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Author: Kenneth Gross
Publisher: Cornell University Press
ISBN: 9780801427022
Category : Art
Languages : en
Pages : 284
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Book Description
This eloquent and evocative book explores that arresting moment encountered in film, theater, and literature: a statue steps down off its pedestal and comes to life as lover, oracle, avenger, or monster. What does it mean for the statue that stands immobile in gallery or square to step down from its pedestal or speak out of its silence? What is it in this fantasy that animates us?
Author: Kenneth Gross
Publisher: Cornell University Press
ISBN: 150173489X
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
The fantasy of a sculpture that moves, speaks;or responds, a statue that comes to life as an oracle, lover, avenger, mocker, or monster—few images are more familiar or seductive. The living statue appears in ancient creation narratives, the myths of Pygmalion and Don Juan, lyric poetry from the Greek Anthology to Rilke, and romantic fairy tales; it is a recurrent theme in ballet and opera, in philosophy, psychoanalysis, and film. What does it mean for the statue that stands immobile in gallery or square to step down from its pedestal or speak out of its silence? What is it in this fantasy that animates us? Kenneth Gross explores the implications of fictive statues in biblical and romantic narrative; in the poetry of Ovid, Michelangelo, Blake, Rilke, and Stevens; in the drama of Shakespeare; in the writings of Freud and Wittgenstein. He also considers their place in the poetry of such contemporaries as Richard Howard and the films of Charlie Chaplin, Frarn;ois Truffaut, and Peter Greenaway. In the motif of the moving statue, we can see how the reciprocal ambitions of writing and sculpture play off each other, often producing deeply paradoxical figures of life and voice, Stories of the living statue point to the uncertain ways in which our desires, fantasies, and memories are bound to the realm of unliving objects. Clarifying the sources of our fascination with real and imaginary statues, this book asks us to reconsider some of our most basic assumptions about the uses of fantasy and fiction. Eloquent and evocative, The Dream of the Moving Statue will capture and hold a wide audience.
Author: Steven Jacobs
Publisher: Edinburgh University Press
ISBN: 147441091X
Category : Performing Arts
Languages : en
Pages : 456
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Book Description
A dynamic, scholarly engagement with Susanne Bier's work
Author: Hazel Townson
Publisher:
ISBN: 9780862642433
Category :
Languages : en
Pages : 72
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Book Description
Author: Peter Stewart
Publisher: OUP Oxford
ISBN: 0191514241
Category : Art
Languages : en
Pages : 352
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Book Description
Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, venerated as gods, or violated as symbols of a defeated political regime, they were recognized individually and collectively as objects of enormous significance. By analysing ancient texts and images, Statues in Roman Society unravels the web of associations which surrounded Roman statues. Addressing all categories of statuary together for the first time, it illuminates them in ancient terms, explaining expectations of what statues were or ought to be and describing the Romans' uneasy relationship with 'the other population' in their midst.
Author: Ralph C. Wilcox
Publisher: State University of New York Press
ISBN: 0791487091
Category : Sports & Recreation
Languages : en
Pages : 299
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Book Description
Reaching beyond the popular celebration of commercial gains often associated with the proliferation of stadiums, events, and teams in the city, Sporting Dystopias explores the role of sport in the process of community building. Scholars from various fields, including anthropology, cultural studies, history, marketing, media studies, and sociology, examine the cultural, economic, and political interplay of sport and the city. The book systematically challenges the overwhelming claims of sport's benefit to the city as it scrutinizes the various tensions inherent in the relationship. Grounded in economic means, racial and ethnic affiliation, and the contestation for space, sport is seen as precipitating a broad range of human challenges.
Author: Susan Zimmerman
Publisher: Edinburgh University Press
ISBN: 0748680764
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture.Susan Zimmerman argues that concepts of the corpse as a semi-animate, generative and indeterminate entity were deeply rooted in medieval religious culture. Such concepts ran counter to early modern discourses that sought to harden categorical distinctions between body/spirit, animate/inanimate - in particular, the attacks of Reformists on the materiality of 'dead' idols, and the rationale of the new anatomy for publicly dissecting 'dead' bodies. Zimmerman contends that within this context, theatrical representations of the corpse or corpse/revenant - as seen here in the tragedies of Shakespeare and his contemporaries - uniquely showcased the theatre's own ideological and performative agency. Features*Original in its conjunction of critical theory (Bataille, Kristeva, Lacan, Benjamin) with an historical account of the shifting status of the corpse in late medieval and early modern England.*The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre.*Strong market appeal to scholars and graduate students with interests in the theatre of Shakespeare and his contemporaries, early modern religion and science, and literary theory. *Relevant to advanced undergraduates taking widely taught courses in Shakespeare and in Renaissance drama.
Author: Nora Clark
Publisher: Cambridge Scholars Publishing
ISBN: 144387678X
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
Aphrodite and Venus in Myth and Mimesis is a broad, flexible source book of comparative literature and cultural studies. It promotes the wide-ranging presence and impact of prominent idiosyncratic personalities in fabled goddess mythology and its emphatic notions of endearment and allure. The book brings together seven hundred acknowledged sources drawn from successive historical, global and literary eras, including principal commentaries, along with factual information and important renditions in art, prose and verse, within and beyond mainstream western culture. A lengthy, detailed introduction presents a copious documented preview of the viable adaptation and mimesis of ‘divine’ characterization and its respective centrality from the long distant past to the present day. Myth, rarely latent, demonstrates varied modes of expression and open-ended flexibility throughout the six comprehensive chapters which illuminate and probe, in turn, aspects of the ideological presence, sensibilities, trials and triumphs and interventions of the goddess, whether sacred or profane. Particular literary extracts and episodes range across ancient cultures alongside quite recent expressions of hermeneutics, blending myth with the contemporary in the multi-layered reception or admonishment of the goddess, whether by one designation or the other. As such, this book is wholly relevant to all stages of the evolution and expansion of a dynamic European literary culture and its leading authors and personalities.
Author: Michael Brenson
Publisher: Farrar, Straus and Giroux
ISBN: 0374604037
Category : Biography & Autobiography
Languages : en
Pages : 579
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Book Description
“An essential account of America’s greatest sculptor . . . [A] magnum opus.” —Marjorie Perloff, The Times Literary Supplement The landmark biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century. David Smith, a pioneer of Abstract Expressionism, did more than any other sculptor of his era to bring the plastic arts to the forefront of the American scene. Central to his project of reimagining sculptural experience was challenging the stability of any identity or position—Smith sought out the unbounded, unbalanced, and unexpected, creating works of art that seem to undergo radical shifts as the spectator moves from one point of view to another. So groundbreaking and prolific were his contributions to American art that by the time Smith was just forty years old, Clement Greenberg was already calling him “the greatest sculptor this country has produced.” Michael Brenson’s David Smith: The Art and Life of a Transformational Sculptor is the first biography of this epochal figure. It follows Smith from his upbringing in the Midwest, to his heady early years in Manhattan, to his decision to establish a permanent studio in Bolton Landing in upstate New York, where he would create many of his most significant works—among them the Cubis, Tanktotems, and Zigs. It explores his at times tempestuous personal life, marked by marriages, divorces, and fallings-out as well as by deep friendships with fellow artists like Helen Frankenthaler and Robert Motherwell. His wife Jean Freas described him as “salty and bombastic, jumbo and featherlight, thin-skinned and Mack Truck. And many more things.” This enormous, contradictory vitality was true of his work as well. He was a bricoleur, a master welder, a painter, a photographer, and a writer, and he entranced critics and attracted admirers wherever he showed his work. With this book, Brenson has contextualized Smith for a new generation and confirmed his singular place in the history of American art.
Author: Rosalyn Deutsche
Publisher: University of Chicago Press
ISBN: 0226819612
Category : Art
Languages : en
Pages : 319
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Book Description
Explores contemporary art that challenges deadly desires for mastery and dominion. Amid times of emboldened cruelty and perpetual war, Rosalyn Deutsche links contemporary art to three practices that counter the prevailing destructiveness: psychoanalytic feminism, radical democracy, and war resistance. Deutsche considers how art joins these radical practices to challenge desires for mastery and dominion, which are encapsulated in the Eurocentric conception of the human that goes under the name “Man” and is driven by deadly inclinations that Deutsche calls masculinist. The masculinist subject—as an individual or a group—universalizes itself, claims to speak on behalf of humanity, and meets differences with conquest. Analyzing artworks by Christopher D’Arcangelo, Robert Filliou, Hans Haacke, Mary Kelly, Silvia Kolbowski, Barbara Kruger, Louise Lawler, Martha Rosler, James Welling, and Krzysztof Wodiczko, Deutsche illuminates the diverse ways in which they expose, question, and trouble the visual fantasies that express masculinist desire. Undermining the mastering subject, these artworks invite viewers to question the positions they assume in relation to others. Together, the essays in Not-Forgetting, written between 1999 and 2020, argue that this art offers a unique contribution to building a less cruel and violent society.
Author: Joan Copjec
Publisher: Verso
ISBN: 9781859841341
Category : Architecture
Languages : en
Pages : 330
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Book Description
This volume seeks to address a number of broad questions, including: what is the role and limit of urban space in the expression of group and individual rights and desires?; do democratic social relations require spatial propinquity?; and what are the characteristics of
