The Dramatic Use of Sources and the Characterization of the Virgin in the Coventry Mary Plays ... PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Dramatic Use of Sources and the Characterization of the Virgin in the Coventry Mary Plays ... PDF full book. Access full book title The Dramatic Use of Sources and the Characterization of the Virgin in the Coventry Mary Plays ... by Edith Kerr. Download full books in PDF and EPUB format.
Author: Edith Kerr
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
Get Book Here
Book Description
Author: Edith Kerr
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
Get Book Here
Book Description
Author: Helen Fitzjames Searight
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
Get Book Here
Book Description
Author: California. University
Publisher:
ISBN:
Category :
Languages : en
Pages : 1070
Get Book Here
Book Description
Author: University of California, Berkeley
Publisher:
ISBN:
Category :
Languages : en
Pages : 1056
Get Book Here
Book Description
Author: University of California, Berkeley
Publisher:
ISBN:
Category :
Languages : en
Pages : 1058
Get Book Here
Book Description
Author: University of California, Berkeley
Publisher:
ISBN:
Category : Commencement ceremonies
Languages : en
Pages : 600
Get Book Here
Book Description
Author: Francis Edwards
Publisher: Lutterworth Press
ISBN: 0718897870
Category : History
Languages : en
Pages : 96
Get Book Here
Book Description
In Ritual and Drama: The Mediaeval Theatre, Francis Edwards reveals that ritual forms the basis of all popular theatrical entertainment, the root from which dramatic art has grown. Covering the period from the tenth to the fifteenth centuries, Edwards focusses on the audience impact rather than the artistic qualities of the mediaeval plays, devoting much of his attention to the emotional effect of religious and dramatic ritual on the spectator. Illuminating the impact of Christian rituals, liturgy, and stories, Edwards draws illustrative parallels between mediaeval and modern states of mind. Ritual and Drama describes the growth of the dramatic idea, the styles of presentation of the mystery cycles, and the evolution of the morality play, presenting in straightforward terms a theme fundamental to our understanding of mediaeval dramatic art.
Author: Stephen Joseph Laut
Publisher:
ISBN:
Category : York plays
Languages : en
Pages : 530
Get Book Here
Book Description
Author: L. W. Cushman
Publisher: Routledge
ISBN: 0429632487
Category : Literary Criticism
Languages : en
Pages : 130
Get Book Here
Book Description
Originally published in 1900, this book was the first investigation of the devil and the Vice as dramatic figures, and a study of these figures led to a new view of the subject: it is, in brief, that the appearance of the devil in the non-dramatic as well as in the dramatic literature is limited to a definite range. As a dramatic figure the devil falls more and more into the background and the Vice is distinct in origin and function from the devil.
Author: Deanne Williams
Publisher: Bloomsbury Publishing
ISBN: 1350343218
Category : Literary Criticism
Languages : en
Pages : 337
Get Book Here
Book Description
Deanne Williams offers the very first study of the medieval and early modern girl actor. Whereas previous histories of the actress begin with the Restoration, this book demonstrates that the girl is actually a well-documented category of performer and a key participant in the drama of the Middle Ages and Renaissance. It explores evidence of the girl actor in archival records of payment, eyewitness accounts, stage directions, paintings, and in the plays and masques that were explicitly composed for girls, and, in some cases, by them. Contradicting previous scholarly assumptions about the early modern stage as male-dominated, this evidence reveals girls' participation in medieval religious drama, Tudor civic pageants and royal entries, Elizabethan country house entertainments, and Stuart court and household masques. This book situates its historical study of the girl actor within the wider contexts of 'girl culture', including girls as singers, translators and authors. By examining the impact of the girl actor on constructions of girlhood in the work of Shakespeare – whose girl characters register and evoke the power of the performing girl – Girl Culture in the Middle Ages and Renaissance argues that girls' dramatic, musical and literary performances actively shaped medieval and early modern culture. It shows how the active presence and participation of girls shaped medieval and Renaissance culture, and it reveals how some of its best-known literary and dramatic texts address, represent, and reflect upon girl children, not as an imagined ideal, but as a lived reality.
