University Press
ISBN: 1503608743
Category : Religion
Languages : en
Pages : 350
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Book Description
When sacred objects were rejected during the Reformation, they were not always burned and broken but were sometimes given to children as toys. Play is typically seen as free and open, while iconoclasm, even to those who deem it necessary, is violent and disenchanting. What does it say about wider attitudes toward religious violence and children at play that these two seemingly different activities were sometimes one and the same? Drawing on a range of sixteenth-century artifacts, artworks, and texts, as well as on ancient and modern theories of iconoclasm and of play, Iconoclasm As Child's Play argues that the desire to shape and interpret the playing of children is an important cultural force. Formerly holy objects may have been handed over with an intent to debase them, but play has a tendency to create new meanings and stories that take on a life of their own. Joe Moshenska shows that this form of iconoclasm is not only a fascinating phenomenon in its own right; it has the potential to alter our understandings of the threshold between the religious and the secular, the forms and functions of play, and the nature of historical transformation and continuity.
Author: Angela Vanhaelen
Publisher: Penn State Press
ISBN: 0271091908
Category : Art
Languages : en
Pages : 487
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Book Description
This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies.
Author: Stanton B. Garner, Jr.
Publisher: Springer
ISBN: 3319917943
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.
Author: Joan Copjec
Publisher: Verso
ISBN: 9781859848920
Category : Architecture
Languages : en
Pages : 328
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Book Description
This volume seeks to address a number of broad questions, including: what is the role and limit of urban space in the expression of group and individual rights and desires?; do democratic social relations require spatial propinquity?; and what are the characteristics of
Author: Susan Zimmerman
Publisher: Associated University Presse
ISBN: 9780838641798
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Shakespeare Studies is an international volume published every year in hard cover that contains essays and studies by critics and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its sociopolitical history, and its place in the emerging globalism of the period. In addition to articles, the journal includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modem culture. Volume XXXVI features another in the journal's ongoing series of Forums, in which scholars exchange views on an issue of importance to early modern studies. Organized and introduced by Patrick Cheney, the Forum is entitled The Return of the Author and includes commentary by ten contributors considering the issue of authorship in a postmodern milieu. Volume XXXVI also features essays on Shakespeare's Hamlet, Henry V, and Richard II and an essay on Marlowe's Doctor Faustus, as well as fourteen reviews by scholars on such wide-ranging topics as early modern cultural capitals, the Jamestown project, shaping sound in Renaissance England, the places of London comedy, Shakespeare's Shylock, and the connections between animals, rationality, and humanity in Shakespeare's time. Susan Zimmerman is Professor of English at Queens College, CUNY. Garrett Sullivan is Associate Professor of English at Pennsylvania State University.
Author: Roxana Marcoci
Publisher: The Museum of Modern Art
ISBN: 0870707574
Category : Art
Languages : en
Pages : 263
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Book Description
"Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.
Author: Rita Sakr
Publisher: Bloomsbury Publishing USA
ISBN: 1441105387
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
There has been a proliferation in recent scholarship of studies of monuments and their histories and of theoretical positions that shed light on aspects of their meanings. However, just as monuments mark their territory by attempting to ensure the existence of boundaries, sothese discourses set a boundary between their authority as platforms on which the interpretation of monumental space occurs and, in this respect, the different authority of the novel. This study crosses this boundary by means of dynamic interdisciplinary movements between selected novels by James Joyce, Yukio Mishima, Rashid al-Daif, and Orhan Pamuk, on the one hand, and various theoretical perspectives,history, and cultural geography, on the other. Through the specific choice of literary texts that represent monumental space in a typical post-imperial geopolitical contexts, Monumental Space and the Post-Imperial Novel brings into question many postcolonial paradigms. Sakr establishes a two-way interpretive methodology between theory, history,and cultural geography and the novel that serves as the groundwork for innovative interdisciplinary readings of monumental space.
Author: Ryan McCormack
Publisher: Penn State Press
ISBN: 0271087498
Category : History
Languages : en
Pages : 211
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Book Description
Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue—a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make—The Sculpted Ear rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance. Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocoön before moving to a discussion of the early modern automaton known as Tipu’s Tiger and the statue of the Commendatore in Mozart’s Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart—with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues have served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts. A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history.
