The Drama's Patrons

The Drama's Patrons PDF Author: Leo Hughes
Publisher: University of Texas Press
ISBN: 0292741170
Category : Performing Arts
Languages : en
Pages : 220

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Book Description
The drama's laws, the drama's patrons give, For we that live to please, must please to live. —Samuel Johnson, 1747 Democratic ferment, responsible for political explosions in the seventeenth century and expanded power in the eighteenth, affected all phases of English life. The theatre reflected these forces in the content of the plays of the period and in an increased awareness among playgoers that the theatre "must please to live." Drawing from a wealth of amusing and informative contemporary accounts, Leo Hughes presents abundant evidence that the theatre-going public proved zealous, and sometimes even unruly, in asserting its role and rights. He describes numerous species of individual pest—the box-lobby saunterers, the vizard masks (ladies of uncertain virtue), the catcallers, and the weeping sentimentalists. Protest demonstrations of various interest groups, such as footmen asserting their rights to sit in the upper gallery, reflect the behavior of the audience as a whole—an audience that Alexander Pope described as "the manyheaded monster of the pit." Hughes analyzes the changes in the audience's taste through the long span from Dryden's day to Sheridan's. He illustrates the decline in taste from the sophisticated, if bawdy, comedy of the Restoration Period to the sentimentalism and empty show of later decades. He attributes the increased emphasis on sentiment and spectacle to audience influence and describes the effects of audience demands on managers, playwrights, and players. He describes in detail the mixed assembly that frequented the theatre during this period and the greatly enlarged theatres that were built to accommodate it. Hughes concludes that it was the English people's basic love of liberty that allowed them to accept audience disruptions considered intolerable by foreign visitors and that the drama's patrons greatly influenced the quality of theatrical production during this long period.

Angels in the American Theater

Angels in the American Theater PDF Author: Robert A Schanke
Publisher: SIU Press
ISBN: 9780809327478
Category : Performing Arts
Languages : en
Pages : 340

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Book Description
Composed of sixteen essays and fifteen illustrations, Angels in the American Theater explores not only how donors became angels but also their backgrounds, motivations, policies, limitations, support, and successes and failures.

The Drama

The Drama PDF Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 316

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The Drama

The Drama PDF Author: Alfred Bates
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 390

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The Drama

The Drama PDF Author: Sir Henry Irving
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 192

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The Drama; Its History, Literature and Influence on Civilization: British drama

The Drama; Its History, Literature and Influence on Civilization: British drama PDF Author: Alfred Bates
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 370

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The Drama ; Its History, Literature and Influence on Civilization: Greek and Roman drama

The Drama ; Its History, Literature and Influence on Civilization: Greek and Roman drama PDF Author: Alfred Bates
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 380

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Motion Picture Herald

Motion Picture Herald PDF Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1560

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John Bell, Patron of British Theatrical Portraiture

John Bell, Patron of British Theatrical Portraiture PDF Author: Kalman A. Burnim
Publisher: SIU Press
ISBN: 9780809321230
Category : Art
Languages : en
Pages : 304

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Book Description
For this catalog, Kalman A. Burnim has selected more than 360 portraits from various editions of the John Bell publication Bell's Shakespeare (including John Barker's continuation of 1799-1800) and from Bell's British Theatre (including George Cawthorn's 1797 edition). Philip H. Highfill Jr. has furnished the introductory essay for the catalog. Most of these portraits are by James Roberts and Samuel De Wilde, who were among the leading painters of actors and actresses between 1770 and 1820. Richard Cosway, William Hamilton, Gilbert Stuart, and other painters also have work represented in the catalog. The engraved versions are by James Thornthwaite, William Leney, Philippe Audinet, and others. When possible, each entry is illustrated by a reproduction of the engraving or by an original picture. For each entry, Burnim provides details of publication, the provenance and related pictures, the locations of the originals, and commentary.

A New History of Early English Drama

A New History of Early English Drama PDF Author: John D. Cox
Publisher: Columbia University Press
ISBN: 9780231102438
Category : Drama
Languages : en
Pages : 590

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Book Description
Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.

Audience Participation

Audience Participation PDF Author: Susan Kattwinkel
Publisher: Bloomsbury Publishing USA
ISBN: 0313057974
Category : Performing Arts
Languages : en
Pages : 240

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Book Description
Scholarly work on the impact of an active audience on theatrical and dance performance is a relatively new phenomenon, one that until now has manifested itself largely in the form of scattered dialogue on the subject. Audience Participation: Essays on Inclusion in Performance serves as a corrective to this. While the passive audience has long been acknowledged in works on response theory and audience studies for its contribution to the performance event, performance styles that use the audience as an active contributing creative force have been appended to the studies as merely variations on a theme. This anthology brings together essays on direct audience participation in the work of fourteen widely varied theatrical and dance artists, covering performance genres of the past and present, popular entertainment and high art. Its comprehensiveness and uniqueness make it an important contribution to the literature on theater and its many forms and facets.