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Author: Michael Segell
Publisher: Macmillan
ISBN: 9780312425579
Category : Music
Languages : en
Pages : 350
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Book Description
Traces the history of the saxophone from its invention by the eccentric Belgian instrument maker Adolphe Sax in the 1840s to its role in the jazz genre in the twenty-first century.
Author: Michael Segell
Publisher: Macmillan
ISBN: 9780312425579
Category : Music
Languages : en
Pages : 350
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Book Description
Traces the history of the saxophone from its invention by the eccentric Belgian instrument maker Adolphe Sax in the 1840s to its role in the jazz genre in the twenty-first century.
Author: Derek Carew
Publisher: Routledge
ISBN: 1351542672
Category : Music
Languages : en
Pages : 728
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Book Description
This book charts the piano's accession from musical curiosity to cultural icon, examining the instrument itself in its various guises as well as the music written for it. Both the piano and piano music were very much the product of the intellectual, cultural and social environments of the period and both were subject to many influences, directly and indirectly. These included character (individualism), the vernacular ('folk/popular') and creativity (improvisation), all of which are discussed generally and with respect to the music itself. Derek Carew surveys the most important pianistic genres of the period (variations, rondos, and so on), showing how these changed from their received forms into vehicles of Romantic expressiveness. The piano is also looked at in its role as an accompanying instrument. The Mechanical Muse will be of interest to anyone who loves the piano or the period, from the non-specialist to the music postgraduate.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1274
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 444
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Book Description
Author: Ambrose Bierce
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 341
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Book Description
“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Author: Laurel E. Fay
Publisher:
ISBN: 9780195182514
Category : Biography & Autobiography
Languages : en
Pages : 494
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Book Description
For this biography the author has used many primary documents; Shostakovich's many letters, concert programmes, newspaper articles and diaries of his contemporaries. Showing his life as an example of the paradoxes of living as an artist in Russia.
Author: Kurt Palka
Publisher: McClelland & Stewart
ISBN: 0771071418
Category : Fiction
Languages : en
Pages : 290
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Book Description
The suspenseful, emotionally resonant, and utterly compelling story of what brings an enigmatic French woman to a small Canadian town in the 1930s, a woman who has found depths of strength in dark times and comes to discover sanctuary at last. For readers of The Imposter Bride, The Cellist of Sarajevo, Sarah's Key by Tatiana de Rosnay, and The Red Violin. Helene Giroux arrives alone in St. Homais on a winter day. She wears good city clothes and drives an elegant car, and everything she owns is in a small trunk in the back seat. In the local church she finds a fine old piano, a Molnar, and she knows just how fine it is, for her family had manufactured these pianos before the Great War. Then her mother's death and war forces her to abandon her former life. The story moves back and forth in time as Helene, settling into a simple life, playing the piano for church choir, recalls the extraordinary events that brought her to this place. They include the early loss of her soldier husband and the reappearance of an old suitor who rescues her and her daughter, when she is most desperate; the journeys that very few women of her time could even imagine, into the forests of Indochina in search of ancient treasures and finally, and fatefully, to the Canadian north. When the town policeman confronts her, past and present suddenly converge and she must face an episode that she had thought had been left behind forever.
Author: Leon Isackson
Publisher: eBookIt.com
ISBN: 1456604597
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
Teen Time, Bandstand, Dig Richards, Johnny O'Keefe, Sing, Sing, Sing, Col Joye & The Joy Boys, The Delltones, Sydney Stadium, Saigon ... some of the names to be found in Behind The Rock, the refreshing frank reminiscences of Australian rock musicians, Jon Hayton and Leon Isackson. Based on personal diaries, Behind The Rock is a humorous and honest account of life in the Australian rock'n'roll scene from its birth in 1956 to the mid-sixties (and Beyond). With the changing fortunes of the band, the R'Jays, the authors take us behind-the-scenes of Festival Records, 'live' television, stadium concerts and dances, band tours in Australia, New Zealand and war-torn Vietnam and the world of adolescent sex, fans and 'band vultures', bungling managers, and hard-living and heart-broken rock stars. A no-holds-barred, eyewitness story, Behind The Rock is a vital document for understanding the history of 'Oz Rock'.
Author: Robert Palmieri
Publisher: Routledge
ISBN: 1135949646
Category : Music
Languages : en
Pages : 552
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Book Description
First Published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.
Author: George Kochevitsky
Publisher: Alfred Music
ISBN: 1457400332
Category : Music
Languages : en
Pages : 82
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Book Description
So many of the great pianists and teachers have come out of Poland and Russia (Rubinstein, Anton as well as Arthur, Leschetizky, Paderewski, the Lhevinnes, Gilels, Richter, and others), yet we know little about their methods of learning and teaching. George Kochevitsky in The Art of Piano Playing supplies some important sources of information previously unavailable in the United States. From these sources, tempered by this own thinking, Kochevitsky formulated a scientific approach that can solve most problems of piano playing and teaching. George Kochevitsky graduated in 1930 from Leningrad Conservatory and did post-graduate work at Moscow Conservatory. After coming to the U.S., he taught privately in New York City, gave a number of lectures, and wrote for various music periodicals.
