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Author: Joseph Zornado
Publisher: Taylor & Francis
ISBN: 1040092977
Category : Social Science
Languages : en
Pages : 178
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Book Description
Surveying disaster films from a Lacanian psychoanalytic perspective, this book explores the disaster film genre from its initial appearance in 1933 (The Grapes of Wrath, 1933) to its present-day form (Don’t Look Up!, 2021), laying bare the ideological unconscious at work within the genre. The Disaster Film as Social Practice examines environmental science, history, film and literature in its interdisciplinary analysis of the disaster film genre. It explores the interplay, and the dichotomy, of “restorative” and “reflective” disaster narratives. An analysis of cinema's role in symbolizing and managing collective anxiety around disaster and death narratives examines how disaster films, through their narrative structures and symbolic elements, contribute to the public's understanding and emotional processing of real-world threats, and how cinematic narratives shape and are shaped by public and private ideological discourses, reflecting deeper psychological and environmental truths. Finally, the book offers an overview of how the transformation of the disaster film genre over time tells a history through imagining the worst. Providing a nuanced understanding of the disaster film genre and its significance in contemporary culture and thought, this book will be of interest to scholars and students of film studies, cultural studies, media studies, and environmental studies.
Author: Joseph Zornado
Publisher: Taylor & Francis
ISBN: 1040092977
Category : Social Science
Languages : en
Pages : 178
Get Book Here
Book Description
Surveying disaster films from a Lacanian psychoanalytic perspective, this book explores the disaster film genre from its initial appearance in 1933 (The Grapes of Wrath, 1933) to its present-day form (Don’t Look Up!, 2021), laying bare the ideological unconscious at work within the genre. The Disaster Film as Social Practice examines environmental science, history, film and literature in its interdisciplinary analysis of the disaster film genre. It explores the interplay, and the dichotomy, of “restorative” and “reflective” disaster narratives. An analysis of cinema's role in symbolizing and managing collective anxiety around disaster and death narratives examines how disaster films, through their narrative structures and symbolic elements, contribute to the public's understanding and emotional processing of real-world threats, and how cinematic narratives shape and are shaped by public and private ideological discourses, reflecting deeper psychological and environmental truths. Finally, the book offers an overview of how the transformation of the disaster film genre over time tells a history through imagining the worst. Providing a nuanced understanding of the disaster film genre and its significance in contemporary culture and thought, this book will be of interest to scholars and students of film studies, cultural studies, media studies, and environmental studies.
Author: Joseph L. Zornado
Publisher:
ISBN: 9781032445991
Category : Disaster films
Languages : en
Pages : 0
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Book Description
"Surveying disaster film from a Lacanian psychoanalytic perspective, this book explores the disaster film genre from its initial appearance in 1933 (The Grapes of Wrath, 1933) to its present-day form (Don't Look Up!, 2021), laying bare the ideological unconscious at work within the genre. The book examines environmental science, history, film and literature in its interdisciplinary analysis of the disaster film genre. It explores the interplay, and the dichotomy, of "restorative" and "reflective" disaster narratives. Analysis of cinema's role in symbolizing and managing collective anxiety around disaster and death narratives examines how disaster films, through their narrative structures and symbolic elements, contribute to the public's understanding and emotional processing of real-world threats and how cinematic narratives shape and are shaped by public and private ideological discourses, reflecting deeper psychological and environmental truths. Finally, the book offers an overview of how the transformation of the disaster film genre over time tells a history through imagining the worst. Providing a nuanced understanding of the disaster film genre and its significance in contemporary culture and thought, this book will be of interest to scholars and students of film studies, cultural studies, media studies, and environmental studies"--
Author: Yarimar Bonilla
Publisher: Haymarket Books
ISBN: 164259086X
Category : Political Science
Languages : en
Pages : 318
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Book Description
Two years after Hurricane Maria hit, Puerto Ricans are still reeling from its effects and aftereffects. Aftershocks collects poems, essays and photos from survivors of Hurricane Maria detailing their determination to persevere. The concept of "aftershocks" is used in the context of earthquakes to describe the jolts felt after the initial quake, but no disaster is a singular event. Aftershocks of Disaster examines the lasting effects of hurricane Maria, not just the effects of the wind or the rain, but delving into what followed: state failure, social abandonment, capitalization on human misery, and the collective trauma produced by the botched response.
Author: Jean-Christophe Le Coze
Publisher: Springer Nature
ISBN: 3031337867
Category : Technology & Engineering
Languages : en
Pages : 122
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Book Description
This open access book explores the role visual tools and graphical models play in safety management. It explains the importance of visualising safety, for teaching concepts, communicating ideas to peers, and raising awareness of potential threats through posters. Visualising Safety, an Exploration introduces graphical models which have been influential in promoting ideas of safety, and impacting the organisational design of safety mechanisms, including the Heinreich ‘safety pyramid’ and Reason’s ‘Swiss Cheese’. It analyses these models, as well as other forms of visualization, presenting viewpoints from academics and practitioners in the fields of safety science, history, ethnography and interface design. This brief will be of interest to anyone working in the field of safety management and design, including researchers, managers and students.
Author: Susanna M. Hoffma
Publisher: Berghahn Books
ISBN: 1789203465
Category : Nature
Languages : en
Pages : 354
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Book Description
A consistent problem that confronts disaster reduction is the disjunction between academic and expert knowledge and policies and practices of agencies mandated to deal with the concern. Although a great deal of knowledge has been acquired regarding many aspects of disasters, such as driving factors, risk construction, complexity of resettlement, and importance of peoples’ culture, very little has become protocol and procedure. Disaster Upon Disaster illuminates the numerous disjunctions between the suppositions, realities, agendas, and executions in the field, goes on to detail contingencies, predicaments, old and new plights, and finally advances solutions toward greatly improved outcomes.
Author: Frank Krutnik
Publisher: Routledge
ISBN: 1134946864
Category : Social Science
Languages : en
Pages : 302
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Book Description
Covers a wide range of comedy with examples taken from Chaplin, Daffy Duck, Bilko, Ben Elton, Woody Allen and many others Locates comedy within the history and institutions of cinema and broadcasting
Author: Anna Volkmar
Publisher: Rowman & Littlefield
ISBN: 1666900230
Category : Social Science
Languages : en
Pages : 221
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Book Description
Humanity is struggling with the environmental destruction and social change caused by modern technologies like nuclear reactors. Politicians, scientists, and business leaders all too often revert to a tried and tested set of solutions that fails to grasp the wicked nature of the problem. Eschewing the problem-solving approach that dominates the nuclear energy debate, Anna Volkmar suggests that the only intelligent way to account for the inherent complexity of nuclear technology is not by trying to resolve it but to muddle through it. Through in-depth analyses of contemporary visual art, Volkmar demonstrates how art can suggest ways to muddle through these issues intelligently and ethically. This book is recommended for students and scholars of art history, anthropology, social science, ecocriticism, and philosophy.
Author: Scott Nearing
Publisher:
ISBN:
Category : Economic history
Languages : en
Pages : 184
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Book Description
Author: Rasmus Dahlberg
Publisher: Routledge
ISBN: 1317531396
Category : Business & Economics
Languages : en
Pages : 271
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Book Description
Given the tendency of books on disasters to predominantly focus on strong geophysical or descriptive perspectives and in-depth accounts of particular catastrophes, Disaster Research provides a much-needed multidisciplinary perspective of the area. This book is is structured thematically around key approaches to disaster research from a range of different, but often complementary academic disciplines. Each chapter presents distinct approaches to disaster research that is anchored in a particular discipline; ranging from the law of disasters and disaster historiography to disaster politics and anthropology of disaster. The methodological and theoretical contributions underlining a specific approach to disasters are discussed and illustrative empirical cases are examined that support and further inform the proposed approach to disaster research. The book thus provides unique insights into fourteen state-of-the-art disciplinary approaches to the understanding of disasters. The theoretical discussions as well as the diverse range of disaster cases should be of interest to both postgraduate and undergraduate students, as well as academics, researchers and policymakers.
Author: Joseph Zornado
Publisher: Springer
ISBN: 3319626779
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
This book analyzes Walt Disney’s impact on entertainment, new media, and consumer culture in terms of a materialist, psychoanalytic approach to fantasy. The study opens with a taxonomy of narrative fantasy along with a discussion of fantasy as a key concept within psychoanalytic discourse. Zornado reads Disney’s full-length animated features of the “golden era” as symbolic responses to cultural and personal catastrophe, and presents Disneyland as a monument to Disney fantasy and one man’s singular, perverse desire. What follows after is a discussion of the “second golden age” of Disney and the rise of Pixar Animation as neoliberal nostalgia in crisis. The study ends with a reading of George Lucas as latter-day Disney and Star Wars as Disney fantasy. This study should appeal to film and media studies college undergraduates, graduates students and scholars interested in Disney.
