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Author: Francis Beaumont
Publisher:
ISBN:
Category :
Languages : en
Pages : 712
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Book Description
Author: Francis Beaumont
Publisher:
ISBN:
Category :
Languages : en
Pages : 712
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Book Description
Author: Ben Jonson
Publisher:
ISBN:
Category :
Languages : en
Pages : 714
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Book Description
Author: New York (N.Y.). Mercantile Library Association
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 520
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Book Description
Author: R. W. Dent
Publisher: Univ of California Press
ISBN: 0520320972
Category : Drama
Languages : en
Pages : 318
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 694
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Author: Longman (Firm)
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 180
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Book Description
Author: Katrine K. Wong
Publisher: Routledge
ISBN: 1136169709
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong’s analysis broadens our understanding of the general theatrical representation of music, or musical dramaturgy, and complicates the current discussion of musical portrayal and construction of gender during this period. Wong discusses dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays. The negotiation between the dichotomous qualities of the heavenly and the demonic finds extensive application in recent studies of music in early modern English plays. However, while ideological dualities identified in music in traditional Renaissance thinking may seem unequivocal, various musical representations of characters and situations in early modern drama would prove otherwise. Wong, building upon the conventional model of binarism, explores how playwrights created their musical characters and scenarios according to the received cultural use and perception of music, and, at the same time, experimented with the multivalent meanings and significance embodied in theatrical music.
Author: Jeffrey Masten
Publisher: Cambridge University Press
ISBN: 9780521589208
Category : Drama
Languages : en
Pages : 244
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Book Description
Textual Intercourse proposes that the language and practice of writing plays in early modern England was inextricably linked to languages and practices of eroticism, sexuality and reproduction. Jeffrey Masten reads a range of early modern materials - burial records, contemporary biographical anecdotes and theatrical records, essays, conduct books and poems; the printed apparatus of published plays, and the plays themselves - to illustrate the ways in which writing for the theatre shifted from a model of homoerotic collaboration toward one of singular authorship on a patriarchal-absolutist model. Plays and collections of plays by Shakespeare, Shakespeare and Fletcher, Beaumont and Fletcher, Margaret Cavendish, and others, are considered. Textual Intercourse illustrate the ways in which methods attuned to sexuality and gender can illuminate more traditional questions of authorship, attribution, textual editing and intellectual property.
Author: Birmingham Free Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 396
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Book Description
Author: George Watson
Publisher: Cambridge University Press
ISBN: 9780521200042
Category : Language Arts & Disciplines
Languages : en
Pages : 1322
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Book Description
More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
