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Author: Cheryl Robertson
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 130
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Book Description
A fully illustrated examination of a central figure in the history of interior design and the Prairie Style George Mann Niedecken (1878-1945) was a major designer in the Prairie Style, known primarily for his collaborations with Frank Lloyd Wright to furnish the interiors of several houses including the Susan Lawrence Dana House in Springfield, Illinois; the Avery Coonley House in Riverside, Illinois; and the Frederick Robie House in Chicago. Niedecken ran a successful Milwaukee business that helped revolutionize design in the upper Midwest. He called himself an "interior architect" and created domestic environments decorated with geometric abstractions, conventionalized natural motifs, muted colors with iridescent accents, and innovative furniture ensembles. His work is preserved at the Milwaukee Art Museum in the Prairie Archives, containing colored presentation renderings, working drawings, and business records from the Niedecken-Walbridge Company. The Domestic Scene reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken's commissions between 1907 and 1917 and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior designer, and client in the first quarter of the twentieth century. This expanded second edition includes updated photography, additional color images, and an essay by John C. Eastberg that deepens our understanding of Niedecken's career by presenting his lesser-known work in the context of Milwaukee's artistic and social history. Niedecken worked not only in the Prairie style but also in the Colonial and Renaissance Revival modes, and these works illustrate his versatility as a designer and entrepreneur.
Author: Cheryl Robertson
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 130
Get Book Here
Book Description
A fully illustrated examination of a central figure in the history of interior design and the Prairie Style George Mann Niedecken (1878-1945) was a major designer in the Prairie Style, known primarily for his collaborations with Frank Lloyd Wright to furnish the interiors of several houses including the Susan Lawrence Dana House in Springfield, Illinois; the Avery Coonley House in Riverside, Illinois; and the Frederick Robie House in Chicago. Niedecken ran a successful Milwaukee business that helped revolutionize design in the upper Midwest. He called himself an "interior architect" and created domestic environments decorated with geometric abstractions, conventionalized natural motifs, muted colors with iridescent accents, and innovative furniture ensembles. His work is preserved at the Milwaukee Art Museum in the Prairie Archives, containing colored presentation renderings, working drawings, and business records from the Niedecken-Walbridge Company. The Domestic Scene reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken's commissions between 1907 and 1917 and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior designer, and client in the first quarter of the twentieth century. This expanded second edition includes updated photography, additional color images, and an essay by John C. Eastberg that deepens our understanding of Niedecken's career by presenting his lesser-known work in the context of Milwaukee's artistic and social history. Niedecken worked not only in the Prairie style but also in the Colonial and Renaissance Revival modes, and these works illustrate his versatility as a designer and entrepreneur.
Author: Anne Jeanette Watson
Publisher: University of Illinois Press
ISBN: 1863170685
Category : Architects
Languages : en
Pages : 196
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Book Description
Author: Jerome Klinkowitz
Publisher: University of Wisconsin Pres
ISBN: 0299301443
Category : Architecture
Languages : en
Pages : 215
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Book Description
The demonstrations capture interest, teach, inform, fascinate, amaze, and perhaps, most importantly, involve students in chemistry. Nowhere else will you find books that answer, "How come it happens? . . . Is it safe? . . . What do I do with all the stuff when the demo is over?" Shakhashiri and his collaborators offer 282 chemical demonstrations arranged in 11 chapters. Each demonstration includes seven sections: a brief summary, a materials list, a step-by-step account of procedures to be used, an explanation of the hazards involved, information on how to store or dispose of the chemicals used, a discussion of the phenomena displayed and principles illustrated by the demonstration, and a list of references. You'll find safety emphasized throughout the book in each demonstration.
Author: Donald Hoffmann
Publisher: Courier Corporation
ISBN: 0486139220
Category : Architecture
Languages : en
Pages : 132
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Book Description
Handsome pictorial essay documents creation of residential masterpiece with more than 160 interior and exterior photos, plans, elevations, sketches, and studies. Informative text recounts the house's history, including its site, plans, and construction.
Author: Carla Lind
Publisher: Pomegranate
ISBN: 9780876544716
Category : Architecture
Languages : en
Pages : 68
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Book Description
From built-in furniture to lighting, textiles, tableware, and mosaics, this book introduces readers to the wealth of interior objects that bear the Wright imprint. Not afterthoughts, but parts of the architectural whole, Wright's furnishings and decorative pieces created a sense of repose--the key in his mind, to a proper home. The Wright-at-a-Glance series showcases the work of one of the world's best-known architects. Comprising twelve books in all, this series offers an overview of Wright's life, buildings, and designs.
Author: Lisa D. Schrenk
Publisher: University of Chicago Press
ISBN: 022631913X
Category : Architecture
Languages : en
Pages : 341
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Book Description
Between 1898 and 1909, Frank Lloyd Wright’s residential studio in the idyllic Chicago suburb of Oak Park served as a nontraditional work setting as he matured into a leader in his field and formulized his iconic design ideology. Here, architectural historian Lisa D. Schrenk breaks the myth of Wright as the lone genius and reveals new insights into his early career. With a rich narrative voice and meticulous detail, Schrenk tracks the practice’s evolution: addressing how the studio fit into the Chicago-area design scene; identifying other architects working there and their contributions; and exploring how the suburban setting and the nearby presence of Wright’s family influenced office life. Built as an addition to his 1889 shingle-style home, Wright’s studio was a core site for the ideological development of the prairie house, one of the first truly American forms of residential architecture. Schrenk documents the educational atmosphere of Wright’s office in the context of his developing design ideology, revealing three phases as he transitioned from colleague to leader. This heavily illustrated book includes a detailed discussion of the physical changes Wright made to the building and how they informed his architectural thinking and educational practices. Schrenk also addresses the later transformations of the building, including into an art center in the 1930s, its restoration in the 1970s and 80s, and its current use as a historic house museum. Based on significant original and archival research, including interviews with Wright’s family and others involved in the studio and 180 images, The Oak Park Studio of Frank Lloyd Wright offers the first comprehensive look at the early independent office of one of the world’s most influential architects.
Author: Robert Judson Clark
Publisher: Metropolitan Museum of Art
ISBN: 0810908018
Category : Art, American
Languages : en
Pages : 354
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Book Description
This exhibition catalog documents the emergence of modern American design in the second quarter of the 20th century. Cranbrook was one of the few institutions in the United States that offered instruction in design during the 1920s and 30s and its influence on architecture, interior design, art and crafts after World War II was crucial and extensive. The exhibition includes over 200 objects and photo-panels and surveys the history of the Cranbrook facility, as well as the achievements of the teachers and students. Presenting the history of the Cranbrook community, it covers Eliel Saarinen's contribution to architecture and urban design, interior design and furniture, metalwork and bookbinding, textiles, ceramics, sculpture and painting. ISBN 0-89558-097-7 (pbk.); ISBN 0-87099-341-0 (pbk.) : $45.00 (For use only in the library).
Author: David Shepherd
Publisher: Routledge
ISBN: 1317806735
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
While Jesus has attracted the sporadic interest of film-makers since the epics of the Sixties, it is often forgotten that between the advent of motion pictures in the 1890s and the close of the "silent" era at the end of the 1920s, some of the longest, most expensive and most watched films on both sides of the Atlantic were focused on the Life and Passion of the Christ. Drawing upon rarely seen archival footage and the work of both the era’s most important directors (e.g. Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W. Griffith, Carl Dreyer, and C.B. DeMille) and others who have been all but forgotten, this collection of essays offers a representative survey of the Silents of Jesus, illustrating the ways in which the earliest films and those which followed were influenced by a multiplicity of factors. Written by leading scholars in biblical and early film studies this collection explores the ways in which the Silents of Jesus were shaped not only by the performing and visual arts of the nineteenth century and the technological challenges and opportunities of a new medium and industry, but also by the artistic, theological and ideological predilections of studios and directors, and the expectations of audiences as the genre evolved. Taken together, the essays collected here offer a seminal treatment of the genesis and early evolution of the cinematic Jesus.
Author: David Van Zanten
Publisher: University of Chicago Press
ISBN: 0226850811
Category : Architecture
Languages : en
Pages : 194
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Book Description
Marion Mahony Griffin (1871–1961) was an American architect and artist, one of the first licensed female architects in the world, designer for Frank Lloyd Wright’s Chicago studio, and an original member of the Prairie School of architecture. Largely heralded for her exquisite presentation drawings for both Wright and her husband, Walter Burley Griffin, Mahony was an adventurous designer in her own right, whose independent and highly original work attracted attention at a moment when architectural drawing and graphic illustration were becoming integral to the design process. This book examines new research into Mahony’s life and paints a vivid portrait of a woman’s place among the lives and productions of some of our most noted American architects. The essays included take us on an ambitious journey from Mahony’s origins in the Chicago suburbs, through her years as Wright’s right-hand woman and her bohemian life with her husband in Australia—whose new capital city, Canberra, she helped to plan—up until her golden years in the middle of the twentieth century. Filled with richly detailed analyses of Mahony’s works and including and populated by an international cast of characters, Marion Mahony Reconsidered greatly expands our knowledge of this talented, complex, and enigmatic modern architect.
Author: Frank Lloyd Wright
Publisher: University of Washington Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 84
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Book Description
Frank Lloyd Wright designed well over 200 different chairs, most for limited production, some for mass production, and others as unique, individual works. Following his organic principles, Wright designed his chairs to serve the contextual unity of the site, its purpose, and client needs, while maintaining a strict integrity of materials, forms, and craftsmanship. The chairs can be seen as metaphors for his buildings: diverse, organic, and in their originality, reflective of his genius.These exquisite chairs are illustrated and discussed, many photographed in the settings for which they were designed. Penny Fowler, administrator of the Frank Lloyd Wright Foundation's Fine and Decorative Arts Collection, discusses Wright's contribution to the art and design of chairs. Mary Ann Eaton reflects on her life as a resident of a Frank Lloyd Wright home.
