The Divine Comedy of Pavel Tchelitchew PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Divine Comedy of Pavel Tchelitchew PDF full book. Access full book title The Divine Comedy of Pavel Tchelitchew by Parker Tyler. Download full books in PDF and EPUB format.
Author: Parker Tyler
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 578
Get Book Here
Book Description
Author: Parker Tyler
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 578
Get Book Here
Book Description
Author: Parker Tyler
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 578
Get Book Here
Book Description
Author:
Publisher: Univ. Press of Mississippi
ISBN: 9781617034183
Category : American literature
Languages : en
Pages : 520
Get Book Here
Book Description
Author: Parker Tyler
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: David A Gerstner
Publisher: Duke University Press
ISBN: 0822387662
Category : Performing Arts
Languages : en
Pages : 334
Get Book Here
Book Description
In this innovative analysis of the interconnections between nation and aesthetics in the United States during the late nineteenth century and the early twentieth, David A. Gerstner reveals the crucial role of early cinema in consolidating a masculine ideal under American capitalism. Gerstner describes how cinema came to be considered the art form of the New World and how its experimental qualities infused other artistic traditions (many associated with Europe—painting, literature, and even photography) with new life: brash, virile, American life. He argues that early filmmakers were as concerned with establishing cinema’s standing in relation to other art forms as they were with storytelling. Focusing on the formal dimensions of early-twentieth-century films, he describes how filmmakers drew on European and American theater, literature, and painting to forge a national aesthetic that equated democracy with masculinity. Gerstner provides in-depth readings of several early American films, illuminating their connections to a wide range of artistic traditions and cultural developments, including dance, poetry, cubism, realism, romanticism, and urbanization. He shows how J. Stuart Blackton and Theodore Roosevelt developed The Battle Cry of Peace (1915) to disclose cinema’s nationalist possibilities during the era of the new twentieth-century urban frontier; how Paul Strand and Charles Sheeler positioned a national avant-garde through the fusion of “American Cubism” and industrialization in their film, Manhatta (1921); and how Oscar Micheaux drew on slave narratives and other African American artistic traditions as he grappled with the ideological terms of African American and white American manhood in his movie Within Our Gates (1920). Turning to Vincente Minnelli’s Cabin in the Sky (1943), Gerstner points to the emergence of an aesthetic of cultural excess that brought together white and African American cultural producers—many of them queer—and troubled the equation of national arts with masculinity.
Author: Dominic Janes
Publisher: Bloomsbury Publishing
ISBN: 1350172626
Category : Design
Languages : en
Pages : 309
Get Book Here
Book Description
In this unique intervention in the study of queer culture, Dominic Janes highlights that, under the gaze of social conservatism, 'gay' life was hiding in plain sight. Indeed, he argues that the worlds of glamour, fashion, art and countercultural style provided rich opportunities for the construction of queer spectacle in London. Inspired by the legacies of Oscar Wilde, interwar and later 20th-century men such as Cecil Beaton expressed transgressive desires in forms inspired by those labelled 'freaks' and, thereby, made major contributions to the histories of art, design, fashion, sexuality, and celebrity. Janes reinterprets the origins of gay and queer cultures by charting the interactions between marginalized freaks and chic fashionistas. He establishes a new framework for future analyses of other cities and media, and of the roles of women and diverse identities.
Author: Guy Davenport
Publisher: David R. Godine Publisher
ISBN: 9781567920802
Category : Literary Collections
Languages : en
Pages : 404
Get Book Here
Book Description
In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.
Author: Linda Simon
Publisher: U of Nebraska Press
ISBN: 9780803292031
Category : Biography & Autobiography
Languages : en
Pages : 452
Get Book Here
Book Description
"It's fitting that Alice B. Toklas, 'wife' and literary impresario of Gertrude Stein, should be the subject of a biography . . . and this is a good one, sensitive and lively. . . . it's clear from this portrait that through her possessive affection she not only had a dominant influence on Stein's life but (for good or ill) on her highly idiosyncratic prose. With her acid tongue, shrewd judgment, vitality, and intense loyalty she was a fairly remarkable person in her-self."--Publishers Weekly. "Linda Simon writes beautifully of Alice's early years in California, of her Polish-Jewish family, of her growing alienation from her surroundings and gravitation toward artists, of her awareness of the isolating burden homosexuality would force on her. . . . entertaining, thoroughly researched. and well-written. . . .with a clear gaze fixed on undistorted truth."--Saturday Review. "A study that shows Toklas as she must have been, not 'Miss Stein's obedient shadow,'. . . but a multifaceted and complex creature with her own tastes and standards. . . . [her story] is an emotionally stirring experience."--Washington Post Book World. Linda Simon, in her preface to this Bison Book edition, calls Alice B. Toklas "a woman who, through a mixture of determination and good luck, invented a new narrative for her life" at a time when options for women were few. Simon is the author of Thornton Wilder: His World (1979), Good Writing (1988), and other books. She is now working on a biography of William James.
Author: Klara Moricz
Publisher: Univ of California Press
ISBN: 0520975529
Category : Music
Languages : en
Pages : 309
Get Book Here
Book Description
The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term.
Author: Jennifer Homans
Publisher: Random House Trade Paperbacks
ISBN: 0812984781
Category : Biography & Autobiography
Languages : en
Pages : 817
Get Book Here
Book Description
PULITZER PRIZE FINALIST • “A fascinating read about a true genius and his unrelenting thirst for beauty in art and in life.”—MIKHAIL BARYSHNIKOV Winner of the Plutarch Award for Best Biography and the Marfield Prize for Arts Writing • Finalist for the National Book Critics Circle Award, the Los Angeles Times Book Prize, the PEN/Jacqueline Bograd Weld Award, the Kirkus Prize, and the Baillie Gifford Prize Based on a decade of unprecedented research, the first major biography of George Balanchine, a broad-canvas portrait set against the backdrop of the tumultuous century that shaped the man The New York Times called “the Shakespeare of dancing”—from the bestselling author of Apollo’s Angels New York Times Editors’ Choice • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Vanity Fair, NPR, Oprah Daily Arguably the greatest choreographer who ever lived, George Balanchine was one of the cultural titans of the twentieth century—The New York Times called him “the Shakespeare of dancing.” His radical approach to choreography—and life—reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas, Mr. B carries us through Balanchine’s tumultuous and high-pitched life story and into the making of his extraordinary dances. Balanchine’s life intersected with some of the biggest historical events of his century. Born in Russia under the last czar, Balanchine experienced the upheavals of World War I, the Russian Revolution, exile, World War II, and the Cold War. A co-founder of the New York City Ballet, he pressed ballet in America to the forefront of modernism and made it a popular art. None of this was easy, and we see his loneliness and failures, his five marriages—all to dancers—and many loves. We follow his bouts of ill health and spiritual crises, and learn of his profound musical skills and sensibility and his immense determination to make some of the most glorious, strange, and beautiful dances ever to grace the modern stage. With full access to Balanchine’s papers and many of his dancers, Jennifer Homans, the dance critic for The New Yorker and a former dancer herself, has spent more than a decade researching Balanchine’s life and times to write a vast history of the twentieth century through the lens of one of its greatest artists: the definitive biography of the man his dancers called Mr. B.
